A 2012 New York Times Book Review Notable Book "Staggering, searing…Ms. Gubar deserves the highest admiration for her bravery and honesty." —New York Times Diagnosed with ovarian cancer in 2008, Susan Gubar underwent radical debulking surgery, an attempt to excise the cancer by removing part or all of many organs in the lower abdomen. Her memoir mines the deepest levels of anguish and devotion as she struggles to come to terms with her body’s betrayal and the frightful protocols of contemporary medicine. She finds solace in the abiding love of her husband, children, and friends while she searches for understanding in works of literature, visual art, and the testimonies of others who suffer with various forms of cancer. Ovarian cancer remains an incurable disease for most of those diagnosed, even those lucky enough to find caring and skilled physicians. Memoir of a Debulked Woman is both a polemic against the ineffectual and injurious medical responses to which thousands of women are subjected and a meditation on the gifts of companionship, art, and literature that sustain people in need.

The culmination of a lifetime's scholarly work, this study by Sister Prudence Allen traces the concept of woman in relation to man in Western thought from ancient times to the present. This volume is the second in her study, in which she explores claims about sex and gender identity in the works of over fifty philosophers (both men and women) in the late medieval and early Renaissance periods.

A provocative and bracing send-up of modern masculinity, from the author of Class and The Story of My Purity Marcello, an editor and poet, is on the brink of his forties. Like everyone in his life, including his sister-in-law, he’s writing a novel. This novel. This novel will be about women. Love. Growing older. Maybe even taking responsibility. But unfortunately for Marcello, the women in his life resist definition. They flit and flicker constantly between archetype and actuality: sirens and saviors, subordinates and savants, vixens and villains. So Marcello cannot write plainly about love. Instead, he tries to write into the complexities of his many relationships: Eleonora, the junior editor, his former protegeé and sometime lover; Barbara, his claustrophobic girlfriend; his estranged gay sister; his elegant mother. Fresh, frank, and painfully cool, Francesco Pacifico’s The Women I Love dives nakedly into gender, sex, and power. Set in a vivid and alcoholic Italy, it acknowledges and subverts the narrow ways canonical male writers gaze at, and somehow fail to see, women—illuminating the possibility of equity between people in love, in bed, in work, and in life.

these deal with the problem of truth, the actuality in which we live as perceived by the senses, reality as appears to our consciousness, and the relationship between them. In the main part of the book Krishnamurti considers how man's consciousness is made up of all sorts of misconceptions about the 'me', or the ego centre; he also points out how solidly conditioned it is. 'You cannot go through reality to come to truth; you must understand the limitation of reality, which is the whole process of though, ' he says. The book ends with some questions and answers which throw light on certain issues previously touched upon

Recapture Your Heart's Truest Longings Deep in her heart, every woman longs for a man to see her beauty and cherish it. We long to be pursued and courted, and to make love to someone who truly loves us for keeps. Yet today, 'healthy and normal' implies giving ourselves sexually with no expectation of depth, intimacy, or commitment. We're expected to handle our relationships with men with no jealousy when they're threatened, no fear of their ending, and no grief when they do. The proof of our equality with men has become our ability to flatline a broken heart. Compassionate counselor Paula Rinehart understands the high price a woman pays in loosening her sexual boundaries, and the unique role sex plays in forging a bond meant to last a lifetime. She shows you how to break free from the bondage of misused sexuality and how to create a whole new start with men.

Historian, social reformer, and women's suffrage campaigner, Mary Ritter Beard (1876-1958) was one of the most prominent intellectuals of her day. Co-author with her husband, Charles Beard of The Rise of American Civilization: and other works in US history, she also founded the modern field of women's history. This collection of her letters, offers in effect an intellectual biography which is considered to be better documented and more vivid than any previous book about her.

The Colorado Women's Hall of Fame was founded in 1985, by a group of women who were concerned that both historic and contemporary women who shared foresight, vision, enthusiasm, and the power of accomplishment were not receiving appropriate acknowledgment. Fearful that splendid achievements would be forgotten, they wished to honor women who, during their lifetime, made a significant contribution to Colorado as a state or territory. It is the hope of the founders that by so honoring Colorado's women of consequence, their spirits might inspire future generations.In the first decade since the founding, fifty-nine women were selected for induction. Although historians habitually ignored the vital part that women played in the building of the West, in actuality these women's lives contain plots and characters that would enliven the most gripping novels. We have saints, like Frances Wisebart Jacobs and the theatrical angel Helen Bonfils; activists such as Josephine Roche and Rachel Noel; a scientific genius in Florence Sabin; and visionaries like Dana Crawford. There are tragedies, as with the Tabor wives, and the lighter-hearted tales of Mary Elitch Long and Mary Coyle Chase.Women of Consequence provides a bonanza of role models who opened new frontiers for women in so many fields, including business, journalism and newspaper publishing, science and medicine, law, politics, education, charity work, botany and even taxidermy. These stories are sure to inspire, delight, and instruct readers throughout Colorado, from young adults to senior citizens, whether they've lived here all their lives or moved here recently.

INSTANT INTERNATIONAL BESTSELLER A beautiful tale of hope, courage, and sisterhood—inspired by the real House of Mercy and the girls confined there for daring to break the rules. Growing up in New York City in the 1910s, Luella and Effie Tildon realize that even as wealthy young women, their freedoms come with limits. But when the sisters discover a shocking secret about their father, Luella, the brazen elder sister, becomes emboldened to do as she pleases. Her rebellion comes with consequences, and one morning Luella is mysteriously gone. Effie suspects her father has sent Luella to the House of Mercy and hatches a plan to get herself committed to save her sister. But she made a miscalculation, and with no one to believe her story, Effie’s own escape seems impossible—unless she can trust an enigmatic girl named Mable. As their fates entwine, Mable and Effie must rely on their tenuous friendship to survive. Home for Unwanted Girls meets The Dollhouse in this atmospheric, heartwarming story that explores not only the historical House of Mercy, but the lives—and secrets—of the girls who stayed there. “Burdick has spun a cautionary tale of struggle and survival, love and family — and above all, the strength of the heart, no matter how broken.” — New York Times Book Review “Burdick reveals the perils of being a woman in 1913 and exposes the truths of their varying social circles.” — Chicago Tribune

Examining an impressive length of Irish cultural history, from 1700–1960, Reading the Irishwoman explores the dynamisms of cultural encounter and exchange in Irish women's lives. Analyzing the popular and consumer cultures of a variety of eras, it traces how the circulation of ideas, fantasies, and aspirations shaped women's lives both in actuality and in imagination. The authors uncover a huge array of different representations that Irish women have been able to identify with, including heroine, patriot, philanthropist, actress, singer, model, and missionary. By studying this diversity of viable roles in the Irish woman's cultural world, the authors point to evidence of women's agency and aspiration that reached far beyond the domestic sphere.

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