Westminster Abbey is the most complex church in existence. National cathedral, coronation church, royal mausoleum, burial place of poets, resting place of the great and of the Unknown Warrior, former home of parliament, backdrop to the funeral of Diana, Princess of Wales—this rich and extraordinary building unites many functions. Westminster Abbey is both an appreciation of an architectural masterpiece and an exploration of the building’s shifting meanings. We hear the voices of those who have described its forms, moods, and ceremonies, from Shakespeare and Voltaire to Dickens and Henry James; we see how rulers have made use of it, from medieval kings to modern prime ministers. In a highly original book, classicist and cultural historian Richard Jenkyns teaches us to look at this microcosm of history with new eyes.

Title first published in 2003. Westminster Abbey occupies a unique position in the religious and royal landscape of the United Kingdom and Commonwealth. As the scene of coronations and other great public occasions, it has been the continuing focus of the nation's religious life for half the Christian era. Yet the building itself would not have survived the upheavals of the Protestant Reformation had the institution running it not been itself 'reformed' from monastery into collegiate church. These nine studies discuss ways in which Westminster's new corporate structure evolved in the first century of its existence, and look at some of the personalities who played a part in that process. New research, much of it in the Abbey's own rich archive, opens up previously unseen views of this great church's internal affairs, its relationship with the Crown, and its place in its own locality.

William Richard Lethaby: His Life and Work 1857-1931 focuses on the masterpieces, achievements, and legacy of Lethaby in architecture. The book first underscores the early life of Lethaby and his humble beginnings in the field of architecture. The text then ponders on the craftsmanship and architectural genius of Lethaby as shown in the design of the Stanmore Hall, Avon Tyrrell, The Hurst, Melsetter House, Rysa Lodge, Eagle Insurance Buildings, and High Coxlease. The publication highlights the creative mind of Lethaby through the artistic presentation of SS Colm and Margaret, All Saints' Church, Liverpool Cathedral Competition, and the Central School of Arts and Crafts. The text also takes a look at the works of Lethaby for the London County Council, his early architectural education and training, and his legacy as a theorist and writer. The book is a fine reference for historians, architects, and researchers interested in the works, contributions, and influence of Lethaby on architecture.

In the preceding 25 years to this book’s publication in 1985 there was an extensive and unprecedented burst of archaeological activity in evidence from below-ground deposits, above-ground structures, and artefacts. During the boom of the late 1960s and 1970s, which led to go much central town redevelopment, it was buried remains which yielded the most dramatic information. In the recession of the 1980s it was realised that upstanding remains had a lot to offer as well and they were being subject to ever more sophisticated study techniques. This book examines those recent developments in archaeology and assesses their bearing on the study of medieval English and Welsh history. Taking a series of important themes such as government, religion and the countryside, the book offers a chronological approach from the coming of the Vikings, 850 AD, to the Reformation in 1530. This approach focuses on the impact of man on the urban and rural landscape. An important text for students of ancient history.

Philip Webb (1831-1915) was a British architect known as a founder of the Arts and Crafts movement and also a key member of the Pre-Raphaelite circle. He was an important figure in the literary and artistic world of the late-nineteenth century. Webb had a long association, both professionally and personally, with William Morris and his family as well as becoming treasurer of Morris's revolutionary Socialist League. They first met as trainees in the same architect's practice and remained collaborators throughout their lifetimes. Webb was responsible for the design of the hugely influential Red House, the Morris's first home. It was through Morris that Webb became connected with Dante Gabriel Rossetti and Edward Burne-Jones, amongst others. Webb and Morris were also joint founders of the Society for the Protection of Ancient Buildings (SPAB), the first organization to promote conservation rather than intrusive restoration. This comprehensive selection from Webb's surviving letters includes many important and previously unpublished letters to some of his closest associates. They reveal the wide range of his professional and personal interests. These four volumes will be of interest to art and architecture historians, scholars of Victorian history in general and of William Morris and the wider Pre-Raphaelite and Arts and Crafts movements in particular.