"We're Not Leaving" is a compilation of powerful first-person narratives told from the vantage point of World Trade Center disaster workers-police officers, firefighters, construction workers, and other volunteers at the site. While the effects of 9/11 on these everyday heroes and heroines are indelible, and in some cases have been devastating, at the heart of their deeply personal stories-their harrowing escapes from the falling Towers, the egregious environment they worked in for months, the alarming health effects they continue to deal with-is their witness to their personal strength and renewal in the ten years since. These stories, shared by ordinary people who responded to disaster and devastation in extraordinary ways, remind us of America's strength and inspire us to recognize and ultimately believe in our shared values of courage, duty, patriotism, self-sacrifice, and devotion, which guide us in dark times.

A guide for grad students and academics who want to find fulfilling careers outside higher education. With the academic job market in crisis, 'Leaving Academia' helps grad students and academics in any scholarly field find satisfying careers beyond higher education. The book offers invaluable advice to visiting and adjunct instructors ready to seek new opportunities, to scholars caught in "tenure-trap" jobs, to grad students interested in nonacademic work, and to committed academics who want to support their students and contingent colleagues more effectively. Providing clear, concrete ways to move forward at each stage of your career change, even when the going gets tough, 'Leaving Academia' is both realistic and hopeful.

Six were taken. Eleven years later, five come back--with no idea of where they've been. A riveting mystery for fans of We Were Liars. Eleven years ago, six kindergartners went missing without a trace. After all that time, the people left behind moved on, or tried to. Until today. Today five of those kids return. They're sixteen, and they are . . . fine. Scarlett comes home and finds a mom she barely recognizes, and doesn't really recognize the person she's supposed to be, either. But she thinks she remembers Lucas. Lucas remembers Scarlett, too, except they're entirely unable to recall where they've been or what happened to them. Neither of them remember the sixth victim, Max--the only one who hasn't come back. Which leaves Max's sister, Avery, wanting answers. She wants to find her brother--dead or alive--and isn't buying this whole memory-loss story. But as details of the disappearance begin to unfold, no one is prepared for the truth. This unforgettable novel--with its rich characters, high stakes, and plot twists--will leave readers breathless.

The first book length anthropological study of voluntary assisted dying in Switzerland, Leaving is a narrative account of five people who ended their lives with assistance. Stavrianakis places his observations of the judgment to end life in this way within a larger inquiry about how to approach and understand the practice of assisted suicide, which he characterizes as operating in a political, legal, and medical “parazone,” adjacent to medical care and expertise. Frequently, observers too rapidly integrate assisted suicide into moral positions that reflect sociological and psychological commonplaces about individual choice and its social determinants. Leaving engages with core early twentieth-century psychoanalytic and sociological texts arguing for a contemporary approach to the phenomenon of voluntary death, seeking to learn from such conceptual repertoires, as well as to acknowledge their limits. Leaving concludes on the anthropological question of how to account for the ethics of assistance with suicide: to grasp the actuality and composition of the ethical work that goes on in the configuration of a subject, one who is making a judgment about dying, with other participants and observers, the anthropologist included.

Cuba was a playground for the wealthy in the 1950s. It was a place to bask in the sun during the day, and enjoy many fine nightclubs, restaurants, theaters, and casinos after the sun went down. Many wealthy Americans traveled to Cuba for both business and pleasure. In January of 1959, everything changed. I was a little girl in Cuba at that time. I was living a life of luxury with practically anything that my little heart desired. My family had a chauffeur and homes in the city, in the country, and at the beach. I had my own nanny. I had parents and grandparents that loved me and lived close by so that I could see them almost every day. I was truly living a fairy-tale existence. In what seemed like the blink of an eye, my world came crashing down around me. Fidel Castro took over Cuba and made devastating changes to the country - and to the lives of those who lived there. The fairy tale quickly came to an end. Many difficult decisions had to be made by my parents and by many others. The world that we knew no longer existed. We had to leave loved ones and property behind. We had to move forward to a new life in a different country, with different customs, and a different language - and there was no turning back.

When author Danny Clune was seven years old, he experienced a traumatic accident that changed the course of his lifeIt left a hole in his life that he would spend a lifetime repairing. In Leaving Wayne, Clune tells his coming-of-age story that takes place in rural New York State and northeastern Pennsylvania in the 1950s and 60s. This colorful memoir narrates the struggles of surviving shame, poverty, abuse, and succeeding in an era that went from party phone lines to cell phones, from 45s to MP3s, and from sock hops to mosh pits. Leaving Wayne tells of Clunes childhood in a family with seven children; his struggles with addiction; his recovery; his stints as an English teacher, chef, and restaurateur in Upstate New York; his work abroad with mental health services; and the ways that 9/11 affected his life and his profession. Throughout this story, Clune shows how the grit of rural life conflicted with the influences of prosperity and modernity that gradually overtook him and molded him into the person he became.

The time is now. The former Soviet Republics have officially became democratic and friendly with the whole world. The crime is on the rise. In the seventies and the eighties, thousands of Soviet Jews left the country. Antisemitism, social and political issues made it more and more unbearable. The sudden opening in the policy made it possible to leave the country and free themselves. Years later, they are people of the world while the Russian crime is choking it. Alex, a Russian born former Israeli commando, is called to help in destroying the Russian Mafia operating in Russia and in the West. This is his chance to bay back for the death of the parents. "From Russia with Hate" is connected to the previous Mr. Zubry book "And Winds of Revolution Blew..." but not necessarily a continuation. Yet, some characters are the same.