In the 2020s the female birthrate starts to decline. By 2059 only one newborn in twenty is female. This drop in the number of females in the population causes serious social upheavals: changes in sexual mores, the lives of both men and women, occupations, marriage traditions, commerce, and crime. By 2040, the year Julia is born, there is only one female birth for every five males. The situation continues to worsen in the second half of the twenty-first century, until by the time Julia is in her teens, the ratio has dropped to one in twenty-five. Scientists around the world scramble to discover what is causing this decline in female birth and to find a remedy. The world is turned upside down by the social changes brought about by the epidemic. This story tells how the surplus men try to adjust to the situation, and how women handle their newfound power, which comes with a high price: severe restrictions on their freedom and safety. After a failed marriage, Julia prospers as a courtesan, a high-status occupation in the new society. Catherine, Julias daughter, is abducted as a teenager by religious fundamentalists and her life follows radically different path from that of her mother.

Traces the folk singer's career, influence, and political development through sheet music, quotations, reflections, and anecdotes, andincludes one CD-ROM with MP3s excerpts from over two hundred songs.

Selling Folk Music: An Illustrated History highlights commercial sources that reveal how folk music has been packaged and sold to a broad, shifting audience in the United States. Folk music has a varied and complex scope and lineage, including the blues, minstrel tunes, Victorian parlor songs, spirituals and gospel tunes, country and western songs, sea shanties, labor and political songs, calypsos, pop folk, folk-rock, ethnic, bluegrass, and more. The genre is of major importance in the broader spectrum of American music, and it is easy to understand why folk music has been marketed as America's music. Selling Folk Music presents the public face of folk music in the United States via its commercial promotion and presentation throughout the twentieth century. Included are concert flyers; sheet music; book, songbook, magazine, and album covers; concert posters and flyers; and movie lobby cards and posters, all in their original colors. The 1964 hootenanny craze, for example, spawned such items as a candy bar, pinball machine, bath powder, paper dolls, Halloween costumes, and beach towels. The almost five hundred images in Selling Folk Music present a new way to catalog the history of folk music while highlighting the transformative nature of the genre. Following the detailed introduction on the history of folk music, illustrations from commercial products make up the bulk of the work, presenting a colorful, complex history.

Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This volume examines historical and imaginary scenarios of apocalypse, the depiction of its likely triggers, and imagined landscapes in the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and Invasion of the Body Snatchers. Lisboa also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinary study that provides profound insight into one of Western culture's most fascinating and enduring preoccupations.

(Fake Book). Now baritone ukulele players can enjoy the Daily Ukulele: Leap Year Edition songbook. This super collection features all the same songs from the Leap Year Edition in the original keys but with baritone ukulele chord grids (DGBE tuning). Have fun strumming 366 well-known songs from the 1950s through today, by artists such as Carole King, Elton John, the Bee Gees, Stevie Wonder, the Beatles, Paul Simon, Bob Dylan, Michael Jackson and others, plus favorites from movies, Broadway, Motown and more. Like all of the Daily Ukulele songbooks, the arrangements feature melody, lyrics and ukulele chord grids in uke-friendly keys. A special "Ukulele 101" section, a chord chart, and vintage ukulele-themed photos round out the fun, all with a spiral binding for ease of use. Tunes include: Ain't No Sunshine * Anticipation * Bubbly * Calendar Girl * Come Monday * Falling Slowly * Hallelujah * I Got You Babe * Lean On Me * Moondance * Route 66 * Sweet Caroline * We Are the World * Y.M.C.A. * and scores more! The Daily Ukulele: Leap Year Edition for Baritone Ukulele offers ukulele fun all year long even on February 29th!

In Learning to Perform. Carol Simpson Stern and Bruce Henderson introduce the art and craft of performing literary texts, including poetry, prose fiction, and drama, as well as personal narratives and ethnographic materials. They present a performance methodology that offers instruction in close reading and analysis, the development and refinement of performance skills, and the ability to think critically about and discuss a performance. As students become reacquainted with the world of the imagination and its possibilities, the insights they gain in the classroom can become the basis for achievement not only on the stage or in front of the camera but in many facets of public life. By addressing an expanded sense of text that includes cultural as well as literary artifacts, Stern and Henderson bridge the gap between oral interpretation and the more inclusive field of performance studies. A substantial appendix provides a dozen texts for performance in the classroom, including works by Jane Hamilton, Willa Cather, Henry James, E.M. Forster, Henrik Ibsen, Jane Austen, and Michael S. Bowman. --Book Jacket.

Aimed at those with a basic understanding of music theory, provides step-by-step instructions for learning to play guitar and includes songs to practice.

(Fake Book). This super collection features 366 more well-known songs arranged for ukulele from the 1950s through today, by artists such as Carole King, Elton John, the Bee Gees, Stevie Wonder, the Beatles, Paul Simon, Bob Dylan, Michael Jackson and others, plus favorites from movies, Broadway, Motown and more! Just like the first Daily Ukulele book, all arrangements feature melody, lyrics and ukulele chord grids in uke-friendly keys. A special "Ukulele 101" section, a chord chart, and vintage ukulele-themed photos round out the fun. Tunes include: Ain't No Sunshine * Anticipation * Bubbly * Calendar Girl * Come Monday * Falling Slowly * Hallelujah * I Got You Babe * Lean on Me * Moondance * Route 66 * Sweet Caroline * We Are the World * Y.M.C.A. and scores more! The Daily Ukulele: Leap Year Edition offers ukulele fun all year long even on February 29th!

Genesis Too: A Rational Story of How All Things Began and the Main Events that Have Shaped Our World: A Resolution of Creationist and Evolutionist Theories of the Creation of the Universe By: Rob Ransone Genesis Too addresses such sensitive issues as: Where did that first particle come from that resulted in the Big Bang and what was it? Why are creationist and evolutionist theories of the Universe both right? Why is there Free Will? Why is there evil in the world? Is God really omnipotent? Was Jesus God’s only son? Is there a heaven or a hell? Why are Islamic terrorists not following the teachings of Muhammad? Why does the US Government only back scoundrels in other countries? Why is Johannes Gutenberg the most important individual who ever lived? Of the American, French, and Russian revolutions, why is the French Revolution the most important? What were the three worst decisions made during World War II? What were the two worst decisions made by US presidents? Why did all 22 US intelligence agencies fail to prevent 9/11, even though the preparations were in plain sight? If we meet aliens from other worlds, will we be the colonists or the Indians? What are the ethics of changing the human genome?