The day after Jesus' death, whatever small mark he made on the world seemed destined to disappear. Instead, his impact on human history has been unparalleled, leading believers and nonbelievers alike to ask, Who Is This Man? In Who Is This Man, bestselling author John Ortberg explores the paradox of Jesus, history's most familiar figure while simultaneously the man no one knows. Who Is This Man traces Jesus' incredible life and legacy from his days on Earth to the present moment, showing us: How his vision of life continues to haunt and challenge humanity The ways his influence has inspired movements in art, science, government, medicine, and education How his lessons about dignity, compassion, forgiveness, and hope continue to influence humanity Join John Ortberg as he shares how Jesus' influence has swept over history and how his vision of life continues to impact us today. Praise for Who Is This Man?: "Sometimes in the clutter and noise of 'religion,' we lose sight of who Jesus is. Once again, John Ortberg helps us do what he does best: he helps us see God as he really is and connect with him amid all the noise. This book is a gift." --Dr. Henry Cloud, psychologist, coauthor of the bestselling Boundaries books "We live in a period where the divide between the secular and the sacred has never been greater. Who Is This Man? bridges this gap by sharing in his inimitable and entertaining style the undeniable and profound impact of Jesus Christ on our world. His impact, over two thousand years later, is more profound on the day-to-day lives of people--believers or not--than the impact of any other person at any point in history. John shows how Christ came to teach us how to live and in the process changed the world forever and for good." --Ron Johnson, CEO, J. C. Penney

Sitting up reading late at night, the author reflects on the links between the homosexual of the 1980s and his counterparts of a century ago, between gay lives today and those of Oscar Wilde, his friends, lovers and acquaintances. Many books have been written about Oscar Wilde. Who Was That Man? is unique - the acting out of a love-hate relationship between Wilde and a gay Londoner of today. Neil Bartlett has grabbed history by the collar and made bitter love to it. I can think of no other way to describe this fantastic personal meditation on Oscar Wilde and the last hundred years of English homosexuality. At the very moment gay existence is endangered by disease and a renewed puritanism, Bartlett has embraced what was alien and criminal or merely clinical and loved it into poignant life - Edmund White

Now in paperback and with a new foreword, a kaleidoscopic look at the many faces of Bob Dylan, legendary folk singer-songwriter and winner of the 2016 Nobel Prize in Literature. For almost half a century, Bob Dylan has been a primary catalyst in rock's shifting sensibilities. Few American artists are as important, beloved, and endlessly examined, yet he remains something of an enigma. Who, we ask, is the "real" Bob Dylan? Is he Bobby Zimmerman, yearning to escape Hibbing, Minnesota, or the Woody Guthrie wannabe playing Greenwich Village haunts? Folk Messiah, Born-Again Bob, Late-Elvis Dylan, Jack Fate, or Living National Treasure? In Who Is That Man? David Dalton--cultural historian, journalist, screenwriter, and novelist--paints a revealing portrait of the rock icon, ingeniously exposing the three-card monte games he plays with his persona. Guided by Dalton's cutting-edge insights and myth-debunking point of view, Who Is That Man? follows Dylan's imaginative life, integrating actual events with Dylan's words and those of the people who know him most intimately. Drawing upon Dylan's friends and fellow eyewitnesses--including Marianne Faithfull, Allen Ginsberg, Peter Stampfel , Larry "Ratso" Sloman, Eric Andersen, Nat Hentoff, Andrew Oldham, Nat Finkelstein, and others--this book will provide a new perspective on the man, the myth, and the musical era that forged them both.

Bestselling author David Dalton goes in seach of the real Bob Dylan in an electrifying biography that puts all the others in the shade. As an artist Bob Dylan has been a major force for half a century. As a musical influence he is without equal. Yet as a man he has always acted like an outlaw on the run, constantly seeking to cover his tracks by confounding investigators with a dizzying array of aliases, impersonations, tall tales and downright lies. David Dalton presents Dylan's extraordinary life in such a way that his subject's techniques for hiding in full sight are gradually exposed for what they are, Despite the changing images, the spiritual body swerves, the manipulative nature and the occasionally baffling lurches between making sublime music and self-indulgent whimsy, the real Bob Dylan has never been more visible. Among the eyewitnesses cited are Marianne Faithful, Allen Ginsberg, Andy Warhol, Larry 'Ratso' Sloman, Nat Hentoff, Suze Rotolo and many more. Yet in the end it is Dalton's impressive ability to find revealing patterns in Dylan's multiple disguises that reveals more than we ever expected to learn about the real man behind the Dylan legend.

One of the world’s most illustrious and influential theologians here confronts one of the crucial philosophical and religious questions of our time: the nature and role of man. In these three lectures, originally delivered in somewhat different form as The Raymond Fred West Memorial Lectures at Stanford University in May 1963, Dr. Heschel inquires into the logic of being human: What is meant by being human? What are the grounds on which to justify a human being’s claim to being human? In the author’s words, “We have never been as openmouthed and inquisitive, never as astonished and embarrassed at our ignorance about man. We know what he makes, but we do not konw wha he is or what to expect of him. Is it not conceivable that our entire civilization is built upon a minsinterpretation of man? Or that the tragedy of man is due to the fact that he is a being who has forgotten the question: Who is Man? The failure to identify himself, to know what is authentic human existence, leads him to assume a false identity, to pretending to be what he is unable to be or to not accepting what is at the very root of his being. Ignorance about man is not lack of knowledge, but false knowledge.”

In the early forties when nearly everyone else is thinking about World War II, sixth-grader Frankie Wattleson gets in trouble at home and at school because of his preoccupation with his favorite radio programs. Copyright © Libri GmbH. All rights reserved.

The definitive biography of the brilliant, charismatic, and very human physicist and innovator Enrico Fermi In 1942, a team at the University of Chicago achieved what no one had before: a nuclear chain reaction. At the forefront of this breakthrough stood Enrico Fermi. Straddling the ages of classical physics and quantum mechanics, equally at ease with theory and experiment, Fermi truly was the last man who knew everything -- at least about physics. But he was also a complex figure who was a part of both the Italian Fascist Party and the Manhattan Project, and a less-than-ideal father and husband who nevertheless remained one of history's greatest mentors. Based on new archival material and exclusive interviews, The Last Man Who Knew Everything lays bare the enigmatic life of a colossus of twentieth century physics.

The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton. The book is sometimes referred to as a metaphysical thriller. In Edwardian era London, Gabriel Syme is recruited at Scotland Yard to a secret anti-anarchist police corps. Lucian Gregory, an anarchistic poet, lives in the suburb of Saffron Park. Syme meets him at a party and they debate the meaning of poetry. Gregory argues revolt is the basis of poetry. Syme demurs, insisting the essence of poetry is not revolution, but rather law. He antagonizes Gregory by asserting the most poetical of human creations is the timetable for the London Underground. He suggests Gregory isn't really serious about his anarchism. This so irritates Gregory that he takes Syme to an underground anarchist meeting place, revealing his public endorsement of anarchy is a ruse to make him seem harmless, when in fact he is an influential member of the local chapter of the European anarchist council. The central council consists of seven men, each using the name of a day of the week as a code name, and the position of Thursday is about to be elected by Gregory's local chapter. Gregory expects to win the election, but just before the election Syme reveals to Gregory after an oath of secrecy that he is a secret policeman. Fearful Syme may use his speech in evidence of a prosecution, Gregory's weakened words fail to convince the local chapter he is sufficiently dangerous for the job. Syme makes a rousing anarchist speech and wins the vote. He is sent immediately as the chapter's delegate to the central council. In his efforts to thwart the council's intentions, however, Syme discovers five of the other six members are also undercover detectives; each was employed just as mysteriously and assigned to defeat the Council. They all soon find out they were fighting each other and not real anarchists; such was the mastermind plan of their president Sunday. In a surreal conclusion, Sunday himself is unmasked as only seeming to be terrible; in fact, he is a force of good like the detectives. However, he is unable to give an answer to the question of why he caused so much trouble and pain for the detectives. Gregory, the only real anarchist, seems to challenge the good council. His accusation is they, as rulers, have never suffered like Gregory and their other subjects, and so their power is illegitimate. However, Syme is able to refute this accusation immediately because of the terrors inflicted by Sunday on the rest of the council.

Mr. Chesterton is such a past-master in sophistries and casuistry, such a juggler of paradoxes, such an adept in the arts whereby the brilliant and quick-witted pull the wool over the eyes of their less gifted brethren, that he can give full and serious credibility to his tale of the astounding adventures of the detective who was admitted into the innermost circle of anarchists. It is the poetic anarchist, with hair like a Madonna's and the face of a prize-fighter, who tries (unsuccessfully) to become Thursday.

It is very difficult to classify The Man Who Was Thursday. It is possible to say that it is a gripping adventure story of murderous criminals and brilliant policemen; but it was to be expected that the author of the Father Brown stories should tell a detective story like no-one else. On this level, therefore, The Man Who Was Thursday succeeds superbly; if nothing else, it is a magnificent tour-de-force of suspense-writing. Aeterna Press