Welcome to the land of enchanted cedar. When our favorite elves, Maka, Juniper, and Solstice, get lost deep in The Birch Forest, they have to work together to find their way back home to Barefoot Cottage. Our forest friends will discover many unexpected surprises before this night ends!

One day is all it takes... As a bounty hunter, Rhael chases down the Corrupted, people with unnatural abilities too powerful for the rest of society-something he learned firsthand when they killed his father years ago. But when Rhael and his crew are ambushed by the very people they were sent to capture, it changes everything. Phessipi leads a desperate group of rebels who are fighting for their lives just as much as their freedom. Any day now, a group of bounty hunters could swoop down on them. They all look to her for answers, but keeping one step ahead of The Order might be more than she can handle. Levas wants peace and order under the ruling class, something he's devoted his life of service to, but the threat of a rebel uprising might be enough to upend the world he's worked so hard to keep together. As the leader of the army, he's always tried to be honorable, but with how fast things are changing, he might not be able to do that much longer. Start reading The Silver Crystal and discover your next great fantasy series.

A course on comics creation offers lessons on lettering, story, structure, and panel layout, providing a solid introduction for people interested in making their own comics.

INK LOG - One of the best ways to explore the unique characteristics of your pens and inks is to grade them and score them on a standard scale. This little book provides you a standard template that is widely used among the fountain pen community and network in order to give you space to compile all of your inks in one place! NOT JUST FOR FOUNTAIN PENS - If you're a pen lover of any type, then this book is for you. You can use this book to grade and score any type of pen you may use, including highlighters and ballpoint or gel pens. SIMPLE BOOK - This is a simple book in reality, but it's one that you'll want to keep with you as you gain new pens and inks. There are a number of different metrics and categories to help you keep all your inks logged and annotated. This book is 8.5"x5.5" and comes with about 200 individual pages.

With playwright and spy Kit Marley dead, the victim of murder, dramatist William Shakespeare unsuccessfully takes on the Promethean Club's secret battle against sorcerers out to destroy England, until Marley, resurrected by Faerie enchantment, comes to his aid, but first Kit must find the traitor responsible for his death. Original.

In a substantial literary work that leaves readers satiated yet challenged, Liederbach has created a study of the frailty of the human heart and its capacity for love amid irresolvable disappointment and extraordinary beauty.

For nearly 20 years, home crafters have turned to the pages of Martha Stewart Living for all kinds of crafts projects, each presented in the magazine’s inimitable style. Now, the best of those projects, including step-by-step instructions and full-color photographs, have been collected into a single encyclopedia. Organized by topic from A to Z, Martha Stewart’s Encyclopedia of Crafts contains complete instructions and brief histories for more than 30 techniques, detailed descriptions of the necessary tools and materials, and easy-to-copy templates. Martha and her team of crafts editors guide readers through each subject, from botanical pressing and decoupage to rubber stamping and wreaths, with characteristic clarity and unparalleled attention to detail. Crafters of all skill and experience levels will appreciate the many variations presented for each technique. For example, candlemaking presents a comprehensive array of poured, rolled, and cutout candles, including instructions for making your own one-of-a-kind rubber candle molds, floating candles, sand candles, and more. Each craft in the book takes on charming new dimensions with innovations that could come only from the team behind Martha Stewart Living. In addition, each entry in Martha Stewart’s Encyclopedia of Crafts is chock-full of tips and advice. Handy glossaries in the entries–such as a comprehensive gem glossary, a glitter glossary, and a color glossary for making tinted wax–are valuable references that crafters will refer to again and again. What’s more, the Tools and Materials section outlines the best essential supplies that every crafter needs to have on hand, and the Sources pages clue readers in to the vendors and suppliers that the magazine’s crafts editors rely on most. Filled with solid technical know-how, and presented with gorgeous color photographs, this handy guide can be read page by page and kept as a lasting reference by crafters and artisans alike.

This study claims that scholars need to examine all twenty-seven English illustrated editions of Wilde's and Beardsley's Salomë to understand whether Beardsley's compositions do, or do not, illustrate Wilde's words. For the last one hundred years scholars have addressed the aesthetic function of Beardsley's compositions (whether or not Beardsley's compositions illustrate Wilde's words), and each scholar sees something different: Beardsley's compositions are "irrelevant" to Wilde's words; Beardsley's compositions are "relevant" to Wilde's words; Beardsley's compositions are both "irrelevant" and "relevant." What is at issue here is that this traditional dance of signification (scholars' interpretations of the aesthetic function of Beardsley's compositions) relies upon an interpretive strategy that disavows the history of textual transmissions. To put this another way, what scholars "see" depends upon the particular English illustrated edition(s) they read. Beardsley's compositions are physical objects conditioned by a physical setting--i.e., the components of total book design. Yet, for many, the visible appears invisible. The motivation for this study arises from previously unexamined phenomena--the genesis and textual transmission of Beardsley's compositions for Salomë (1894-1994). As historical textual scholarship, this study uses the methodologies central to descriptive bibliography: the English illustrated editions of Wilde's and Beardsley's Salomë are treated as socially constructed physical objects. Binding, format, and paper are a few of the signifying systems described. Specifically, this investigation draws upon the model presented by Philip Gaskell in A New Introduction to Bibliography. The necessary tasks include: transcribing the title-page; analyzing the format; examining the appearance of the binding; detailing the kind of paper used; and noting other information, such as titles. As the centenary of Wilde's and Beardsley's Salomë commences, this is the opportune time to trace the publishing history of Beardsley's compositions, to update existing descriptive bibliographies, and to turn to an empirical method for a socialized model of literary production.