"How can you believe all this stuff? This is the number-one question Catholics get asked and, sometimes, we ask ourselves. Why do we believe that God exists, that he became a man and came to save us, that what looks like a wafer of bread is actually his body? Why do we believe that he inspired a holy book and founded an infallible Church to teach us the one true way to live? Ever since he became Catholic, Trent Horn has spent a lot of time answering these questions, trying to explain to friends, family, and total strangers the reasons for his Catholic faith. Some didn't believe in God, or even in the existence of truth. Others said they were spiritual but didn't think you needed religion to be happy. Some were Christians who thought Catholic doctrines over-complicated the pure gospel. And some were fellow Catholics who had a hard time understanding everything they professed to believe on Sunday. Why We're Catholic assembles the clearest, friendliest, most helpful answers that Trent learned to give to all these people and more. Beginning with how we can know reality and ending with our hope of eternal life, it s the perfect way to help skeptics and seekers (or Catholics who want to firm up their faith) understand the evidence that bolsters our belief and brings us joy" --

Sometimes, grace gets messy. Caleb Kaltenbach was raised by LGBT parents, marched in gay pride parades as a youngster, and experienced firsthand the hatred and bitterness of some Christians toward his family. But then Caleb surprised everyone, including himself, by becoming a Christian…and a pastor. Very few issues in Christianity are as divisive as the acceptance of the LGBT community in the church. As a pastor and as a person with beloved family members living a gay lifestyle, Caleb had to face this issue with courage and grace. Messy Grace shows us that Jesus’s command to “love your neighbor as yourself” doesn’t have an exception clause for a gay “neighbor”—or for that matter, any other “neighbor” we might find it hard to relate to. Jesus was able to love these people and yet still hold on to his beliefs. So can you. Even when it’s messy. “Messy Grace is an important contribution to the conversation about sexual identity for churches and leaders. Caleb's story is surprising and unique, and he weaves it together compellingly. He states his views clearly, leaves room for disagreement, and champions love no matter where you are in this conversation.” —Jud Wilhite, Sr. Pastor, Central Christian Church

The gay male world today is characterized by seductive beauty, artful creativity, flamboyant sexuality, and, encouragingly, unprecedented acceptability in society. Yet despite the progress of the recent past, gay men still find themselves asking, "Are we really better off?" The inevitable byproduct of growing up gay in a straight world continues to be the internalization of shame, a shame gay men may strive to obscure with a fa?ade of beauty, creativity, or material success. Drawing on contemporary psychological research, the author's own journey to be free of anger and of shame, as well as the stories of many of his friends and clients, The Velvet Rage outlines the three distinct stages to emotional well-being for gay men. Offering profoundly beneficial strategies to stop the insidious cycle of avoidance and self-defeating behavior, The Velvet Rage is an empowering book that will influence the public discourse on gay culture, and positively change the lives of gay men who read it.

Despite an abysmal "success rate," practitioners still use reparative therapy in an attempt to turn gays and lesbians straight. This text exposes the pitfalls that should be considered before gays embark on this journey that typically leads nowhere. Although homosexuality is becoming less stigmatized in American culture, gays and lesbians still face strong social, familial, financial, or career pressures to "convert" to being heterosexuals. In this groundbreaking book, longtime psychiatrist Martin Kantor, MD—himself homosexual and once immersed in therapy to become "straight"—explains why so-called "reparative therapy" is not only ineffective, but should not be practiced due its faulty theoretical bases and the deeper, lasting damage it can cause. This standout work delves into the history of reparative therapy, describes the findings of major research studies, and discusses outcome studies and ethical and moral considerations. Author Kantor identifies the serious harm that can result from reparative therapy, exposes the religious underpinnings of the process, and addresses the cognitive errors reparative therapy practitioners make while also recognizing some positive features of this mode of treatment. One section of the book is dedicated to discussing the therapeutic process itself, with a focus on therapeutic errors that are part of its fabric. Finally, the author identifies affirmative eclectic therapy—not reparative therapy—as an appropriate avenue for gays who feel they need help, with goals of resolving troubling aspects of their lives that may or may not be related to being homosexual, and of self-acceptance rather than self-mutation.

How do we respond to gay people who tell us how much they love the Lord and experience God's power? What do we do with the argument that the Old Testament laws no longer apply? Brown provides solid biblical answers, clearly written and based on sound scholarship, in a compassionate way that causes the reader to wrestle with the issues and discover the biblical truth. He also provides practical guidelines for ministry, and shows readers how they can resist the gay agenda while reaching out to their gay friends and family.

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.

Are people born gay, or does upbringing or even personal choice play a part? The row between gay rights activists and the conservative lobby over this question has now raged for over a decade. Combining their own findings with research, the authors provide an overview of the work that has been done in this field.

Finalist, Best LGBTQ Nonfiction Book, Lambda Literary Awards 2020 On October 14, 1998, five thousand people gathered on the steps of the U.S. Capitol to mourn the death of Matthew Shepard, a gay college student who had been murdered in Wyoming eight days earlier. Politicians and celebrities addressed the crowd and the televised national audience to share their grief with the country. Never before had a gay citizen's murder elicited such widespread outrage or concern from straight Americans. In Dying to Be Normal, Brett Krutzsch argues that gay activists memorialized people like Shepard as part of a political strategy to present gays as similar to the country's dominant class of white, straight Christians. Through an examination of publicly mourned gay deaths, Krutzsch counters the common perception that LGBT politics and religion have been oppositional and reveals how gay activists used religion to bolster the argument that gays are essentially the same as straights, and therefore deserving of equal rights. Krutzsch's analysis turns to the memorialization of Shepard, Harvey Milk, Tyler Clementi, Brandon Teena, and F. C. Martinez, to campaigns like the It Gets Better Project, and national tragedies like the Pulse nightclub shooting to illustrate how activists used prominent deaths to win acceptance, influence political debates over LGBT rights, and encourage assimilation. Throughout, Krutzsch shows how, in the fight for greater social inclusion, activists relied on Christian values and rhetoric to portray gays as upstanding Americans. As Krutzsch demonstrates, gay activists regularly reinforced a white Protestant vision of acceptable American citizenship that often excluded people of color, gender-variant individuals, non-Christians, and those who did not adhere to Protestant Christianity's sexual standards. The first book to detail how martyrdom has influenced national debates over LGBT rights, Dying to Be Normal establishes how religion has shaped gay assimilation in the United States and the mainstreaming of particular gays as "normal" Americans.

No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth. David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, How To Be Gay traces gay men's cultural difference to the social meaning of style. Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream.