This book investigates the popularity and success of contemporary women performers in bullfighting culture, which has been framed by a discourse of 'traditionalist' masculinity. This examination of the changing situation of women in the bullfighting world is used to explore the ways in which gender is represented, enacted and negotiated in contemporary Spain. The bullfight in the 1990s is in an ambiguous position: it is a 'traditional' performance in a changing consumer society. In order to survive, it needs to adapt itself to a wider social context and, in particular, to international media coverage. It is in this context that the current success of women performers is located. However, women performers are a contested phenomenon in the bullfighting world: there is heated debate over their acceptability, much of which focuses on the body. Moreover, the entry of women into the bullfight questions existing definitions of the sport's ritual structure and of gender relations in Spain. Thoroughly researched and compelling to read, Women and Bullfighting addresses these issues and argues that existing traditionalist approaches to gender, bullfighting and ritual in Spain need to be revised in order to locate women bullfighters in the context of a richly varied culture which is increasingly affected by the media and contemporary patterns of consumption. This provocative book will be of interest to researchers and students of anthropology, gender studies, sociology, cultural studies, media studies and Spanish studies.

This book investigates the popularity and success of contemporary women performers in bullfighting culture, which has been framed by a discourse of 'traditionalist' masculinity. This examination of the changing situation of women in the bullfighting world is used to explore the ways in which gender is represented, enacted and negotiated in contemporary Spain. The bullfight in the 1990s is in an ambiguous position: it is a 'traditional' performance in a changing consumer society. In order to survive, it needs to adapt itself to a wider social context and, in particular, to international media coverage. It is in this context that the current success of women performers is located. However, women performers are a contested phenomenon in the bullfighting world: there is heated debate over their acceptability, much of which focuses on the body. Moreover, the entry of women into the bullfight questions existing definitions of the sport's ritual structure and of gender relations in Spain. Thoroughly researched and compelling to read, Women and Bullfighting addresses these issues and argues that existing traditionalist approaches to gender, bullfighting and ritual in Spain need to be revised in order to locate women bullfighters in the context of a richly varied culture which is increasingly affected by the media and contemporary patterns of consumption. This provocative book will be of interest to researchers and students of anthropology, gender studies, sociology, cultural studies, media studies and Spanish studies.

La Gitana and the Lady Bullfighters of Mexico is the thrilling true story of real women matadoras, whose bravery defied tradition and death to take up the cape and sword in the bullrings of Mexico and Latin America in the 1940s and 1950s. With more than 300 actual photos, La Gitana presents the real-life drama of these valiant women -- Gloria Martinez, La Gitana, the gypsy herself, Angelina Medina, and Teresita Andaluz, along with their heroic comadres -- as together they overcame every obstacle that a machismo society and a blood sport dating to Roman times could aim at them. In skillful prose, La Gitana shares the danger, threats, struggles, and triumphs the ladies faced, unfolding their riveting story from formative years and the training they endured -- to their excitement of being lady bullfighters and the adulation they received as maestras. La Gitana takes the reader into their private world, explores the psyches that drove these daredevil ladies into the ring, and reveals the bond that kept them together through one death-defying experience after another in country after country. La Gitana and the Lady Bullfighters of Mexico is a rare reading and visual experience -- of women fighting their way to the very top of a man's business, exhibiting astonishing courage, and prevailing dangerously against all odds. La Gitana says '#metoo' more than 7- years ahead of the game, setting a standard of steely nerve and valor for generations of women to follow.

"Muriel Feiner's Women and the Bullring is a ground-breaking work--a feminist treatise sprung from one of the last bastions of male dominance and chauvinism."--Allen Josephs, University of West Florida, author of Ritual and Sacrifice in the Corrida: The Saga of Cesar Rincon The presence of women in the bullring was literally banned in Spain until 1975, when the country's political transition to democracy recognized equal rights for women in every aspect of society. After centuries of brave and relentless crusading, women have managed to make inroads into this male domain. The story of Women and the Bullring is one of daring and determined women who overcome countless obstacles and sexist barriers to realize a unique dream--that of becoming a "matadora de toros." In the first English translation of this award-winning book on the subject, Muriel Feiner chronicles the struggle of women to become matadors--not only Spanish and Latin American women but also American, French, and British--from the 17th century to the present day. She also includes women who have attempted to make inroads into the bullfighting world as bull breeders, journalists, photographers, managers, artists, and impresarios, as well as a section devoted to the wives and mothers of some of the most prominent male toreros. Feiner's extensive research included interviews with noteworthy authorities and with the protagonists themselves. The text is complemented by an extraordinary collection of historical and recent photographs. Feiner's investigation into the fears, frustrations, determination, and motivations of these remarkable women provides a unique insight into an often misunderstood spectacle. Muriel Feiner is a freelance editor, writer, and translator living in Madrid.

A true classic with a timeless message! All the other bulls run, jump, and butt their heads together in fights. Ferdinand, on the other hand, would rather sit and smell the flowers. So what will happen when Ferdinand is picked for the bullfights in Madrid? The Story of Ferdinand has inspired, enchanted, and provoked readers ever since it was first published in 1936 for its message of nonviolence and pacifism. In WWII times, Adolf Hitler ordered the book burned in Nazi Germany, while Joseph Stalin, the leader of the Soviet Union, granted it privileged status as the only non-communist children's book allowed in Poland. The preeminent leader of Indian nationalism and civil rights, Mahatma Gandhi—whose nonviolent and pacifistic practices went on to inspire Civil Rights leader Martin Luther King, Jr.—even called it his favorite book. The story was adapted by Walt Disney into a short animated film entitled Ferdinand the Bull in 1938. Ferdinand the Bull won the 1938 Academy Award for Best Short Subject (Cartoons).

Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting, published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms.

Researching the life of Bong Way Wong, a Chinese-American who gave up a promising engineering career in California in 1960 to supposedly become the first ever Chinese bullfighter, revealed there were many Chinese bullfighters in Mexico decades before him, including two Chinese women bullfighters. This book is not just about bullfighting but also about Chinese immigrants in Mexico trying to participate in a society that often refused to accept them, and even massacred many before deporting the majority of them in the 1920s/30s.

This truly monumental work maps the literature of women's studies, covering thousands of titles and Web sites in 19 subject areas published between 1985 and 1999. Intended as a reference and collection development tool, this bibliography provides a guide for women's studies information for each title along with a detailed, often evaluative review. The annotations summarize each work's content, its importance or contribution to women's studies, and its relationship to other titles on the subject. Core titles and titles that are out of print are noted, and reviews indicate which titles are appropriate as texts or supplemental texts. This definitive guide to the literature of women's studies is a must-purchase for academic libraries that support women's studies programs, and it is a useful addition to any academic or public library that endeavors to represent the field. A team of subject specialists has taken on the immense task of documenting publications in the area of women's studies in the last decades of the 20th century. The result is this truly monumental work, which maps the field, covering thousands of titles and Web sites in 19 subject areas published between 1985 and 1999. Intended as a reference and collection development tool, this bibliography provides a guide for women's studies information for each title along with a detailed, often evaluative review. The annotations summarize each work's content, its importance or contribution to women's studies, and its relationship to other titles on the subject. Most reviews cite and describe similar and contrasting titles, substantially extending the coverage. Core titles and titles that are out of print are noted, and reviews indicate which titles are appropriate as texts or supplemental texts. Taking up where the previous volume by Loeb, Searing, and Stineman left off, this is the definitive guide to the literature of women's studies. It is a must purchase for academic libraries that support women's studies programs; and a welcome addition to any academic or public library that endeavors to represent the field.

The bestselling author of The Orchid Thief and The Library Book is back with this delightfully entertaining collection of her best and brightest profiles. Acclaimed New Yorker writer Susan Orlean brings her wry sensibility, exuberant voice, and peculiar curiosities to a fascinating range of subjects—from the well known (Bill Blass) to the unknown (a typical ten-year-old boy) to the formerly known (the 1960s girl group the Shaggs). Passionate people. Famous people. Short people. And one championship show dog named Biff, who from a certain angle looks a lot like Bill Clinton. Orlean transports us into the lives of eccentric and extraordinary characters—like Cristina Sánchez, the eponymous bullfighter, the first female matador of Spain—and writes with such insight and candor that readers will feel as if they’ve met each and every one of them. The result is a luminous and joyful tour of the human condition as seen through the eyes of the writer heralded by the Chicago Tribune as a “journalist dynamo.”

First published in 1927, Men Without Women represents some of Hemingway's most important and compelling early writing. In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often-uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heart-wrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.