The Western Construction of Religion not only provides a critical assessment of the whole history of religionas it is understood in the West but offers better ways of constructing the study of this central part of human experience.

An illustrated guide to wooden boat construction using WEST SYSTEM epoxy by pioneers in the field of wood/epoxy composite construction. Subjects include Fundamentals of Wood/Epoxy Composite Construction, Core Boatbuilding Techniques, First Production Steps, Hull Construction Methods, and Interior and Deck Construction.

The Art of Building has captured the interest of artists from the Roman period to today. The process of construction appears in western art in all its details, trades, and operations. Michael Tutton investigates the representation of building processes and materials through an examination of paintings, illuminated manuscripts, watercolours, prints, drawings and sculpture. Technical terms are explained and detailed interpretations of each work are provided, with insights into the artists' inspiration and themes. Even paintings not wholly or principally devoted to construction sites may give tantalising glimpses of building activity. How do these images convey meaning? How much is imagined; how much is authentic? Fully referenced endnotes, bibliography, and glossary complement the text and captions, informing not only the architectural and construction historian, but also those simply interested in art.

What do we mean by Western Civilization? When did the expression originate and why? At a time when there is a widespread perception that Western Civilization is undergoing a historic crisis, and when postmodernism, feminist theory, afrocentrism, deconstruction, and other current philosophical schools define themselves as alternatives to, or critiques of, Western Civilization, this book seeks to trace the development of the concept of Western Civilization and to examine the reasons for its endurance. It also suggests ways in which proponents of Western Civilization can co-opt ideas from opponents. Written from a multidisciplinary viewpoint, the essays in this volume trace the development of the concept of Western Civilization and seek to explode many standing beliefs—primarily those which concern the very existence of a Western tradition. Bound to be controversial, the book will be of interest to scholars and activists in the fields of cultural history, anthropology, and the history of ideas, as well as general readers interested in the enduring discussion of the notion of Western Civilization.

Excellect illustrations and pictures. Covers all phases of construction: estimating materials, tools, wood as structural material, safety, lamination techniques, scarfing, coating & finishing, lofting, molds, keels/stems/sheer clamps, laminated hulls, strip planking/composit, interiors, decks, hardware bonding.

The destruction of local identity through the relentless encroachment of a 'McDonald-ized' cultural imperialism is a global phenomenon. Yet the reactions of Pacific peoples to this Western hegemony are diverse and encourage the creation of independent cultural identities through sports and games, political mediations, tourism, media and filmmaking, and the struggles for land rights and titles, particularly in Australia.This book, based on extensive fieldwork, addresses a subject of great immediacy to peoples of the Pacific Island nations. It fills an important gap in existing ethnographic literature on the region and confidently navigates what had previously been considered uncharted, even unchartable, waters -- that wide sea between the classic ethnography of Oceania and contemporary anthropology's theoretical concerns with global relations and transnational cultures. Its breadth, rigour, and timely contribution to post-colonial politics in Oceania are certain to ensure that this book will provide an enduring contribution to the field.

A detailed look at the construction and restoration of almost 300 medieval sculptures of Wells Cathedral. The text provides a clear picture of how the facade was constructed and how it looked when the medieval paint was still fresh and describes how and when repairs were made over its 700-year history.

The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.

How the West Was Drawn explores the geographic and historical experiences of the Pawnees, the Iowas, and the Lakotas during the European and American contest for imperial control of the Great Plains during the eighteenth and nineteenth centuries. David Bernstein argues that the American West was a collaborative construction between Native peoples and Euro-American empires that developed cartographic processes and culturally specific maps, which in turn reflected encounter and conflict between settler states and indigenous peoples. Bernstein explores the cartographic creation of the Trans-Mississippi West through an interdisciplinary methodology in geography and history. He shows how the Pawnees and the Iowas—wedged between powerful Osages, Sioux, the horse- and captive-rich Comanche Empire, French fur traders, Spanish merchants, and American Indian agents and explorers—devised strategies of survivance and diplomacy to retain autonomy during this era. The Pawnees and the Iowas developed a strategy of cartographic resistance to predations by both Euro-American imperial powers and strong indigenous empires, navigating the volatile and rapidly changing world of the Great Plains by brokering their spatial and territorial knowledge either to stronger indigenous nations or to much weaker and conquerable American and European powers. How the West Was Drawn is a revisionist and interdisciplinary understanding of the global imperial contest for North America’s Great Plains that illuminates in fine detail the strategies of survival of the Pawnees, the Iowas, and the Lakotas amid accommodation to predatory Euro-American and Native empires.