The book containing seven short stories by Fyodor Dostoevsky offers an eclectic mix of narratives that delve into the complex and often conflicted nature of the human psyche. From the exploration of solitude and unrequited love in "White Nights" to the examination of existential despair and misanthropy in "Notes from Underground," Dostoevsky crafts evocative and thought-provoking tales that showcase his prowess as a master storyteller. In "White Nights," the protagonist finds solace in a brief but intense connection with a stranger he encounters during the sleepless nights of the St. Petersburg summer. Dostoevsky explores themes of isolation, longing, and the painful yearning for human connection, ultimately leaving readers with a poignant reflection on the transient nature of happiness and the possibility of true love. "Notes from Underground," one of Dostoevsky's most famous works, takes readers on a psychological journey into the mind of a tormented and erratic narrator. Through a series of rambling and introspective monologues, Dostoevsky exposes the darker aspects of human nature, grappling with existential questions and shedding light on the inherent contradictions within society. "A Faint Heart" explores themes of social inferiority and the destructive power of pride. The story follows a timid and indecisive protagonist as he navigates the complex webs of societal expectations and personal desires. With biting irony and sharp social commentary, Dostoevsky highlights the destructive consequences of an unchecked ego. In "A Christmas Tree and a Wedding," Dostoevsky presents a story imbued with a sense of hope and redemption. The narrative weaves together elements of tragedy and comedy, exploring themes of forgiveness, second chances, and the transformative power of love. Through the juxtaposition of joy and sorrow, Dostoevsky reminds readers of the unpredictable nature of life and the potential for personal growth. "Polzunkov" dives into the world of bureaucracy and political corruption, where a seemingly insignificant civil servant becomes entangled in a web of deceit and manipulation. Dostoevsky captures the absurdity of a system that values power over morality, offering a scathing critique of societal structures that prioritize self-interest over collective welfare. "A Little Hero" tells the story of a boy who sacrifices his own happiness for the sake of others. Dostoevsky explores themes of selflessness, sacrifice, and the devastating consequences of societal pressures on the individual. With poignant storytelling, he reveals the capacity for both heroism and tragedy that lies within us all. Finally, "Mr. Prohartchin" explores the theme of moral decay in society through the eyes of the eponymous character. Set against the backdrop of a rapidly changing, post-Napoleonic Russia, this story delves into the destructive effects of greed, materialism, and moral corruption. Dostoevsky offers a scathing critique of a society that has lost its way, ultimately leaving readers with a haunting reflection on the fragility of morality. In this collection of stories, Dostoevsky showcases his remarkable ability to delve into the depths of the human experience. Through his rich character development, unflinching social commentary, and nuanced exploration of themes such as love, isolation, and the inherent contradictions within humanity, the author masterfully captures the essence of what it means to be human. These seven short stories are a testament to Dostoevsky's timeless brilliance and continue to enthrall readers with their piercing insights into the human condition.

Although Russian fiction master Fyodor Dostoyevsky is best known for epic, sprawling novels that detail psychological and philosophical problems in minute detail, his more concise work is also remarkable in its scope and depth. This collection of stories will please fans of classic Russian literature and Dostoyevsky buffs who are interested in sampling the author's forays into another format.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.

"First published as a World's classics paperback 1995; Reissued as an Oxford world's classics paperback 1999; reissed 2009.

WHITE NIGHTS AND OTHER STORIES The Novels of Fyodor Dostoevsky, Volume x Dostoyevsky

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Excerpt from White Nights: And Other Stories IT was a wonderful night, such a night as is only possible when we are young, dear reader. The sky was so starry, so bright that, looking at it, one could not help asking oneself whether ill-humoured and capricious people could live under such a sky. That is a youthful question too, dear reader, very youthful, but may the Lord put it more frequently into your heart! Speaking Of capricious and ill-humoured people, I cannot help recalling my moral condition all that day. From early morning I had been oppressed by a strange despondency. It suddenly seemed to me that I was lonely, that everyone was forsaking me and going away from me. Of course, anyone is entitled to ask who everyone was. For though I had been living almost eight years in Petersburg I had hardly an acquaintance. But what did I want with acquaintances? I was acquainted with all Petersburg as it was; that was why I felt as though they were all deserting me when all Petersburg packed up and went to its summer villa. I felt afraid of being left alone, and for three whole days I wandered about the town in profound dejection, not knowing what to do with myself. Whether I walked in the Nevsky, went to the Gardens or sauntered on the embankment, there was not one face Of those I had been accustomed to meet at the same time and place all the year. They, Of course, do not know me, but I know them. I know them intimately, I have almost made a study of their faces, and am delighted when they are gay, and downcast when they are under a cloud. I have al most struck up a friendship with one Old man whom I meet every blessed day, at the same hour in Fontanka. Such a gravepensive countenance; he is always whispering to himself and brandishing his left arm, while in his right hand he holds a long gnarled stick with a gold knob. He even notices me and takes a warm interest in me. If I happen not to be at a certain time in the same spot in Fontanka, I am certain he feels dis appointed. That is how it is that we almost bow to each other, especially when we are both in good humour. The other day when we had not seen each other for two days and met on the third, we were actually touching our hats, but, realising in time, dropped our hands and passed each other with a look Of interest. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.