It is very unusual for an author to number parts of his poems. Walt Whitman's poem, "Song of Myself," has 52 parts, which he numbered 1 to 52. This book uses that idea that Whitman numbered his poems in his book, Leaves of Grass. I have found that Jesus wrote his parables that are in a cycle of ten. My book, The Psychological Patterns of Jesus Christ, shows how these parables relate to that pattern. I also found that other people are writing in that same pattern, and I say that it relates to the influence of the Spirit of Truth. Whitman's numbers are also in a cycle of ten. His numbers 1, 11, 21, 31, 41, 51 would relate to a part number 1 of the cycle of ten. I also have numbered the ten parts of Jesus' cycle. It just happens that our numberings are the same. So Whitman's 1, 11, 21, 31, 41, 51 and my discovery of Jesus' pattern of number 1, enlighten has the same quality. These are how the numbers relate to the parts, which I gave key words to describe the part. 1. enlighten; 2. inadequacy; 3. expansive; 4. fruitful; 5. authoritative; 6. communication; 7. reject; 8. sociable; 9. spiritual; 10. action. Looking over the last single numbers that Whitman numbered, we can see some relationship to Jesus' key words. For example, the word sun seems to happen quite often in numbers 5, 15, 25, etc. that relates to the key word of authoritative which seems just right. The match of numbers and the cycle of ten gives a good indication that Walt Whitman was influenced by the spirit of truth. Walt put on the mind of Christ.

Presents a complete reference to the life and works of Walt Whitman.

A comprehensive collection of Whitman's most beloved works of poetry, prose, and short stories When Walt Whitman self-published Leaves of Grass in 1855 it was a slim volume of twelve poems and he was a journalist and poet from Long Island, little-known but full of ambition and poetic fire. To give a new voice to the new nation shaken by civil war, he spent his entire life revising and adding to the work, but his initial act of bravado in answering Ralph Waldo Emerson's call for a national poet has made Whitman the quintessential American writer. This rich cross-section of his work includes poems from throughout Whitman's lifetime as published on his deathbed edition of 1891, short stories, his prefaces to the many editions of Leaves of Grass, and a variety of prose selections, including Democratic Vistas, Specimen Days, and Slang in America. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A monumental gathering of writings by over 60 authors (from Emerson to Rudolfo Anaya) that traces Whitman's continuing influence on world literature. Revised second edition.

Eighteen short essays by the most distinguished international scholars examine Pessoa's influences, his dialogues with other writers and artistic movements, and the responses his work has generated worldwide. Portuguese writer Fernando Pessoa claimed that he did not evolve, but rather travelled. This book provides a state of the art panorama of Pessoa's literary travels, particularly in the English-speaking world. Its eighteen short, jargon-free essays were written by the most distinguished Pessoa scholars across the globe. They explore the influence on Pessoa's thinking of such writers as Whitman and Shakespeare, as well as his creative dialogues with figuresranging from decadent poets to the dark magician Aleister Crowley, and, finally, some of the ways in which he in turn has influenced others. They examine many different aspects of Pessoa's work, ranging from the poetry of the heteronyms to the haunting prose of The Book of Disquiet, from esoteric writings to personal letters, from reading notes to unpublished texts. Fernando Pessoa's Modernity Without Frontiers is a valuable introduction to this multifaceted modern master, intended for both students of modern literature and general readers interested in one of its major figures.

Through a close reading of Leaves of Grass, its constituent poems, particularly Song of Myself and Whitman's prose and letters, Aspiz charts how the poet's exuberant celebration of life is a consequence of his central concern: the ever presence of death and the prospect of an afterlife.

This 1986 book explores the theory and practice of late nineteenth-century psychiatry. Psychiatric theory is discussed less as an objective body of biomedical knowledge than as a product of the social turmoil that characterized the final decades of the nineteenth century.

When Henry Vizetelly was imprisoned in 1889 for publishing the novels of Émile Zola in English, the problem was not just Zola’s French candour about sex – it was that Vizetelly’s books were cheap, and ordinary people could read them. Censored exposes the role that power plays in censorship. In twenty-five chapters focusing on a wide range of texts, including the Bible, slave narratives, modernist classics, comic books, and Chicana/o literature, Matthew Fellion and Katherine Inglis chart the forces that have driven censorship in the United Kingdom and the United States for over six hundred years, from fears of civil unrest and corruptible youth to the oppression of various groups – religious and political dissidents, same-sex lovers, the working class, immigrants, women, racialized people, and those who have been incarcerated or enslaved. The authors also consider the weight of speech, and when restraints might be justified. Rich with illustrations that bring to life the personalities and the books that feature in its stories, Censored takes readers behind the scenes into the courtroom battles, legislative debates, public campaigns, and private exchanges that have shaped the course of literature. A vital reminder that the freedom of speech has always been fragile and never enjoyed equally by all, Censored offers lessons from the past to guard against threats to literature in a new political era.

An annual publication, Overheard in Seville: Bulletin of the Santayana Society includes scholarly articles on American philosopher, poet, critic, and best-selling novelist George Santayana as well as announcements of publications and meetings pertaining to Santayana scholarship.

More than a century after his death, Walt Whitman remains a fresh phenomenon. Startling discoveries and massive transcription efforts are enabling new insights into his life and achievements. In the past few years new breakthroughs have proliferated, including the publication of a long-lost Whitman novel, Jack Engle, along with a hitherto unknown health guide for urban men and previously undiscovered poems. Myriad other documents have become more readily available, including largely unmined troves of journalism, narrative and documentary prose, and experimental note-keeping. Leaves of Grass and Whitman's literary life as a whole are thus ripe for reconsideration. The Oxford Handbook of Walt Whitman embraces this expanded view of Whitman and charts new pathways in Whitman Studies by bringing in new perspectives, methods, and contexts.