Lilies have always been a recurring motif in the author’s life, and to her, they symbolise the cycle of death and rebirth. This collection of poetry, "Withered Lilies," takes a stroll through the life of a young girl to visit her friends and family, and subsequently arriving at her emergence as an adult. It is divided into two parts: The Self & The Family. “The Self” revolves around the author’s perception of life and how her convictions have developed over time. It also accommodates a few personal anecdotes that have shaped her existence. In “The Family,” the author visits her relationship with her friends and family and gives an account of the life she has shared with them. This section cherishes the lives of the people whom she has loved and lost, and the people who linger on even through adversity. Withered Lilies, although written in verse, narrates stories of excitement, affection, perplexity and bereavement among many others. It is an adventure through poetry!

DigiCat Publishing presents to you this special edition of "Dreams and Delights" by Elizabeth Louisa Moresby. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This fresh examination of antebellum politics comprehensively examines the ways that gender issues and gendered discourse exacerbated fissures within the Democratic Party in the critical years between 1856 and 1861. Whereas the cultural politics of gender had bolstered Democratic unity through the 1850s, the Lecompton crisis and John Brown's raid revealed that white manhood and its association with familial and national protection meant disparate—and ultimately incompatible—things in free and slave society. In fierce debates over the extension of slavery, gendered rhetoric hardened conflicts that ultimately led to the outbreak of the Civil War. Lauren Haumesser here traces how northern and southern Democrats and their partisan media organs used gender to make powerful arguments about slavery as the sectional crisis grew, from the emergence of the Republican Party to secession. Gendered charges and countercharges turned slavery into an intractable cultural debate, raising the stakes of every dispute and making compromise ever more elusive.

A collection spanning the whole of Derek Walcott's celebrated, inimitable, essential career "He gives us more than himself or ‘a world'; he gives us a sense of infinity embodied in the language." Alongside Joseph Brodsky's words of praise one might mention the more concrete honors that the renowned poet Derek Walcott has received: a MacArthur Foundation Fellowship; the Queen's Gold Medal for Poetry; the Nobel Prize in Literature. The Poetry of Derek Walcott 1948–2013 draws from every stage of the poet's storied career. Here are examples of his very earliest work, like "In My Eighteenth Year," published when the poet himself was still a teenager; his first widely celebrated verse, like "A Far Cry from Africa," which speaks of violence, of loyalties divided in one's very blood; his mature work, like "The Schooner Flight" from The Star-Apple Kingdom; and his late masterpieces, like the tender "Sixty Years After," from the 2010 collection White Egrets. Across sixty-five years, Walcott grapples with the themes that have defined his work as they have defined his life: the unsolvable riddle of identity; the painful legacy of colonialism on his native Caribbean island of St. Lucia; the mysteries of faith and love and the natural world; the Western canon, celebrated and problematic; the trauma of growing old, of losing friends, family, one's own memory. This collection, selected by Walcott's friend the English poet Glyn Maxwell, will prove as enduring as the questions, the passions, that have driven Walcott to write for more than half a century.