Self Help.

Martin pens a warm, funny, and intimate diary of her voyage into the world of therapy, which she calls the strangest journey of my life. Martin's fantastic journey of self-awareness is heartbreaking and hilarious--Julie Klam, author of "Please Excuse My Daughter."

The huge international success of his latest feature, All About My Mother, has finally granted Pedro Almodovar the recognition he deserves, as the most artistically ambitious and commercially consistent film-maker in Europe.

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“...propulsive and compelling...a gripping [story].” — New York Times Book Review “Beautifully subtle. . . . It draws the reader in page after page.” — Boston Globe “Astonishing Splashes of Colours is a brave and startling book, tinted, shaded and stained like life itself.” — Philadelphia Inquirer “This finely constructed novel, Booker Prize (shortlist), should please readers of both popular and literary fiction.” — Library Journal (starred review) “Wellington, a memorable heroine, narrates “Astonishing Splashes of Color,” a terrific debut novel by British writer Clare Morrall.” — Buffalo News “An extraordinary, gripping novel written with no sentimentality. A wonderful piece of writing” — Professor John Carey, Chair of the Man Booker Prize “A heart-breaking and accomplished debut.” — Bookseller (London) “An extremely good first novel: deceptively simple, subtly observed, with a plot that drags you forward like a strong current.” — Daily Mail (London) “A moving novel about loss, and particularly lost children” — The Guardian (UK) “A core of truth, suffused with a golden glow, becoming more pleasurable the more [it] wander[s].” — San Francisco Chronicle “Equally dangerous and endearing, ASTONISHING SPLASHES OF COLOUR is a poignant tour through the many moods of loss.” — Laurie Fox, author of The Lost Girls “Astonishing Splashes of Color commands us from the first page...” — Jacquelyn Mitchard “This finely constructed novel, Booker Prize (shortlist), should please readers of both popular and literary fiction.” — Library Journal “An inprobably uplifting novel about depression and its sources.” — Independent (UK) “Absorbing and sure-footed first novel...extremely well written and cimpulsively readable...a genuinely solid and satisfying work of fiction.” — Sunday Times (London)

In this taut and thrilling debut, an unraveling woman, unhappily childless and recently separated, becomes fixated on her neighbor--the beautiful, famous actress. The unnamed narrator can't help noticing with wry irony that, though she and the actress live just a few doors apart, they are separated by a chasm of professional success and personal fulfillment. When an interaction with the actress at the annual block party takes a disastrous turn, what began as an innocent preoccupation spirals quickly, and lethally, into a frightening and irretrievable madness.

Now a major television series on All4 and CBC, The Coroner is the first gripping installment in Matthew Hall's twice CWA Gold Dagger nominated Coroner Jenny Cooper series. Death is her living . . . When lawyer Jenny Cooper is appointed Severn Vale District Coroner, she’s hoping for a quiet life and space to recover from a traumatic divorce, but the office she inherits from the recently deceased Harry Marshall contains neglected files hiding dark secrets and a trail of buried evidence. Could the tragic death in custody of a young boy be linked to the apparent suicide of a teenage prostitute and the fate of Marshall himself? Jenny’s curiosity is aroused. Why was Marshall behaving so strangely before he died? What injustice was he planning to uncover? And what caused his abrupt change of heart? In the face of powerful and sinister forces determined to keep both the truth hidden and the troublesome coroner in check, Jenny embarks on a lonely and dangerous one-woman crusade for justice which threatens not only her career but also her sanity. The Coroner is followed by the second book in the Coroner Jenny Cooper series, The Disappeared. The Jenny Cooper novels have been adapted into a hit TV series, Coroner, made for All4, CBC and NBC Universal starring Serinda Swan and Roger Cross.

Peter William Evans conducts a formidable analysis of Almodovar's insights into gender, sexuality and subjectivity, and discusses the film against the background of political and social changes in Spain since 1975.