Grass shaped by wind, stone grooved by rain - poems with the small, relentless power of nature.

What is it like to be an anthropologist or, more specifically, a woman anthropologist? Here we see highly trained and qualified women anthropologists examining their own efforts to live and work in alien cultures in many parts of the world. New chapters have been added to this ground-breaking volume, and each contributor is, in one way or another, a pioneer. All have chosen to devote their lives and energies to the understanding of worlds not their own. All have felt it important to explain what they do, why they do it, and how they feel about their work. Cultures vary widely in their perception of a woman engaged in anthropological field work. Each of these women has had to deal with the influence of her gender, as well as the subject of her study, on the mechanics of establishing a living-working relationship with people of another culture. The diversity of their responses to the presence of a foreign woman at work in their midst gives the book an invaluable cross-cultural perspective, as does the great variety of reactions and strategies on the part of the authors themselves. Besides providing rare insight into field work in general, Women in the Field mirrors the difficulties and delights of any person thrust into an unfamiliar culture.

In our collective memory, the First World War is dominated by men. The sailors, soldiers, airmen and politicians about whom histories are written were male, and the first half of the twentieth century was still a time when a woman's place was thought to be in the home. It was not until the Second World War that women would start to play a major role both in the armed forces and in the factories and the fields. Yet there were some women who were able to contribute to the war effort between 1914 and 1918, mostly as doctors and nurses. In Women in the War Zone, Anne Powell has selected extracts from first-hand accounts of the experiences of those female medical personnel who served abroad during the First World War. Covering both the Western and the Eastern Fronts, from Petrograd to Basra and from Antwerp to the Dardanelles, they include nursing casualties from the Battle of Ypres, a young doctor put in charge of a remote hospital in Serbia and a nurse who survived a torpedo attack, albeit with serious injuries. Filled with stories of bravery and kindliness, it is a book that honours the often unsung contribution made by the female doctors and nurses who helped to alleviate some of the suffering of the First World War.

Crossing disciplinary boundaries, At Home and in the Field is an anthology of twenty-first century ethnographic research and writing about the global worlds of home and disjuncture in Asia and the Pacific Islands. These stories reveal novel insights into the serendipitous nature of fieldwork. Unique in its inclusion of "homework"—ethnography that directly engages with issues and identities in which the ethnographer finds political solidarity and belonging in fields at home—the anthology contributes to growing trends that complicate the distinction between "insiders" and "outsiders." The obligations that fieldwork engenders among researchers and local communities are exemplified by contributors who are often socially engaged with the peoples and places they work. In its focus on Asia and the Pacific Islands, the collection offers ethnographic updates on topics that range from ritual money burning in China to the militarization of Hawai'i to the social role of text messages in identifying marriage partners in Vanuatu to the cultural power of robots in Japan. Thought provoking, sometimes humorous, these cultural encounters will resonate with readers and provide valuable talking points for exploring the human diversity that makes the study of ourselves and each other simultaneously rewarding and challenging.

An addition to the Southern Women series, Alabama Women celebrates the contributions of women and enriches our understanding of the past. Exploring such subjects as politics, arts, and civic organizations, this collection of eighteen biographical essays provides insight into the historical significance of these women.

"It was dawn before I fell asleep, and later in the morning I was only half-awake as I fed a fresh sheet of paper into the typewriter and began to copy the notes from the previous day out of my book. But I wasn't too weary to type the date line firmly as if I'd been writing date lines all my life: from the front at iwo jima march 5-- Then I remembered and added two words. under fire-- They looked great." In 1965, Wisconsin native Georgette "Dickey" Chapelle became the first female American war correspondent to be killed in action. Now, "Dickey Chapelle Under Fire" shares her remarkable story and offers readers the chance to experience Dickey's wide-ranging photography, including several photographs taken during her final patrol in Vietnam. Dickey Chapelle fought to be taken seriously as a war correspondent and broke down gender barriers for future generations of female journalists. She embedded herself with military units on front lines around the globe, including Iwo Jima and Okinawa, the Dominican Republic, and Vietnam. Dickey sometimes risked her life to tell the story--after smuggling aid to refugees fleeing Hungary, she spent almost two months in a Hungarian prison. For twenty-five years, Dickey's photographs graced the pages of "National Geographic," the "National Observer," "Life," and others. Her tenacity, courage, and compassion shine through in her work, highlighting the human impact of war while telling the bigger story beyond the battlefield. In "Dickey Chapelle Under Fire," the American public can see the world through Dickey's lens for the first time in almost fifty years, with a foreword by Jackie Spinner, former war correspondent for "The Washington Post."

A remarkable, one-of-a-kind collection. Filled with insight, anecdotes, and fascinating snapshots from the past, ONE WOMAN'S CENTURY is a celebration of the life and work of iconic Saskatchewan author Kay Parley, covering the full scope of her work from 1938 all the way to 2024. That’s 86 years of her writing! At the age of 101, Kay is still going strong, with a regular column in Folklore Magazine and the Wolseley Bulletin. She is the author of the critically acclaimed memoir Inside the Mental: Silence, Stigma, Psychiatry, and LSD about her time at the Weyburn Mental Institute in the 1950s, first as a patient, and then as a psychiatric nurse, and of the magical novel The Grass People about a world tucked out of sight beneath the leafy plants and tall grass we walk by every day, as well as the dark mystery The Monkey Vault. In 2019, Kay Parley was the subject of an award winning documentary, A Mind of Her Own, by filmmaker Judith Silverthorne. A talented painter, educator, and author, Kay worked with Lorne Greene at CBC Radio and taught sociology for many years at the Kelsey Institute in Saskatoon. ONE WOMAN’S CENTURY is the first comprehensive collection of her work, spanning the Dust Bowl of the Great Depression to the climate change of today. Timely, heart-felt and endlessly fascinating.