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A compelling study of a subtle and insidious form of racial inequality in American law and culture. Why does racial equality continue to elude African Americans even after the election of a black president? Liberals blame white racism while conservatives blame black behavior. Both define the race problem in socioeconomic terms, mainly citing jobs, education, and policing. Roy Brooks, a distinguished legal scholar, argues that the reality is more complex. He defines the race problem African Americans face today as a three-headed hydra involving socioeconomic, judicial, and cultural conditions. Focusing on law and culture, Brooks defines the problem largely as racial subordination—“the act of impeding racial progress in pursuit of nonracist interests.” Racial subordination is little understood and underacknowledged, yet it produces devastating and even deadly racial consequences that affect both poor and socioeconomically successful African Americans. Brooks addresses a serious problem, in many ways more dangerous than overt racism, and offers a well-reasoned solution that draws upon the strongest virtues America has exhibited to the world.

This anthology brings together under one cover the most important abolitionist and--unique to this volume--proslavery documents written in the United States between the American Revolution and the Civil War. It makes accessible to students, scholars, and general readers the breadth of the slavery debate. Including many previously inaccessible documents, A House Divided is a critical and welcome contribution to a literature that includes only a few volumes of antislavery writings and no volumes of proslavery documents in print. Mason Lowance's introduction is an excellent overview of the antebellum slavery debate and its key issues and participants. Lowance also introduces each selection, locating it historically, culturally, and thematically as well as linking it to other writings. The documents represent the full scope of the varied debates over slavery. They include examples of race theory, Bible-based arguments for and against slavery, constitutional analyses, writings by former slaves and women's rights activists, economic defenses and critiques of slavery, and writings on slavery by such major writers as William Lloyd Garrison, John Greenleaf Whittier, Walt Whitman, Henry David Thoreau, and Ralph Waldo Emerson. Together they give readers a real sense of the complexity and heat of the vexed conversation that increasingly dominated American discourse as the country moved from early nationhood into its greatest trial.

Sutton E. Griggs (1872-1933) was a significant African American social reformer, pastor, and prolific writer. His successful first novel, Imperium in Imperio (1899), addressed in a forceful way the plight of Black Americans in post-Reconstruction America. Using Griggs's life story as a platform, Sutton E. Griggs and the Struggle against White Supremacy explores how conservative pragmatism shaped the dynamics of race relations and racial politics during the late nineteenth and early twentieth centuries. More precisely, the book examines the various intellectual tactics that Griggs developed to combat white supremacy. Author Finnie D. Coleman shows that Griggs was a pivotal shaper of a racial uplift philosophy that bore little relationship to more melioristic attempts at racial reconciliation. Coleman explores how Griggs's family-particularly his father-influenced his political ideology. Coleman examines why and how Griggs toyed with militant and at times violent fictional responses to white supremacy when his background and temperament were profoundly conservative and peaceful. Ultimately, Griggs yielded to his father's brand of pragmatic conservatism, but not before he produced a number of works of fiction and nonfiction that pushed the boundaries of what were acceptable reactions to the racial status quo of his day. The author addresses other questions about Griggs's work: How did his fiction capture the generational differences between African Americans born in antebellum America and those who came of age at the end of the Gilded Age? Which rhetorical conventions proved effective against the ever-obdurate Jim Crow? Why have critical assessments of his works varied so greatly over the years? Most important, when compared with other writings of his day, why have his texts been so thoroughly marginalized? This new volume adds to our understanding of Griggs's literary career and his role as one of the most widely read and selflessly dedicated intellectual leaders of his day.

Andrew B. Leiter presents the first book-length study of the sexually violent African American man, or "black beast," as a composite literary phenomenon. According to Leiter, the black beast theme served as a fundamental link between the Harlem and Southern Renaissances, with writers from both movements exploring its psychological, cultural, and social ramifications. Indeed, Leiter asserts that the two groups consciously engaged one another's work as they struggled to define roles for black masculinity in a society that viewed the black beast as the raison d'être for segregation. Leiter begins by tracing the nineteenth-century origins of the black beast image, and then provides close readings of eight writers who demonstrate the crucial impact anxieties about black masculinity and interracial sexuality had on the formation of American literary modernism. James Weldon Johnson's The Autobiography of an Ex-Colored Man, Walter White's The Fire in the Flint, George Schuyler's Black No More, William Faulkner's Light in August, Margaret Mitchell's Gone with the Wind, Allen Tate's The Fathers, Erskine Caldwell's Trouble in July, and Richard Wright's Native Son, as well as other works, provide strong evidence that perceptions of black male sexual violence shaped segregation, protest traditions, and the literature that arose from them. Leiter maintains that the environment of southern race relations -- which allowed such atrocities as the Atlanta riot of 1906, numerous lynchings, Virginia's Racial Integrity Act, and the Scottsboro trials -- influenced in part the development of both the Harlem and Southern Renaissances. While the black beast image had the most pernicious impact on African American individual and communal identities, he says the "threat" of black masculinity also shaped concepts of white national and communal identities, as well as white femininity and masculinity. In the Shadow of the Black Beast signals a fresh interpretation of a literary stereotype within its social and historical context.

Lincoln and the Democrats describes the vexatious behavior of a two-party system in war and points to the sound parts of the American system which proved to be the country's salvation: local civic pride, and quiet nonpartisanship in mobilization and funding for the war, for example. While revealing that the role of a noxious 'white supremacy' in American politics of the period has been exaggerated - as has the power of the Copperheads - Neely revives the claim that the Civil War put the country on the road to 'human rights', and also uncovers a previously unnoticed tendency toward deceptive and impractical grandstanding on the Constitution during war in the United States.