Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.

Celtic music and dance have taken North American culture by storm, becoming the soundtrack of our age. "Riverdance, Braveheart, Gael Force, and "Celtic Tides are just a few of the shows featuring Celtic music. Aside from such notable male acts as The Chieftains, this music has largely been written and performed by women, either as solo artists or as band leaders, whose work has been compiled, somewhat anonymously, on such "CDs as A Woman's Heart and "Women of the World: Celtic. But who are these women? What inspired them to perform? What do they feel about traditional and contemporary Celtic culture? Based on exclusive interviews, "Celtic Women in Music profiles the careers of 30 artists including Maire Brennan (Clannad), Dolores Keane, Eileen Ivers (Riverdance), Mary Jane Lamond, Karen Matheson (Capercaillie), Loreena McKennitt, Maddy Pryor, June Tabor, and Jean Ritchie. These musicians reveal the devotion to traditional Celtic culture that inspires their art and the sense of personal sovereignty that informs their lives as women.

Made in Ireland: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology and musicology of 20th- and 21st-century Irish popular music. The volume consists of essays by leading scholars in the field and covers the major figures, styles and social contexts of popular music in Ireland. Each essay provides adequate context so readers understand why the figure or genre under discussion is of lasting significance to Irish popular music. The book is organized into three thematic sections: Music Industries and Historiographies, Roots and Routes and Scenes and Networks. The volume also includes a coda by Gerry Smyth, one of the most published authors on Irish popular music.

"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.

While women in modern Western society have spent the last century fighting for equal rights, women in ancient Ireland were accorded legal equality with men. Under the Brehon Laws women had the right to own property, rule territories, seek an education, and sue for divorce. Celtic women were also warriors, frequently taking up arms and marching into battle with their brothers and husbands.

In an articulate, inspiring, and convincing testament, Patricia Ireland, the outspoken president of the National Organization for Women, reveals the path she has taken and the direction that America must now go. She reminds readers of what has been won, what is imperiled by the conservative political climate, and what must still be done.

An in-depth analysis of the key contribution made by the women members of this important ruling family in maintaining and advancing the family's political, landed, economic, social and religious interests.

Patricia Dolan is alone with a stolen Vermeer painting in an Irish cottage by the sea. How she got here is part of the story she tells us: about her father, a Boston cop; the numbing loss of her daughter; and her charming Irish cousin, who has led her to this high-stakes crime. Her vigil becomes a tale of love, regret, and transformation. As Patricia immerses herself in the passions of her Irish heritage, she discovers what has been hidden beneath the surface of her own life--and what she must do to preserve the things she values most.

Told through the prism of the lives of 21 extraordinary women, this remarkable book offers an alternative vision of Irish history – one that puts the spotlight on women whose contributions have been forgotten or overlooked. Author Clodagh Finn travels through the ages to 'meet', among others, Macha, the Celtic horse goddess of Ulster; St Dahalin, an early Irish saint and miracle worker; Jo Hiffernan, painter and muse to the artists Whistler and Courbet; Jennie Hodgers, a woman who fought as a male soldier in the American Civil War; Sr Concepta Lynch, businesswoman, Dominican sister and painter of a unique Celtic shrine; the Overend sisters, farmers, charity workers and motoring enthusiasts; and Rosemary Gibb, athlete, social worker, clown and accomplished magician. From a Stone Age farmer who lived in Co. Clare more than 5,000 years ago to the modern-day founder of a 3D printing company, this book opens a fascinating window onto the life and times of some amazing women whose stories were shaped by the centuries in which they lived.

This landmark book, reissued with a new foreword to mark the centenary of Irish women being granted the right to vote, is the first comprehensive analysis of the Irish suffrage movement from its mid-nineteenth-century beginnings to when feminist militancy exploded on the streets of Dublin and Belfast in the early twentieth century. Younger, more militant suffragists took their cue from their British counterparts, two of whom travelled to Ireland to throw a hatchet into the carriage of Prime Minister Herbert Asquith on O’Connell Bridge in 1912 (missing him but grazing Home Rule leader John Redmond, who was in the same carriage; both politicians opposed giving women the Vote). Despite such dramatic publicity, and other non-violent campaigning, women’s suffrage was a minority interest in an Ireland more concerned with the issue of gaining independence from Britain. The particular complexity of the Irish struggle is explored with new perspectives on unionist and nationalist suffragists and the conflict between Home Rule and suffragism, campaigning for the vote in country towns, life in industrial Belfast, conflicting feminist views on the First World War, and the suffragist uncovering of sexual abuse and domestic violence, as well as the pioneering use of hunger strike as a political tool. The ultimate granting of the franchise in 1918 represented the end of a long-fought battle by Irish women for the right to equal citizenship, and the beginning of a new Ireland that continues to debate the rights and equality of its female citizens.