The History of World War I series recounts the battles and campaigns of the 'Great War'. From the Falkland Islands to the lakes of Africa, across the Eastern and Western Fronts, to the former German colonies in the Pacific, the World War I series provides a six-volume history of the battles and campaigns that raged on land, at sea and in the air.

Historians have portrayed British participation in World War I as a series of tragic debacles, with lines of men mown down by machine guns, with untried new military technology, and incompetent generals who threw their troops into improvised and unsuccessful attacks. In this book a renowned military historian studies the evolution of British infantry tactics during the war and challenges this interpretation, showing that while the British army's plans and technologies failed persistently during the improvised first half of the war, the army gradually improved its technique, technology, and, eventually, its' self-assurance. By the time of its successful sustained offensive in the fall of 1918, says Paddy Griffith, the British army was demonstrating a battlefield skill and mobility that would rarely be surpassed even during World War II. Evaluating the great gap that exists between theory and practice, between textbook and bullet-swept mudfield, Griffith argues that many battles were carefully planned to exploit advanced tactics and to avoid casualties, but that breakthrough was simply impossible under the conditions of the time. According to Griffith, the British were already masters of "storm troop tactics" by the end of 1916, and in several important respects were further ahead than the Germans would be even in 1918. In fields such as the timing and orchestration of all-arms assaults, predicted artillery fire, "Commando-style" trench raiding, the use of light machine guns, or the barrage fire of heavy machine guns, the British led the world. Although British generals were not military geniuses, says Griffith, they should at least be credited for effectively inventing much of the twentieth-century's art of war.

From the moment the German army moved quietly into Luxemburg on 2 August 1914, to the Armistice on 11 November 1918, the fighting on the Western Front in France and Flanders never stopped. There were quiet periods, just as there were the most intense, savage, huge-scale battles.??The war on the Western Front can be thought of as being in three phases: first, a war of movement as Germany attacked France and the Allies sought to halt it; second, the lengthy and terribly costly siege warfare as the entrenched lines proved impossible to crack (late 1914 to mid-1918); and finally a return to mobile warfare as the Allies applied lessons and technologies forged in the previous years.??As with previous wars, British Commanders-in-Chief of a theatre of war or campaign were obliged to report their activities and achievements to the War Office in the form of a despatch and those written from the Western Front provide a fascinating, detailed and compelling overview of this part of the First World War.

With the aid of over 300 black and white and colour photographs, complemented by full-colour maps, The Eastern Front provides a detailed guide to the background and conduct of the conflict on the Eastern Front, up to and including the Russian Civil War and the Russo-Polish War.

This book reveals the impact of communications on the military operations of the British Expeditionary Force during the First World War.

The History of World War I series recounts the battles and campaigns of the 'Great War'. From the Falkland Islands to the lakes of Africa, across the Eastern and Western Fronts, to the former German colonies in the Pacific, the World War I series provides a six-volume history of the battles and campaigns that raged on land, at sea and in the air.

By training his eye on the ways that people outside the halls of power reacted to the rapid onset and escalation of the fighting in 1914, Neiberg dispels the notion that Europeans were rabid nationalists intent on mass slaughter. He reveals instead a complex set of allegiances that cut across national boundaries.

This book on French soldiers during WWI is “a first-class narrative with an abundance of personal testimony from the officers and men of the regiment” (The Great War Magazine, Editor’s Choice). Although the French fielded the largest number of Allied troops on the Western Front in the First World War, the story of their soldiers is little known to English readers. The immense size of the French armies, the number of battles they fought, and the enormous losses they incurred, make it difficult for us to comprehend their experience. But we can gain a genuine insight by focusing on one of the defining battles of that war, at Verdun in 1916, and by looking at it through the eyes of a small group of soldiers who served there. That is what Johnathan Bracken does in this meticulously researched, detailed and vivid account. The French 151st Infantry Regiment spent fifty days under fire at Verdun in 1916 and another thirty-five in 1917 and lost 3,200 soldiers killed or wounded. Yet their ordeal was no different from that of hundreds of other infantry units that fought and endured in this meat-grinder of a battle. Their diaries and memoirs tell their story in the most compelling way, and through their words the larger human story of the French soldier during the war comes to life. “The book recounts the horror of intense artillery bombardments and men mown down in great waves. None of this is particularly pretty and the accounts do much to scatter notions of war as a glorious, thrilling experience. It was vicious and brutal utterly cruel.”—War History Online

World War I was the first large-scale industrialized military conflict, and it led to the concept of total war. The essays in this volume analyze the experience of the war in light of this concept's implications, in particular the erosion of distinctions between the military and civilian spheres.

In 1915, Great Britain and her Empire found itself engaged at Gallipoli and on the Western Front. Lacking the wherewithal to conduct both campaigns effectively, the year was one of theatre-wide learning and experiential exchange that continued to the armistice. Primarily based on a series of papers delivered at the Western Front Association's Gallipoli and the Western Front Centenary Conference (25-27 September 2015), this compendium volume contains original essays by such notable First World War historians as Stephen Chambers, Mark Connolly, Christopher Pugsley and Gary Sheffield. The various topics include command and control, military technology, logistics and British and Dominion forces.