An ethnography of a long-unbuilt mosque in Greece that explores government operations and contemporary democracy Why Not Build the Mosque? tells the story of the Greek state’s centuries-long attempt to build a central mosque. After the fall of Ottoman Empire, Greek Orthodoxy entwined with Greek nationalism, and by the twentieth century, the state came to imagine Islam as incompatible with a Greek-speaking Orthodox Christian identity. And so as late as 2020, the contemporary Greek state did not have a mosque, even as its Islamic population grew and increasingly required a place of worship. Focusing on the failed effort in the early 2000s to build a mosque in a suburb of Athens and on the subsequent, successful realization of the project in 2020, Dimitris Antoniou investigates the roles that the Orthodox Church, politicians concerned about the “political cost” of supporting a mosque, and the community played in the project’s delays, failures, and its bittersweet success. The mosque that was ultimately built in 2020 was itself a compromise, a modest building that failed to deliver on the dreamed-of and finally illusory building discussed in the 2000s. As Antoniou brings readers from under-the-radar home mosques to the offices of polling companies, politicians, and media corporations, he reveals that the years-long debate over if, how, and where to build a mosque wasa matter greater than religion or nationalism alone. Indeed, the story of the central mosque in Athens compellingly demonstrates how productive unrealized plans can be for some stakeholders—here politicians and members of media who built reputations on their support for or opposition to the unbuilt mosque—while leaving other stakeholders unable to move a project forward even when the will of the majority is with them. Ultimately, Why Not Build the Mosque? sheds light on what it takes for a government to make tangible changes—to infrastructure, in development, for a community—happen in contemporary democracies.

Don’t miss out on this beautiful celebration of Islam and mosques as spaces for spiritual gathering! Step in and discover all the rituals and wonder of the mosque in this lyrical debut picture book from M. O Yuksel, with gorgeous artwork from New York Times bestselling illustrator Hatem Aly. A great conversation starter in the home or classroom, this book is perfect for fans of All Are Welcome and The Proudest Blue. No matter who you are or where you’re from, everyone is welcome here. From grandmothers reading lines of the Qur’an and the imam telling stories of living as one, to meeting new friends and learning to help others, mosques are centers for friendship, community, and love. M. O. Yuksel’s beautiful text celebrates the joys and traditions found in every mosque around the world and is brought to life with stunning artwork by New York Times bestselling illustrator Hatem Aly (Yasmin series, The Proudest Blue, The Inquisitor’s Tale). The book also includes backmatter with an author’s note, a glossary, and more information about many historical and significant mosques around the world. "This personable, sensory love letter to a range of children’s mosque experiences will engage new learners and resonate with those already familiar." —Publishers Weekly (starred review) "This marvelous, welcoming book on mosques, Muslims, and Islam is a must, offering foundational knowledge on the world’s second largest religion." —School Library Journal (starred review) "Young readers are welcomed to a mosque brimming with faithful family, friends, and community. Both text and art convey some tenets of Islam and emphasize the mosque's role as a place for faith and celebration." —Horn Book "Joyful characters describe what happens in simple, poetic language. Both a celebration of and an introduction to the mosque." —Kirkus "Joyful celebration of mosques around the world. Themes of family and friendship prevail, along with references to spirituality." —Providence Journal A School Library Journal Best Book of 2021 · A Chicago Public Library Best Book of 2021 · An ALA 2022 Notable Children’s Book · A Junior Library Guild Gold Standard Selection · Society of Illustrators Original Art Show Selection · A New York Public Library 2021 Summer Recommendation Reading List Pick · A 2021 Nerdy Book Club Award Winner for Best Nonfiction Picture Book · A 2022 Texas Topaz Nonfiction Reading List title · An Ontario Library Association Best Bets Top Ten List · A Wisconsin State Reading Association 2022 Picture This Recommendation · A CCBC 2022 Best Choice of the Year · Winner of the 2021 Undies Award for Fanciest Case Cover · A 2022 Notable Book for a Global Society · Also Featured on: USA Today, PBS.org, Bookriot, Chicago Parents, The Horn Book!

Muslims began arriving in the New World long before the rise of the Atlantic slave trade. Kambiz GhaneaBassiri's fascinating book traces the history of Muslims in the United States and their different waves of immigration and conversion across five centuries, through colonial and antebellum America, through world wars and civil rights struggles, to the contemporary era. The book tells the often deeply moving stories of individual Muslims and their lives as immigrants and citizens within the broad context of the American religious experience, showing how that experience has been integral to the evolution of American Muslim institutions and practices. This is a unique and intelligent portrayal of a diverse religious community and its relationship with America. It will serve as a strong antidote to the current politicized dichotomy between Islam and the West, which has come to dominate the study of Muslims in America and further afield.

Focusing on the private and public use of space, this volume explores the religious life of the new Muslim communities in North America and Europe. Unlike most studies of immigrant groups, these essays concentrate on cultural practices and expressions of everyday life rather than on the political issues that dominate today's headlines. The authors emphasize the cultural strength and creativity of communities that draw upon Islamic symbols and practices to define "Muslim space" against the background of a non-Muslim environment. The range of perspectives is broad, encompassing middle-class professionals, mosque congregations, factory workers in France and the north of England, itinerant African traders, and prison inmates in New York. The truism that "Islam is a religion of the word" takes on concrete meaning as these disparate communities find ways to elaborate word-centered ritual and to have the visual and aural presence of sacred words in the spaces they inhabit. The volume includes 46 black-and-white photographs that illustrate Muslim populations in Edmonton, Philadelphia, the Green Haven Correction Facility, Manhattan, Marseilles, Berlin, and London, among other places. The focus on space directs attention to the new kinds of boundaries and consciousness that exist not only for these Muslim populations, but for people from all backgrounds in today's ever more integrated world.

This book is about the role of the mosque in the aftermath of the 2005 earthquake in Pakistan. Disasters give rise to a situation where people from different parts of the world, quite unfamiliar with each other, come into contact to save lives, provide necessities such as food and shelter, rebuild homes and enable community recovery. During these challenging times, community-based religious institutions such as churches, mosques and temples are a practical choice for reaching people living nearby to fulfil their needs. The book shows the contributions of the mosque as a physical, spiritual and social place for improving the knowledge and practice of disaster risk reduction and management including the COVID-19 pandemic. It also illuminates the widening role of religion in development. The book reinforces the case for broader engagement with all community-based religious institutions. The book is of interest to academics in diverse fields including development studies, disaster studies, sociology, anthropology, religion, Asian studies, emergency and disaster management. It will also of interest to the professional staff of disaster management authorities, public sector, bilateral and multilateral aid allocation and implementing agencies and those of humanitarian organizations.

The word Babri was literally used to define something abnormal, out of sense or mad. Three instances mentioned in Babar-Nama support this. Babar's journal is replete with precise detail with a telling image or idiom as "a bud resembling a sheep's heart", "fell like water on fire" which lingers in the reader's mind long after the event or anecdote has receded. Few of the phrases and words in the Babar Nama are now part of everyday language in India and Pakistan as "Namak Haram" means lack of trustworthiness, "hamesha" means always, "bakhshish" means gift, "maidan" means plain area, "julab" means laxative and the most important, which is of our use here, is "Babri/Baburi /Bavala" means related to unhealthy mental state or mad or abandoned or one who is abnormal. Babar writes about his infatuation, after his marriage in March AD 1500, for a boy as, "In those days I discovered myself a strange inclination - no, a mad infatuation-for a boy in the camp's bazaar, his name was Babri/Baburi being apposite. Until then I had no inclination of love and ... a couplet of Muhammad Salih came to my mind: When I see my friend I am abashed with shame; My companions look at me, I look away sans aim. This couplet suited my state of mind perfectly. In that maelstrom of desire and passion, and under the stress of youthful folly, I used to wander, bareheaded and barefoot, through streets and lanes, orchards and vineyards. I showed civility neither to friends nor to strangers, took no care of myself or others." Babar clearly stated that guy's name was Bavara as he was of raging and flickering nature and Babar himself became Bavara or crazy for him to attain his sexual proximity.... That is why the term "Babri Mosque" is specially used only for the construction that was done according to Mughal architecture at Ramjanmabhoomi because it was made for Hindus not for Muslims. Babri Mosque means Mosques of infidels-insane Hindus.

Wise and humorous, This guide introduces readers to the beliefs and worship practices of major Christian denominations.

The Muslim leader best known for his contributions to the establishment of an interfaith community center near Manhattan's Ground Zero offers insight into his progressive beliefs and advocacy of tolerance and equal rights.

Sam Cherribi is a Moroccan Muslim who became a naturalized Dutch citizen and member of the Dutch Parliament. In this book he draws on his personal experiences with European politics and media, extensive fieldwork in Dutch mosques, and interviews with imams. In recent years, the Netherlands has been swept by the same forces of change that have swept the rest of Europe: the consolidation of the European Union, a massive influx of Muslim immigrants and the rising voice of Islamic fundamentalism. Cherribi argues that this small country has amplified these forces, providing a useful lens through which to examine trends in all of Europe. The portents are troubling, he notes, as evidenced by the murders of journalist Pim Fortuyn and filmmaker Theo Van Gogh, after which riots broke out, mosques were burned, and Muslims were openly reviled by the public and the media. Cherribi himself was voted out of Parliament in the anti-migrant fervor that engulfed the Netherlands after these murders and, like many other Dutch Muslims, he emigrated to the United States. Looking back on these events, and bringing to bear his skills and training as a sociologist, Cherribi provides an invaluable account of one country's encounter with some of the most troubling trends of our times.

SHORTLISTED FOR THE DIVERSE BOOK AWARDS 'Tender, challenging and as warm as it was razor-sharp' Beth O'Leary 'If you've read Joanna Cannon I think you'll love this' Simon Savidge 'A sublimely witty and touching story' Jonathan Coe The standout new novel by acclaimed author Ayisha Malik - perfect for fans of David Nicholls and Candice Carty-Williams. In the sleepy village of Babel's End, trouble is brewing. Bilal Hasham is having a mid-life crisis. His mother has just died, and he finds peace lying in a grave he's dug in the garden. His elderly Auntie Rukhsana has come to live with him, and forged an unlikely friendship with village busybody, Shelley Hawking. His wife Mariam is distant and distracted, and his stepson Haaris is spending more time with his real father. Bilal's mother's dying wish was to build a mosque in Babel's End, but when Shelley gets wind of this scheme, she unleashes the forces of hell. Will Bilal's mosque project bring his family and his beloved village together again, or drive them apart? Warm, wise and laugh-out-loud funny, This Green and Pleasant Land is a life-affirming look at love, faith and the meaning of home.