This book re-opens the question of Rousseau's influence on the French Revolution and on English Romanticism, by examining the relationship between his confessional writings and his political theory. Gregory Dart argues that by looking at the way in which Rousseau's writings were mediated by the speeches and actions of the French Jacobin statesman Maximilien Robespierre, we can gain a clearer and more concrete sense of the legacy he left to English writers. He shows how the writings of William Godwin, Mary Wollstonecraft, William Wordsworth and William Hazlitt rehearse and reflect upon the Jacobin tradition in the aftermath of the French revolutionary Terror.

This ‘philosophical biography’ gives an account of Godwin’s life and thought, and by setting his thoughts in the context of his life, brings the two into juxtaposition. It relates Godwin’s views on politics and morality, education and religion, freedom and society, to the events of his life, notably the revolution in France and its impact on radicalism and reaction in Britain and the parliamentary reforms of 1832.

Based on a thorough exploration of the vast family archives, The Godwins and the Shelleys sheds new light not only on an exceptional family but on the history and literature of the revolutionary and romantic age.

Reading the Eighteenth-Century Novel is a lively exploration of the evolution of the English novel from 1688-1815. A range of major works and authors are discussed along with important developments in the genre, and the impact of novels on society at the time. The text begins with a discussion of the “rise of the novel” in the long eighteenth century and various theories about the economic, social, and ideological changes that caused it. Subsequent chapters examine ten particular novels, from Oroonoko and Moll Flanders to Tom Jones and Emma, using each one to introduce and discuss different rhetorical theories of narrative. The way in which books developed and changed during this period, breaking new ground, and influencing later developments is also discussed, along with key themes such as the representation of gender, class, and nationality. The final chapter explores how this literary form became a force for social and ideological change by the end of the period. Written by a highly experienced scholar of English literature, this engaging textbook guides readers through the intricacies of a transformational period for the novel.

The Godwinian Novel is a pioneering analysis of the school of fiction inaugurated by William Godwin, and developed in the works of his principal followers, Charles Brockden Brown and Mary Wollstonecraft Shelley. In the first study of these authors as a historically specific group, Pamela Clemit argues for a greater unity between Godwin's fictional techniques and his radical political philosophy than has been perceived. Her analysis of the works of Brown and Mary Shelley, moreover, reveals how these writers modified, reshaped, and redefined Godwin's distinctive themes and techniques in response to shifting ideological pressures in the post-revolutionary period. Examining prose fiction in a period traditionally seen as dominated by poetry, Clemit stresses the necessity for a revised view of British Romanticism. Uncovering the links between Godwin's fictional analysis of subjective experience and his progressive political philosophy, The Godwinian Novel paves the way for a reappraisal of the apparently quietistic and introspective concerns of other writers of the period.

The first volume of William Godwin's letters reflected the origins and impact of his great philosophical work, An Enquiry concerning Political Justice, and showed him at the height of his influence and reputation. This second volume (1798-1805) reveals a less familiar person in different surroundings: a man still well-connected, attracting new friends and disciples, but increasingly embattled as a public intellectual, as a political radical, and as a professional author. The volume includes scores of texts newly transcribed from the original manuscripts and given scholarly annotation for the first time. Godwin was not only a speculative philosopher but also a risk-taking entrepreneur. The letters show him responding to changes in public mood, seeking compromise in his philosophical commitments, and remaking himself as the author of novels, plays, biographies, and children's books. They trace the fragmentation of his intellectual circle of the 1790s and the building of new alliances. They include an eye-witness account of the condition of Ireland on the eve of the 1800 Act of Union. They follow his quest, in the wake of the death of his first wife Mary Wollstonecraft, to find a new life-companion and mother for his two young children. Godwin's letters reflect the cultural history of his times, and throw light on many other literary, political, and artistic figures. They record irreplaceable losses, both public and private, and trace new beginnings in his intellectual and literary development, in his commercial ventures, and in his social and domestic life.

In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s. -- John Sutherland, University College London