In an era of mommy blogs, Pinterest, and Facebook, The Good Mother Myth dismantles the social media-fed notion of what it means to be a "good mother." This collection of essays takes a realistic look at motherhood and provides a platform for real voices and raw stories, each adding to the narrative of motherhood we don't tend to see in the headlines or on the news. From tales of mind-bending, panic-inducing overwhelm to a reflection on using weed instead of wine to deal with the terrible twos, the honesty of the essays creates a community of mothers who refuse to feel like they're in competition with others, or with the notion of the ideal mom—they're just trying to find a way to make it work. With a foreword by Christy Turlington Burns and a contributor list that includes Jessica Valenti, Sharon Lerner, Soraya Chemaly, Amber Dusick and many more, this remarkable collection seeks to debunk the myth and offer some honesty about what it means to be a mother.

Heather Chauvin-now a TEDx speaker, host of the Mom Is In Control podcast and personal development coach-takes you through her journey with honesty, humor, and strength.

“The courtroom scenes are sharp and suspenseful, the twists in the plot are unexpected, and the tension ratchets up until we are truly eager to find out what happens.” -New York Times Book Review A Library Journal Best Debut Novel of Spring and Summer 2021 A gripping debut thriller about two young mothers, one shocking murder and a court case that puts them both on trial. When a soldier is found stabbed through the heart at a US Army base, there is no doubt that his wife, Luz, is to blame. But was it an act of self-defense? An attempt to save her infant daughter? Or the cold-blooded murder of an innocent man? Ambitious public defender Abby is determined to win at all costs. As a new mother herself, she wants to keep Luz out of prison and with her daughter. But when the surprises stack up and shocking new evidence emerges, Abby realizes the task proves far more difficult than she suspected and will require a terrible sacrifice. As the trial hurtles toward an outcome no one expects, Abby, Luz and a captivated jury are forced to answer the question that will decide everything—what does it mean to be a good mother? “Lara Bazelon combines a riveting courtroom thriller with a nuanced and thought-provoking examination of gender, race, and justice. Helmed by an intelligent, complex, and flawed protagonist, A Good Mother is a beautifully written debut that kept me turning the pages late into the night.” —Angie Kim, author of Miracle Creek "Sexy, shrewd, and wholly contemporary, A Good Mother takes pitch-perfect characters, a page-whipping plot, and themes about marriage, lust, betrayal, and the juggling of new motherhood plus a hard-driving career and mixes it all into a deeply perceptive legal thriller that made me drop everything else and just READ." —Cathi Hanauer, New York Times bestselling author of Gone, The Bitch in the House and The Bitch Is Back

Pressurised by the media, scrutinised by their peers, frowned upon even by those closest to them, mothers today face relentless criticism and pressure. Breast or bottle? Work or stay at home? Routine or feeding-on-demand? The choices are infinite and at the heart of each question is the more controversial and divisive debate of what makes a good mother. Good Mother, Bad Mother is an illuminating, moving and thought-provoking study of this enigmatic question. Never before has the subject of motherhood been tackled with such unflinching honesty. Drawing on her experience of thousands of mothers, bestselling parenting author Gina Ford has turned her attention to the women charged with bringing up the next generation. She addresses the challenges of contemporary motherhood and fervently argues that these awe-inspiring women seldom receive the support, respect and admiration they deserve. And for the first time, in a candid, personal account, Gina interweaves stories from her own childhood, revealing how her relationship with her own mother has shaped the choices she has made. Any woman who has ever doubted her capabilities as a mother will find comfort and reassurance in the insights of the woman whose books have been justly described a 'godsend'.

Nearly every person in the United States is affected by adoption. Adoption practices are woven into the fabric of American society and reflect how our nation values human beings, particularly mothers. In the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, Rebecca C. Wellington is uniquely qualified to uncover the policies and practices of adoption. Wellington’s timely—and deeply researched—account amplifies previously marginalized voices and exposes the social and racial biases embedded in the United States’ adoption industry. The history of adoption is rarely told from an adoptee’s perspective. Wellington remedies this gap by framing the chronicle of adoption in America using her own life story. She describes growing up in a family with which she had no biological connection, giving birth to her own biological children, and then enduring the death of her sister, who was also adopted. As she reckons with the pain and unanswered questions of her own experience, she explores broader issues surrounding adoption in the United States, including changing legal policies, sterilization and compulsory relinquishment programs, forced assimilation of babies of color and Indigenous babies adopted into white families, and other liabilities affecting women, mothers, and children. According to Wellington, US adoption practices in America are shrouded in secrecy, for they frequently cast shame on unmarried women, women struggling with fertility, and “illegitimate” babies and children. As the United States once again finds itself embroiled in heated disputes over women’s bodily autonomy—disputes in which adoption plays a central role—Wellington’s book offers a unique and much-needed frame of reference.

LIVING IN THE SHADOW OF THE TOO-GOOD MOTHER ARCHETYPE is a journey into the heart and soul of mothering. It takes you to places thathave remained hidden due to out-dated beliefs about what it means to be a good mother. The book reveals the truth about being a good enough mother and dispels the myths of being a perfect parent. Based on 32 years of working in pediatric, mental health and public education settings; a doctoral dissertation; and experience of raising four children, Dr. Patti Ashley has written a book that transforms how women feel about themselves as mothers. "The problem that has no name." In 1963 Betty Friedan's book THE FEMININE MYSTIQUE revealed that many mothers were feelingempty, incomplete and invisible, whichFriedan labeled "the problem that has no name." Even though times have changed quite a bit since 1963, a2008 study by Maria Shriver, and the Center for American Progress, revealed that many women still express similar feelings of isolation and emptiness. (The Shriver Report) LIVING IN THE SHADOW OF THE TOO-GOOD MOTHER ARCHETYPE is a book that helps women connect more deeply to themselves and others, therefore feeling more authentic, mindful and whole. It weaves real stories and common themes into archetypal mythology and the rapidly changing roles of women, creating the foundation of a new parenting paradigm."

Some women would do anything for their children. This provocative novel “goes straight for the jugular of modern motherhood” (Lindsay Cameron, author of Just One Look)—from the author of the “addictive” (People) thriller Precious You. “Mothers and hustlers can be a lethal combination—and the perfect recipe to keep you up all night.”—Amanda Eyre Ward, New York Times bestselling author of The Jetsetters Rose O’Connell is barely surviving. Her marriage is rocky; her son isn’t fitting in at his new school, the prestigious Woolf Academy; and their tiny apartment in a rapidly gentrifying neighborhood can barely contain her family. As she struggles to make ends meet on her junior bank teller wages, Rose finds that life as the only mom in a name tag and uniform at the Woolf’s shiny school gates isn’t easy. Not so for those in the elite and secretive Circle—a tight-knit group of wealthy mothers, led by the charismatic and glamorous Amala Kaur—who rule the school. When the mysterious death of one of the Circle’s members creates a vacancy, Rose dares to hope she could fill it and transform her life. Amala’s shocking decision to invite Rose into her clique provokes resentment among the Circle, especially when her fortunes, self-esteem, and status start to soar. But Rose soon realizes the true price of being on the inside. Far from being a dream come true, the Circle proves her worst nightmare. Unlike the woman she replaced, can Rose escape with her life? Taut, complex, and compulsively readable, Such a Good Mother is a razor-sharp take on the myth of having it all.

When a mother kills her child, we call her a bad mother, but, as this book shows, even mothers who intend to do their children harm are not easily categorized as ÒmadÓ or Òbad.Ó Maternal love is a complex emotion rich with contradictory impulses and desires, and motherhood is a conflicted state in which women constantly renegotiate the needs mother and child, the self and the other. Applying care ethics philosophy and the work of Emmanuel Levinas, Maurice Merleau-Ponty, and Simone de Beauvoir to real-world experiences of motherhood, Sarah LaChance Adams throws the inherent tensions of motherhood into sharp relief, drawing a more nuanced portrait of the mother and child relationship than previously conceived. The maternal example is particularly instructive for ethical theory, highlighting the dynamics of human interdependence while also affirming separate interests. LaChance Adams particularly focuses on maternal ambivalence and its morally productive role in reinforcing the divergence between oneself and others, helping to recognize the particularities of situation, and negotiating the difference between oneÕs own needs and the desires of others. She ultimately argues maternal filicide is a social problem requiring a collective solution that ethical philosophy and philosophies of care can inform.

A psychologist who evaluates the fitness of parents when their children have been removed from their custody finds herself reassessing her own mothering when her son falls victim to the opioid crisis. Psychologist and expert witness Dr. Sharon Lamb evaluates parents, particularly in high-stakes cases concerning the termination of parental rights. The conclusions she reaches can mean that some children are returned home from foster homes. Others are freed for adoption. Well-trained, Lamb generally can decide what’s in the best interests of the child. But when her son’s struggle with opioid addiction comes to light, she starts to doubt her right to make judgments about other mothers. As an expert, a professor, and a mother, Lamb gives voice to the near impossible standards demanded by a society prone to blame mothers when anything befalls their children. She describes vividly the plight of individual parents, mothers in particular, struggling with addiction and mental illness and trying to make stable homes for their kids amid the economic and emotional turmoil of their lives—all in the context of the opioid epidemic that has ravaged her home state of Vermont. In her office, during visits with their children, and in the family court, the parents we meet wait anxiously for Lamb’s verdict: Have they turned their lives around under child welfare’s watchful eye? Do they understand their children’s needs? In short, are they good enough? But what is good enough? Lamb turns that question on herself in the midst of her gradual realization of her son’s opioid addiction. Amazed at her own denial, feeling powerless to help him, Lamb confronts the heartache she can bring into the lives of others and her power to tear families apart.

Although the ideals of the 'good mother' change with time, fashion and context, they persist in public policy, the media, popular culture and workplaces; placing pressure on women to conform to particular standards, against which they are judged and judge themselves.The Good Mother demonstrates that prevailing ideas about mothers and motherhood continue to influence the way 'types' of women are represented and the way that all mothers think, act and present themselves.