'Tremendous. A moving and haunting tribute to the human spirit' WILLIAM BOYD Into the heart of a genocide that left a million people dead 6 April 1994: In the skies above Rwanda the presidentâe(tm)s plane is shot down in flames. Near Kigali, Jean-Pierre holds his family close, fearing for their lives as the violence escalates. In the chapel of a hillside village, missionary priest Vjeko Curic prepares to save thousands of lives The mass slaughter that follows âe" friends against friends, neighbours against neighbours - is one of the bloodiest chapters in history Twenty years on, BBC Newsnight producer David Belton, one of the first journalists into Rwanda, tells of the horrors he experienced at first-hand. Now following the threads of Jean-Pierre and Vjeko Curicâe(tm)s stories, he revisits a country still marked with blood, in search of those who survived and the legacy of those who did not. This is David Belton's quest for the limits of bravery and forgiveness.

To many antebellum Americans, Appalachia was a frightening wilderness of lawlessness, peril, robbers, and hidden dangers. The extensive media coverage of horse stealing and scalping raids profiled the regionÕs residents as intrinsically violent. After the Civil War, this characterization continued to permeate perceptions of the area and news of the conflict between the Hatfields and the McCoys, as well as the bloodshed associated with the coal labor strikes, cemented AppalachiaÕs violent reputation. Blood in the Hills: A History of Violence in Appalachia provides an in-depth historical analysis of hostility in the region from the late eighteenth to the early twentieth century. Editor Bruce E. Stewart discusses aspects of the Appalachian violence culture, examining skirmishes with the native population, conflicts resulting from the regionÕs rapid modernization, and violence as a function of social control. The contributors also address geographical isolation and ethnicity, kinship, gender, class, and race with the purpose of shedding light on an often-stereotyped regional past. Blood in the Hills does not attempt to apologize for the region but uses detailed research and analysis to explain it, delving into the social and political factors that have defined Appalachia throughout its violent history.

Originally written in 1938 but never published due to its controversial nature, an insightful guide reveals the seven principles of good that will allow anyone to triumph over the obstacles that must be faced in reaching personal goals.

Deftly combining archival sources with evocative life histories, Anastasia Karakasidou brings welcome clarity to the contentious debate over ethnic identities and nationalist ideologies in Greek Macedonia. Her vivid and detailed account demonstrates that contrary to official rhetoric, the current people of Greek Macedonia ultimately derive from profoundly diverse ethnic and cultural backgrounds. Throughout the last century, a succession of regional and world conflicts, economic migrations, and shifting state formations has engendered an intricate pattern of population movements and refugee resettlements across the region. Unraveling the complex social, political, and economic processes through which these disparate peoples have become culturally amalgamated within an overarchingly Greek national identity, this book provides an important corrective to the Macedonian picture and an insightful analysis of the often volatile conjunction of ethnicities and nationalisms in the twentieth century. "Combining the thoughtful use of theory with a vivid historical ethnography, this is an important, courageous, and pioneering work which opens up the whole issue of nation-building in northern Greece."—Mark Mazower, University of Sussex

Mushikiwabo is a Rwandan working as a translator in Washington when she learns that most of her family back home has been killed in a conspiracy meticulously planned by the state. First comes shock, then aftershock, three months of it, during which her worst fears are confirmed: The same state apparatus has duped millions of Rwandans into butchering nearly a million of their neighbors. Years earlier, her brother Lando wrote her a letter she never got until now. Urged on by it, she rummages into their farm childhood, and into family corners alternately dark, loving, and humorous. She searches for stray mementos of the lost, then for their roots. What she finds is that and more---hints, roots, of the 1994 crime that killed her family. Her narrative takes the reader on a journey from the days the world and Rwanda discovered each other back to colonial period when pseudoscientific ideas about race put the nation on a highway bound for the 1994 genocide. Seven years of full-time collaboration by two writers---and the faith of family and friends---went into this emotionally charged work. Rwanda Means the Universe is at once a celebration of the lives of the lost and homage to their past, but it's no comfortable tribute. It's an expression of dogged hope in the face of modern evil.

Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-

Prosecuting attorney Bell Elkins and her estranged teenage daughter, Carla, try to protect their town and each other in the aftermath of a shocking triple murder committed by an unknown shooter whose identity is gradually realized by Carla.