Meredith Mitchell has joined her friend, archaeologist Ursula Gretton, in the Cotswold village farmland, digging for the old bones of Saxon warriors. But it's the discovery of some very new bones that brings Inspector Alan Markby to the ancient burial grounds to solve a modern day murder.

It is 1958 and the Phelan clan has gathered to hear Peter Phelan's will, read by the living Peter himself, an artist whose paintings about members of the family have given him belated critical recognition. The paintings illuminate the lives of his brother Francis (the exiled hero of Ironweed), and a family ancestor, Malachi McIlhenny, a true madman beset by demons, and determined to send them back to hell. Orson Purcell, bastard son of Peter, and half-mad himself, encounters his first true solace through this obsessive and close-knit family he has never quite entered; most especially through his Aunt Molly, whose intense love affair holds secrets that only another love can resurrect. It is through Orson's modern eye that we see the tragedies, obsessions, and clandestine joys of this singular family. This is climatic work in William Kennedy's Albany Cycle, riding on the melody of its language and the power of its story, which is full of surprise, comedy, terror, and earthly delight.

The #1 NYT bestselling authors Preston & Child bring the true story of the ill-fated Donner Party to new life in this thrilling novel of archaeology, history, murder, and suspense. Nora Kelly, a young curator at the Santa Fe Institute of Archaeology, is approached by historian Clive Benton with a once-in-a-lifetime proposal: to lead a team in search of the so-called "Lost Camp" of the tragic Donner Party. This was a group of pioneers who earned a terrible place in American history when they became snow-bound in the California mountains in 1847, their fate unknown until the first skeletonized survivors stumbled out of the wilderness, raving about starvation, murder-and cannibalism. Benton tells Kelly he has stumbled upon an amazing find: the long-sought diary of one of the victims, which has an enigmatic description of the Lost Camp. Nora agrees to lead an expedition to locate and excavate it-to reveal its long-buried secrets. Once in the mountains, however, they learn that discovering the camp is only the first step in a mounting journey of fear. For as they uncover old bones, they expose the real truth of what happened, one that is far more shocking and bizarre than mere cannibalism. And when those ancient horrors lead to present-day violence on a grand scale, rookie FBI agent Corrie Swanson is assigned the case...only to find that her first investigation might very well be her last.

Legendary Stovey Woods has always seemed threatening, but for decades the danger has remained dormant. Now it appears a long dead murder case is being reopened as another victim appears with remarkable similarities.

DI Clare Mackay is about to face a test of her loyalty... When a report comes in that a van containing two prison officers and a convicted jewel thief is missing, the police in St Andrews work quickly to locate the vehicle. Their efforts prove in vain when no trace is found and they realise the wives of both officers also appear to have left the area. Is this a case of corrupt guards springing a felon, or innocent people caught in the crossfire? DI Clare Mackay leads the team but has to do without her right hand man; DS Chris West is a cousin to one of the missing prison officers and must not be involved in the case. With a new sergeant at her side plus a previously unencountered DCI, Clare’s people skills are pushed to the limit. Especially once she realises her boss is keeping her on the sidelines. Just what is it that Clare doesn’t know? And if she has to choose between keeping secrets from a friend, or letting slip something that could see a culprit go free, which path will she take? A compelling addition to the bestselling series by a much-loved Scottish crime author, perfect for fans of Caro Ramsay, Lin Anderson and Alex Gray. Praise for Old Bones Lie ‘This is an absolute cracker of a book. An authentic, twisty and compelling detective novel written by a new star of Tartan Noir.’ Neil Lancaster, author of The Blood Tide ‘Old Bones Lie is a fine example of the police procedural. Tightly plotted, cogently told with an ensemble of characters following the clues and navigating various twists like the professionals they are to reach a solution that is neither pat nor unbelievable. A hugely enjoyable read indeed.’ Douglas Skelton, author of An Honourable Thief ‘A combination of razor-sharp plotting, wholly believable characters and rock-solid writing – another excellent instalment to the DI Clare Mackay series.’ Alison Belsham, author of Death in Kabul ‘Old Bones Lie is Marion Todd at her very best - forensically intriguing and a bloody good read... literally.’ Jonathan Whitelaw, author of The Bingo Hall Detectives ‘It’s impossible to escape Marion’s grip on you in this captivating, compelling hunt for lost souls, buried truth and a heartless killer.’ Morgan Cry, author of Six Wounds ‘Brilliant storytelling, tense and riveting with the reassuring presence of the wonderful DI Clare Mackay, I loved Old Bones Lie!’ G.R. Halliday, author of Dark Waters ‘Marion Todd has excelled herself this time! 5 stars.’ Andrew James Greig, author of Whirligig ‘Gripping and complex. This is Marion Todd’s best yet. Her writing deepens and matures with each new book.’ Allan Martin, author of the Inspector Angus Blue novels ‘Another brilliant instalment to the DI Clare Mackay series. I couldn't stop reading. Plenty of twists and turns along the way, and just when you think you have it figured - you don't!’ ⭐⭐⭐⭐⭐ Reader review ‘Marion Todd is one of my favourite authors and this book in the DI Mackay series doesn’t disappoint with twists and turns from start to finish. Great read, couldn’t put it down.’ ⭐⭐⭐⭐⭐ Reader review ‘The story starts with a bang and carries the reader with both great writing and a very good story. For me, Marion Todd is now sitting comfortably alongside Caro Ramsay as the two best crime writers in Scotland today.’ ⭐⭐⭐⭐⭐ Reader review ‘Old Bones Lie starts at a really fast pace and remains unrelenting as the story unfolds...The depth of research is plain to see, but the skill is in the storytelling, and I honestly believe that this is her best yet... ’ ⭐⭐⭐⭐⭐ Reader review

Award-Winning author James Duermeyer Bones Don't Lie, Book Four, in the Nathan Wolf series: When U.S. Marshal Nathan Wolf is contacted by a rancher regarding the disappearance of horses, he soon finds that there is far more at stake than a few head of livestock. He comes face to face with a bullying outlaw named Ivan Malone who intends to steal the third-generation ranch from its rightful owners through guile, theft, threats, extortion, and ultimately murder of the ranch owners. To further complicate the situation, the list of characters who wish to seek revenge and kill the outlaw continues to grow and includes a nearby Comanche Chief, a prospector's young son, and the outlaw's own mother. With the help of his Texas Ranger friend Ben Steele, it is all Marshal Wolf can do to keep the revenge-minded folks from taking the law into their own hands before the outlaw is brought to justice. But, the road to justice and revenge can take many dangerous and dramatic turns as Marshal Wolf discovers.

In the famous Scottish town of St. Andrews, someone is bent on murder...but why? On the night of a wedding celebration in St. Andrews, one guest meets a grisly end when he’s killed in a hit-and-run. A card bearing the number 5 has been placed on the victim’s chest. Detective Inspector Clare Mackay leads the investigation. As more deaths follow, Clare and her team realize they’re against the clock to find a killer stalking the streets of the picturesque Scottish town and bent on revenge. Don’t miss the page-turning first novel in a gripping series featuring DI Clare Mackay, perfect for fans of Alex Gray, D. S. Butler, and Rachel Amphlett.

Keep your friends close and your enemies closer... Early one morning DI Clare Mackay receives a message from her boss DCI Alastair Gibson telling her to meet him in secret. She does as he asks and is taken from St Andrews to a secure location in the remote Scottish hills. There, she is introduced to ethical hacker Gayle Crichton and told about a critical security breach coming from inside Police Scotland. Clare is sworn to secrecy and must conceal Gayle’s identity from colleagues until the source is found. Clare already has her hands full keeping a key witness under protection and investigating the murder of a university student. When a friend of the victim is found preparing to jump off the Tay Road Bridge it is clear he is terrified of someone. But who? Clare realises too late that she has trusted the wrong person. As her misplaced faith proves a danger to herself and others, Clare must fight tooth and nail to protect those she cares about and see justice done. A page-turning crime thriller perfect for fans of Alex Gray, D. K. Hood and Rachel Amphlett. What readers are saying about Lies to Tell ‘One of Scotland's top up-and-coming crime writers’ The Scottish Sun 'DI Clare Mackay is a brilliant character. I’m looking forward to more from Marion Todd’ Graeme Hampton, author of The Darkness Within ‘A gripping addition to the crime genre’ Scottish Field ‘With Lies To Tell, Marion Todd is, or should be, firmly in the company of premier league crime fiction writers. Long may the series continue.’ Reader review ⭐ ⭐ ⭐ ⭐ ⭐ ‘Marion Todd has delivered an excellent third novel in her DI Clare MacKay series... the ending resolutions are completely satisfying and leave the reader frustrated only with how long they have to wait for the next book in the series... A top-notch book’ Reader review ⭐ ⭐ ⭐ ⭐ ⭐ ‘With so many twists and turns the story romps along at a breathless pace, who can she trust? A brilliant thriller, and an ending I didn’t see coming.’ Reader review ⭐ ⭐ ⭐ ⭐ ⭐ ‘With its polished pacing and plotting, I found this to be a thoroughly enjoyable, original and difficult to put down novel from Marion Todd. She is a gifted storyteller who can provide readers with thrills, sophistication and a story packed with substance. A very highly recommended five star read’ Reader review ⭐ ⭐ ⭐ ⭐ ⭐ ‘Over the last three books, Marion has nurtured Clare into someone of real substance and she has become one of my all time favourite female lead characters.’ Reader review ⭐ ⭐ ⭐ ⭐ ⭐ ‘Could not put this book down at all... this one has to be Marion Todd’s best book to date, a police procedural with non stop action, twists and so many suspects that I was reeling with what was going to happen next’ Reader review ⭐ ⭐ ⭐ ⭐ ⭐ ‘A book that you just can’t fault ... a real not to be missed read’ Reader review⭐ ⭐ ⭐ ⭐ ⭐

"At once mordantly funny and achingly sad, L.I.E. is a soul map for modern suburbia." --Sheri Holman, author of The Dress Lodger Long Island, New York, 1987: Harlan Kessler--raised in Medford, a product of blue-collar Suffolk County, of housing developments and concrete strip malls--graduates from high school. He hangs out, he parties, he plays guitar for the Dayglow Crazies (the local rock-and-roll phenomenon), and he struggles diligently to lose his virginity. He doesn't think about the future much. The Long Island Expressway (L.I.E.) cleaves the landscape, permitting passage west, to the tonier climes of Nassau County and New York City, but to Harlan, this seems like an impossible journey, something beyond his Long Island birthright. And what's worse, evidence is accumulating that Harlan may not exist at all, that he may merely be a character in someone else's story, a fleeting thought in the mind of God. L.I.E. follows Harlan, his family, and his friends through two years of love, sex, death, betrayal, salvation, and enlightenment. In ten intimately interwoven stories, in prose that swings fluidly from gritty realism to heightened metafiction, David Hollander maps an American landscape that is at once vividly familiar and highly exotic, creating an unforgettable portrait of the passage to adult-hood and the search for identity, certain to resonate with legions of readers. By turns dark, funny, raw, and elegant, L.I.E. is the striking debut of a singular voice. The last wisps of afternoon streak and evaporate into blue-gray dusk, submersing Long Island in twilight. Harlan and Rik Giannati sit on the curb outside Rik's house, precisely 211 yards northeast of Harlan's house, the distance punctuated by no fewer than fourteen subtly distinct houses of three ilks: the square, steeple-roofed Granada; the split-level LaSalle; the two-story, three-bedroom Monte Carlo. This last model was the choice of Kessler and Giannati alike some ten years ago when they, too, were assimilated in the mass exodus from Queens to Suffolk County that had gripped the hearts and genitals of so many. The streetlamps began to glow along Rustic Avenue, a cold blue flicker spaced at even intervals, like isolated members of the same species, each shivering in its cage of frosted glass. --From L.I.E.