Beautifully written and unexpectedly moving, John Darnielle's audacious and gripping debut novel Wolf in White Van is a marvel of storytelling and genuine literary delicacy. Welcome to Trace Italian, a game of strategy and survival! You may now make your first move. Isolated by a disfiguring injury since the age of seventeen, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. His primary creation, Trace Italian, is an intricate text-role playing game that enables participants far and wide to explore a dystopian America, seeking refuge amidst the ruin. However, when two high school players, Lance and Carrie, extend the game into their reality, the consequences are horrifying, leaving Sean to account for it. Darnielle’s Wolf in White Van invites us to comprehend the depth and intricacy of Sean's life. Told in reverse, the story draws us back to the moment that fundamentally altered Sean’s life as he knows it.

New York Times Bestseller "A moving, beautifully etched picture of America’s lost and profoundly lonely." —Kazuo Ishiguro, author of The Remains of the Day and winner of the 2017 Nobel Prize for Literature “Brilliant . . . Darnielle is a master at building suspense, and his writing is propulsive and urgent; it’s nearly impossible to stop reading . . . [Universal Harvester is] beyond worthwhile; it’s a major work by an author who is quickly becoming one of the brightest stars in American fiction.” —Michael Schaub, Los Angeles Times “Grows in menace as the pages stack up . . . [But] more sensitive than one would expect from a more traditional tale of dread.” —Joe Hill, New York Times Book Review Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut. So begins Universal Harvester, the haunting and masterfully unsettling new novel from John Darnielle, author of the New York Times Bestseller and National Book Award Nominee Wolf in White Van Jeremy works at the Video Hut in Nevada, Iowa. It’s a small town in the center of the state—the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It’s good enough for Jeremy: it’s a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck. But when a local schoolteacher comes in to return her copy of Targets—an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store—she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, a different customer returns a different tape, a new release, and says it’s not defective, exactly, but altered: “There’s another movie on this tape.” Jeremy doesn’t want to be curious, but he brings the movies home to take a look. And, indeed, in the middle of each movie, the screen blinks dark for a moment and the movie is replaced by a few minutes of jagged, poorly lit home video. The scenes are odd and sometimes violent, dark, and deeply disquieting. There are no identifiable faces, no dialogue or explanation—the first video has just the faint sound of someone breathing— but there are some recognizable landmarks. These have been shot just outside of town. In Universal Harvester, the once placid Iowa fields and farmhouses now sinister and imbued with loss and instability and profound foreboding. The novel will take Jeremy and those around him deeper into this landscape than they have ever expected to go. They will become part of a story that unfolds years into the past and years into the future, part of an impossible search for something someone once lost that they would do anything to regain. “This chilling literary thriller follows a video store clerk as he deciphers a macabre mystery through clues scattered among the tapes his customers rent. A page-tuning homage to In Cold Blood and The Ring.” —O: The Oprah Magazine “[Universal Harvester is] so wonderfully strange, almost Lynchian in its juxtaposition of the banal and the creepy, that my urge to know what the hell was going on caused me to go full throttle . . . [But] Darnielle hides so much beautiful commentary in the book’s quieter moments that you would be remiss not to slow down.” —Abram Scharf, MTV News “Universal Harvester is a novel about noticing hidden things, particularly the hurt and desperation that people bear under their exterior of polite reserve . . . Mr. Darnielle possesses the clairvoyant’s gift for looking beneath the surface.” —Sam Sacks, The Wall Street Journal “[Universal Harvester is] constantly unnerving, wrapped in a depressed dread that haunts every passage. But it all pays off with surprising emotionality.” —Kevin Nguyen, GQ.com

John Darnielle describesMaster of Reality in the voice of a fifteen-year-old boy being held in an adolescent psychiatric center in southern California in 1985. The narrator explains Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly.

INSTANT NEW YORK TIMES BESTSELLER “It’s never quite the book you think it is. It’s better.” —Dwight Garner, The New York Times From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling. Gage Chandler is descended from kings. That’s what his mother always told him. Years later, he is a true crime writer, with one grisly success—and a movie adaptation—to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell––his closest childhood friend lived there, once upon a time. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected—back into his own work and what it means, back to the very core of what he does and who he is. Devil House is John Darnielle’s most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.

ONE OF TIME'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR, Bustle, Good Housekeeping, the New York Public Library, Library Journal, Lit Hub, Electric Literature, and Tor.com "As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves. In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.

Black Sabbath's Master of Reality has maintained remarkable historical status over several generations; it's a touchstone for the directionless, and common coin for young men and women who've felt excluded from the broader cultural economy. John Darnielle hears it through the ears of Roger Painter, a young adult locked in a southern California adolescent psychiatric center in 1985; deprived of his Walkman and hungry for comfort, he explains Black Sabbath as one might describe air to a fish, or love to an android, hoping to convince his captors to give him back his tapes.

Listen carefully and you will hear the wild, untamed music of Gray Wolf as he races along icy ridges, howls at the moon, fiercely defends his territory against an unknown pack, and, finally, settles with a new mate. The simple, poetic text follows the restless Gray Wolf as he wanders through the northern winter night and the spectacular illustrations present a dramatic look at a beautiful, endangered animal. An afterword that adults will want to share with children is also included and offers detailed information on wolves and their range throughout the world.

Winnie and Wolf is the story of the extraordinary friendship between Winifred Wagner and Adolf Hitler in the Years between the First and Second World Wars. The girl who would become Winifred Wagner was raised in an orphanage and married, at the age of eighteen, to the gay son of composer Richard Wagner. As heiress to the country's most august cultural legacy, she grows up in the Wagner family compound, surrounded by the philosophers and composers who would define western European culture in the mid-twentieth century. In 1923, the Wagners met the man who would be their hero and hope for the future: a wild-eyed Viennese opera fanatic named Adolf Hitler. Almost immediately Winnie and Wolf struck up an intimate friendship. In A. N. Wilson's most bold and ambitious novel yet, the world of the Weimar Republic comes to vivid life as the backdrop to this strange and powerful kinship.

An undercover FBI agent has been exposed—while a traitor hides within the Bureau, in this heart-pounding crime thriller by “a knock-em-dead writer” (Anthony Neil Smith, author of Slow Bear). Tony Wolf, a troubled man and the FBI’s most esteemed undercover agent, is back after mysteriously vanishing without a trace. A specialist at infiltrating criminal organizations and taking them down from the inside, he lives his life in the shadows. But when he’s forced into the open during the rescue of two kidnapped children, Wolf becomes caught up in a massive federal manhunt. Faced with a traitorous agent and a ruthless, renegade biker gang he has crossed paths with before, Wolf finds himself in danger. And when he realizes that the double agent is helping the gang, Wolf sets out on a lethal mission to uncover the truth, no matter the cost. “J. D. Rhoades kicks ass!” —J. A. Konrath, author of the Jack Daniels series on Good Day in Hell

I Will Be Wolf by Bertien van Manen reveals daily life in metropolitan Hungary in 1975 under Soviet occupation. Her photographs of commuters, grocers, chemists, café workers, and street vendors contain all the hallmarks of a bygone era, before the grip of globalisation made its mark on the Soviet Bloc. Imbued with an air of ambivalent nostalgia, the book takes its title from the poem Grief by Hungarian poet Jozsef Attila. I Will Be Wolf presents an early example of van Manen's unconventional image-making style in a beautiful volume compiled under the editorial direction of renowned British photographer Stephen Gill.