American military advisors in South Vietnam came to know their allies personally--as few American soldiers could. In addition to fighting the Viet Cong, advisors engaged in community building projects and local government initiatives. They dealt firsthand with corrupt American and South Vietnamese bureaucracies. Not many advisors would have been surprised to learn that 105mm artillery shells were being sold on the black market to the Viet Cong. Not many were surprised by the North Vietnamese victory in 1975. This memoir of a U.S. Army intelligence officer focuses on the province advisors who worked with local militias that were often disparaged by American units. The author describes his year (1969-1970) as a U.S. advisor to the South Vietnamese Regional and Popular Forces in the Mekong Delta.

""An important contribution to the literature on the war."" Gary R. Hess, Emeritus Distinguished Research Professor, Bowling Green State University. Author, --"Vietnam: Explaining America's Lost War." In his Reflections on the Vietnam War: A Fifty-Year Journey, Warren E. Hunt chronicles his long struggle to come to grips with the meaning of the Vietnam War and how it affected him before, during and after his tour in Vietnam with the U.S. First Infantry Division. Using a stylistic mix of personal anecdote, historical reflection and essay, the author weaves his experience of the war into a broad context encompassing the course of his life. Starting out as a naive and patriotic teenager drafted at age 19, he traces his path through military training, his impressions of Vietnam and its people, the absurdity of daily basecamp life, and the crucible of enemy fire. Returning to a nation torn apart by the war, he soon realizes that, even though he is no longer in the army, he cannot escape the war''s insane grasp. Catastrophic events in Vietnam and on the home front, along with the dawning awareness of suicides among his fellow veterans, prompt him to seek answers to the questions that haunt his daily life: Why did America go to war in Vietnam? How could we lose? Why did so many people have to suffer in vain? His quest leads him to the unveiling of the Vietnam Veterans Memorial in Washington, D.C., where painful memories and powerful emotions merge to initiate a healing process for the author, his fellow veterans and the country at large.

A military journalist shines a light on the unsung heroism and contributions of enlisted combat reporters in the Vietnam War in these revealing interviews. Vietnam Bao Chi brings together interviews with thirty-five combat correspondents who reported on the Vietnam War. These brave men and women wrote the stories, captured the images, and filmed the television coverage of their fellow servicepeople on battlefields from the Mekong Delta to the DMZ and from the Tet Offensive in 1968 to the fall of Saigon in 1975. Here you will meet Marine Dale Dye, who would go on to play an integral role in the making of the film Platoon; Green Beret Jim Morris, whose books, including War Story, recount the combat operations of Special Forces units in the Central Highlands; John Del Vecchio, whose classic work of fiction, The 13th Valley, mirrors his own existence as a combat correspondent with the 101st Airborne Division; and US Navy Frogman Chip Maury, renowned for his free-fall and underwater photography in Vietnam. Yablonka’s extensive experience as a military journalist brought him into contact with many of these combat correspondents, giving him a unique insight into their professions and lives. This book honors these brave chroniclers in uniform who brought the Vietnam War home to us. “[This] valuable collection of profiles . . . shines light on the all-but-forgotten role of American military báo chí (press in Vietnamese)." —Publishers Weekly

Tied in to Ken Burns' forthcoming (2017) TV series on Vietnam, to which the author is a major contributor, the reissue of a Pulitzer finalist memoir of a Vietnamese family in the 20th century

In 1970, John Kowalski was among the many young, inexperienced soldiers sent to Vietnam to participate in a contentious war. Referred to as “Cherries” by their veteran counterparts, these recruits were plunged into a horrific reality. The on-the-job training was rigorous, yet most of these youths were ill-prepared to handle the severe mental, emotional, and physical demands of combat. Experiencing enemy fire and observing death up close initiates a profound transformation that is irreversible. The author excels at storytelling. Readers affirm feeling immersed alongside the characters, partaking in their struggle for survival, experiencing the fear, awe, drama, and grief, observing acts of courage, and occasionally sharing in their humor. "Cherries" presents an unvarnished account, and upon completion, readers will gain a deeper appreciation for the trials these young men faced over a year. It's a narrative that grips the reader throughout.

"In May of 1968, Susan Sontag visited Hanoi. The report of her trip is neither a political treatise nor a travelogue, but a sensitive observer's response to a world totally foreign to the Western mind. During her trip, Susan Sontag discovered her preconception of North Vietnam and it's people had little relevance to the actual situation. By reassessing her own point of view, Miss Sontag creates a startling picture of life in Hanoi"--Page 4 of cover

How American soldiers opposed and resisted the war in Vietnam While mainstream narratives of the Vietnam War all but marginalize anti-war activity of soldiers, opposition and resistance from within the three branches of the military made a real difference to the course of America’s engagement in Vietnam. By 1968, every major peace march in the United States was led by active duty GIs and Vietnam War veterans. By 1970, thousands of active duty soldiers and marines were marching in protest in US cities. Hundreds of soldiers and marines in Vietnam were refusing to fight; tens of thousands were deserting to Canada, France and Sweden. Eventually the US Armed Forces were no longer able to sustain large-scale offensive operations and ceased to be effective. Yet this history is largely unknown and has been glossed over in much of the written and visual remembrances produced in recent years. Waging Peace in Vietnam shows how the GI movement unfolded, from the numerous anti-war coffee houses springing up outside military bases, to the hundreds of GI newspapers giving an independent voice to active soldiers, to the stockade revolts and the strikes and near-mutinies on naval vessels and in the air force. The book presents first-hand accounts, oral histories, and a wealth of underground newspapers, posters, flyers, and photographs documenting the actions of GIs and veterans who took part in the resistance. In addition, the book features fourteen original essays by leading scholars and activists. Notable contributors include Vietnam War scholar and author, Christian Appy, and Mme Nguyen Thi Binh, who played a major role in the Paris Peace Accord. The book originates from the exhibition Waging Peace, which has been shown in Vietnam and the University of Notre Dame, and will be touring the eastern United States in conjunction with book launches in Boston, Amherst, and New York.

A take on Othello, Shakespeare’s classic tale of calumny and revenge, set against the wheelings and dealings of Congress and the Supreme Court. Written by a judicial insider who knows the secrets behind the headlines

What was it like to be a military combat photographer in the most photographed war in history — the Vietnam War? Shooting Vietnam takes you there as you read the firsthand accounts and view the hundreds of photographs by men who lived the war through the lens of a camera. They documented everything from the horror of combat to the people and culture of a land they suddenly found themselves immersed in. Some even juggled cameras with rifles and grenade launchers as they fought to survive while carrying out their assignments to record the war. “Shooting Vietnam” also finally brings recognition to these unheralded military combat photographers in Vietnam that documented the brutal, unpopular, and futile war.Firsthand accounts and photographs by military photographers in Vietnam from the mid-1960s to the early 1970s, “Shooting Vietnam” puts the reader right alongside these men as they struggle to document the war and stay alive while doing it — although some didn’t survive. The cameras around their necks often shared space with a rifle or grenade launcher that enabled them to stay alive while performing their assigned military duties, killing, if necessary, to survive.Often, during a brief respite from trudging through swamps and rice paddies or jumping from a chopper into a hot landing zone, they would wander the streets of villages or even downtown Saigon, curiously photographing a people and a culture so strange and different to them. It is these photographs, of a kinder, more personal nature, removed from the horror and death of war that they also share with the reader.The accounts in this book come from young men thrust into a conflict half way around the world, and all who had their own unique perspective on the war. Some were seasoned photographers before the military, others had only recently held a camera for the first time.

“Beautiful and heartrending” fiction set in Vietnam and America from the Pulitzer Prize–winning author of The Sympathizer (Joyce Carol Oates, The New Yorker) In these powerful stories, written over a period of twenty years and set in both Vietnam and America, Viet Thanh Nguyen paints a vivid portrait of the experiences of people leading lives between two worlds, the adopted homeland and the country of birth. This incisive collection by the National Book Award finalist and celebrated author of The Committed gives voice to the hopes and expectations of people making life-changing decisions to leave one country for another, and the rifts in identity, loyalties, romantic relationships, and family that accompany relocation. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her with a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of migration. “Terrific.” —Chicago Tribune “An important and incisive book.” —The Washington Post “An urgent, wonderful collection.” —NPR