Reflecting while driving through the majestic desert and smelling the fragrance of the greasewood after a spring shower, Edna is tormented by the struggles of an illegitimate castaway born before the Great Depression of the 1930's and of the most terrifying and traumatic visions of physical, emotional and sexual abuse. Responding to the primitive instinct for survival, she retreats deeper into the tranquility of the vast wilderness before her and into the peacefulness of her own mind and new beginnings.

Helping the orphan children in Richmond just might overturn everything Gracie thought she knew, including the value of love. Gracie Williams has always had an adventurous streak, which led her from her home in the Shenandoah Valley to Richmond, Virginia, where she can devote her life to the orphan children. Though her beauty has brought on the advances of many men, she has no plans to marry, and finds suitors an unfortunate irritation she doesn’t have time for—much to her parents’ chagrin. When she befriends Matthew Weston, the mature and serious orphanage superintendent, she confides in him and believes he shares her goals. Neither are prepared for the sparks that fly. Tension grows as Matthew falls in love with her, yet realizes he is just another man in the long line of would-be suitors. A family crisis, an orphan train, and the plight of a sweet orphan named Emma throw the couple together in deep and meaningful ways. But will this be enough for Gracie to embrace a new way of thinking, and the gift of love that only true soulmates can share?

Cherry Blossom Epiphany - the poetry and philosophy of a flowering tree - a selection, translation and lengthy explication of 3000 haiku, waka, senryû and kyôka about a major theme from I.P.O.O.H. (In Praise Of Olde Haiku)by robin d. gill 1. Haiku -Translation from Japanese to English 2. Japanese poetry - 8c-20c - waka, haiku and senryû 3. Natural History - flowering cherries 4. Japan - Culture - Edo Era 5. Nonfiction - Literature 6. Translation - applied 7. You tell me! If the solemn yet happy New Year's is the most important celebration of Japanese (Yamato) ethnic culture, and the quiet aesthetic practice of Moon-viewing in the fall the most elegant expression of Pan-Asian Buddhism=religion, the subject of this book, Blossom-viewing - which generally means sitting down together in vast crowds to drink, dance, sing and otherwise enjoy the flowering cherry in full-bloom - is less a rite than a riot (a word originally meaning an 'uproar'). The major carnival of the year, it is unusual for being held on a date that is not determined by astronomy, astrology or the accidents of history as most such events are in literate cultures. It takes place whenever the cherry trees are good and ready. Enjoyed in the flesh, the blossom-viewing, or hanami, is also of the mind, so much so, in fact, that poetry is often credited with the spread of the practice over the centuries from the Imperial courts to the maids of Edo. Nobles enjoyed link-verse contests presided over by famous poet-judges. Hermits hung poems feting this flower of flowers (to say the generic "flower" = hana in Japanese connotes "cherry!") on strips of paper from the branches of lone trees where only the wind would read them. In the Occident, too, flowers embody beauty and serve as reminders of mortality, but there is no flower that, like the cherry blossom, stands for all flowers. Even the rose, by any name, cannot compare with the sakura in depth and breadth of poetic trope or viewing practice. In Cherry Blossom Epiphany, Robin D. Gill hopes to help readers experience, metaphysically, some of this alternative world. Haiku is a hyper-short (17-syllabet or 7-beat) Japanese poem directly or indirectly touching upon seasonal phenomena, natural or cultural. Literally millions of these ku have been written, some, perhaps, many times, about the flowering cherry (sakura), and the human activity associated with it, blossom-viewing (hanami). As the most popular theme in traditional haiku (haikai), cherry-blossom ku tend to be overlooked by modern critics more interested in creativity expressed with fresh subjects; but this embarrassment of riches has much to offer the poet who is pushed to come up with something, anything, different from the rest and allows the editor to select from what is, for all practical purposes, an infinite number of ku. Literary critics, take note: Like Rise, Ye Sea Slugs! (2003) and Fly-ku! (2004), this book not only explores new ways to anthologize poetry but demonstrates the practice of multiple readings (an average of two per ku) as part of a composite translation turned into an object of art by innovative clustering. Book-collectors might further note that while Cherry Blossom Epiphany may not be hardback, it takes advantage of the many symbols included with Japanese font to introduce design ornamentation (the circle within the circle, the reverse (Buddhist) swastika, etc.) hitherto not found in English language print. It is a one-of-a-kind work of design by the author.

Blossom is a young fairy in training who has just been given the opportunity of a lifetime! A chance to live in the human world! She is over the moon with excitement, but she soon realises that living in a strange, new world has more challenges than she thought. Will Blossom be able to survive the unexpected world? Read on to find out!