How did the mysterious images high in the Nazca Desert in Peru come to be? Find out the truth about these ancient figures in the soil that can only be fully seen from high above the Nazca plain. Presenting What Do We Know About?, an exciting extension of the #1 New York Times Best-Selling Who Was? series! The Nazca Lines in Peru have mystified people around the world for centuries. The famous figures, sometimes called geoglyphs, include a hummingbird, a spider, a fish, a monkey, a dog, a cat, human-like figures, geometric designs, and more. These amazing images were believed to have been created between 500 B.C.E. and 500 C.E., and no one is quite sure how or why they were created. Some historians believe that they are anicent irrigation systems, but other researchers believe in a more paranormal origin story. Were the Nazca Lines created by ancient cultures thousands of years ago, or could they have been alien landing sites? Find out the truth about the Nazca Lines in this book for young readers.

This well-illustrated, concise text will serve as a benchmark study of the Nasca people and culture for years to come.

A FASCINATING OVERVIEW OF WHAT THE LEADING EXPERT AND HIS COLLEAGUES CURRENTLY UNDERSTAND ABOUT THE GIANT GROUND DRAWINGS OF ANCIENT NASCA, PERU.

Get closer to solving the mystery of the Nazca lines with this riveting title. Learn about leading theories, important clues, and study the evidence to develop your on conclusions on how and why the lines were made.

Edward Ranney (b. 1942) is one of the most distinguished photographers of the Peruvian landscape. In 1985 Ranney began photographing the Nazca lines, a series of monumental geoglyphs that stretch across an arid plateau in southern Peru. Created by the Nazca culture more than 2,000 years ago, the lines have perplexed archeologists and inspired scores of visual artists. While most clearly seen from the air in a plane or helicopter, these lines offer an even more awe-inspiring experience when viewed from the ground--Ranney's chosen vantage for his large-format photographs. Two decades of work on these lines in Peru and on similar glyphs found in northern Chile are brought together for the first time in this handsome volume, revealing the enigmatic beauty of these ancient manmade landforms. An illuminating essay by esteemed critic Lucy R. Lippard situates Ranney's work within the context of landscape photography and contemporary art.

Mexico, through the eyes of Sybille Bedford is a country of passion and paradox: arid desert and shrieking jungle, harsh sun and deep shadow, violence and sentimentality. In her frank descriptions of the horrors of travel - through bug-infested jungle, trapped in a broiling stationary train, or in a bus with a dead fish slapping against her face - she gains our trust. But it is the charmed world of Don Otavio which steals our imagination. He is, she says, "one of the kindest men I ever met". She stays in his crumbling ancestral mansion, living a life of provincial ease and observing with glee the intense life of a Mexican neighbourhood.