Infused with the same warmth and excitement of the two previous books in her popular Brides of Culdee Creek series, Kathleen Morgan's third book tells Evan MacKay and Claire Sutherland's story. Heartbroken at losing his first love to another man, Evan leaves Culdee Creek in hopes of forgetting her. When his searching heart brings him to his ancestral home of Scotland, he encounters a beautiful young woman who begins to fill the empty corners of his soul. After a whirlwind courtship, the tempestuous lovers return to Culdee Creek ranch. But when their hopes and dreams are confronted by the realities and challenges of married live, will love be enough to keep them together?

After the death of her husband and son, Abigail Stanton becomes housekeeper for rugged Conor McKay'a man harboring his own pain. Brides of Culdee Creek book 1.

These classic historical romance novels are getting a new look for the next generation of readers. But the wonderful stories remain the same, as touching and fresh as they were when first published. Praise for the Brides of Culdee Creek series: "A poignant love story that will remain with the reader long after the book is closed."--Lori Copeland, author of the Brides of the West series "A beautiful story of redemptive love. . . . A memorable read."--Robin Lee Hatcher, author of Catching Katie "A spectacular new series."--Library Journal Praise for Kathleen Morgan: "Kathleen Morgan writes with deep emotion and feeling."--Reader to Reader "A marvelous storyteller."--Romantic Times "Kathleen Morgan is a phenomenal writer!"--The Talisman

Set against the powerful backdrop of the Colorado Rockies in 1879, a young schoolteacher finds herself caught in a clash of cultures as she fights for love against overwhelming odds.

The popular image of Scotland is dominated by widely recognized elements of Celtic culture. But a significant non-Celtic influence on Scotland's history has been largely ignored for centuries? This book argues that much of Scotland's history and culture from 1100 forward is Jewish. The authors provide evidence that many of the national heroes, villains, rulers, nobles, traders, merchants, bishops, guild members, burgesses, and ministers of Scotland were of Jewish descent, their ancestors originating in France and Spain. Much of the traditional historical account of Scotland, it is proposed, rests on fundamental interpretive errors, perpetuated in order to affirm Scotland's identity as a Celtic, Christian society. A more accurate and profound understanding of Scottish history has thus been buried. The authors' wide-ranging research includes examination of census records, archaeological artifacts, castle carvings, cemetery inscriptions, religious seals, coinage, burgess and guild member rolls, noble genealogies, family crests, portraiture, and geographic place names.

Given by Eugene Edge III.

The nineteenth century squatter and painter Duncan Elphinstone Cooper spent about thirteen years of his life in the Western District of Victoria where he painted the fifty-four pictures presented in this volume. Most of these are from Cooper's The Challicum Sketch Book, now a treasured part of the collections of the National Library of Australia; the paintings deal almost exclusively with the grazing property of that name — from tent to house and beyond.