What are the origins of the hostile environment for immigrants in Britain? Chosen as a BBC History Magazine Book of the Year 2021 and shortlisted for the PEN Hessell-Tiltman Prize 2022 In the wedded stories of migration and the end of empire, Ian Sanjay Patel uncovers a forgotten history of post-war Britain. After the Second World War, what did it mean to be a citizen of the British empire and the post-war Commonwealth of Nations? Post-war migrants coming to Britain were soon renamed immigrants in laws that prevented their entry despite their British nationality. The experiences of migrants and the archival testimony of officials and politicians at home and abroad, retold here, define Britain’s role in the global age of decolonization.

From the contents:00I. Participatory art now01. The normalisation of participatory art 0II. What is participatory art?02. Concepts03. Defnitions04. The intentions of participatory art 05. The art of participatory art 06. The ethics of participatory art 0III. Where does participatory art come from?07. Making history 08. Deep roots 09. Community art and the cultural revolution (1968 to 1988) 010. Participatory art and appropriation (1988 to 2008).

If Grandma were here, what would you do together? Would you sing a song? Go on an amazing adventure? Or give each other a giant hug? See what special things grandmas and grandkids do together! This treasure chest of memories is a perfect way for kids and parents who miss their grandma to remember her kindness and her love. Recommended for ages 3–8.

Newbery Award-winning author Matt de la Peña's We Were Here is a "fast, funny, smart, and heartbreaking" novel [Booklist]. When it happened, Miguel was sent to Juvi. The judge gave him a year in a group home—said he had to write in a journal so some counselor could try to figure out how he thinks. The judge had no idea that he actually did Miguel a favor. Ever since it happened, his mom can’t even look at him in the face. Any home besides his would be a better place to live. But Miguel didn’t bet on meeting Rondell or Mong or on any of what happened after they broke out. He only thought about Mexico and getting to the border to where he could start over. Forget his mom. Forget his brother. Forget himself. Life usually doesn’ t work out how you think it will, though. And most of the time, running away is the quickest path right back to what you’re running from. From the streets of Stockton to the beaches of Venice, all the way to the Mexican border, We Were Here follows a journey of self-discovery by a boy who is trying to forgive himself in an unforgiving world. "Fast, funny, smart, and heartbreaking...The contemporary survival adventure will keep readers hooked."-Booklist "This gripping story about underprivileged teens is a rewarding read."-VOYA "A furiously paced and gripping novel."-Publishers Weekly "A story of friendship that will appeal to teens and will engage the most reluctant readers."-Kirkus Reviews An ALA-YALSA Best Book for Young Readers An ALA-YALSA Quick Pick for Reluctant Readers A Junior Library Guild Selection

Critically acclaimed sci-fi author K.M. Szpara probes the ethics of genetic engineering in this Tor.com Original short story "We're Here, We're Here" Joining a boyband gave Tyler everything he ever dreamed of. A close-knit group of friends, the chance to model a beautiful masculinity, and a vocal implant that lets him sing even better than he did before transitioning. But deep on tour, Tyler realizes he wants more from one of his bandmates, yearns for a love that would never fit the image that has been carefully crafted for him. His manager wants him to be the heartthrob: available, wholesome, and pure. And since his manager gave Tyler his voice, he can always take it away again. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A chronicle of Adams’s rise from alt-country to rock stardom, featuring stories about the making of the albums Strangers Almanac and Heartbreaker. Before he achieved his dream of being an internationally known rock personality, Ryan Adams had a band in Raleigh, North Carolina. Whiskeytown led the wave of insurgent-country bands that came of age with No Depression magazine in the mid-1990s, and for many people it defined the era. Adams was an irrepressible character, one of the signature personalities of his generation, and as a singer-songwriter he blew people away with a mature talent that belied his youth. David Menconi witnessed most of Whiskeytown’s rocket ride to fame as the music critic for the Raleigh News & Observer, and in Ryan Adams, he tells the inside story of the singer’s remarkable rise from hardscrabble origins to success with Whiskeytown, as well as Adams’s post-Whiskeytown self-reinvention as a solo act. Menconi draws on early interviews with Adams, conversations with people close to him, and Adams’s extensive online postings to capture the creative ferment that produced some of Adams’s best music, including the albums Strangers Almanac and Heartbreaker. He reveals that, from the start, Ryan Adams had a determined sense of purpose and unshakable confidence in his own worth. At the same time, his inability to hold anything back, whether emotions or torrents of songs, often made Adams his own worst enemy, and Menconi recalls the excesses that almost, but never quite, derailed his career. Ryan Adams is a fascinating, multifaceted portrait of the artist as a young man, almost famous and still inventing himself, writing songs in a blaze of passion. “Menconi, a veteran music critic based in Raleigh, North Carolina, had a front row seat for alt-country wunderkind Ryan Adams’ rise to prominence—from an array of local bands, to Whiskeytown, and on to a successful and prolific solo career. Here, Menconi enthusiastically revisits those heady days when the mercurial Adams’ performances were either transcendent or tantrum-filled—the author was there for most of them, and he packs his book with tales of magical performances and utterly desperate train wrecks. . . . This interview- and anecdote-laden exposé of the artist's early career will doubtless find a happy home with Adams fans.” —Publishers Weekly

Picturesque images capture the elegance and excitement of 31 unforgettable vacation locales, from a quaint seaside village and wintry ski resort to the magnificent sights of New York City, London, Paris, Amsterdam, Rome, and other world-class destinations.

One year ago, 'We're here because we're here' left a lasting impression on millions of people in the UK. A new book about the event is being released that records that remarkable day and details how it was produced by Turner Prize-winning artist Jeremy Deller, the National Theatre's Director, Rufus Norris and 14-18 NOW - the UK's arts programme for the First World War centenary. It was an event that reached 30 million people and humanised the great loss of life at the Battle of the Somme. 'We're here because we're here' saw some 1500 voluntary participants dressed in First World War uniform appear unexpectedly in locations across the UK. The project broke new ground in terms of its scale, breadth, reach and the number of partners and participants involved. The book includes over 100 colour photographs which show the soldiers in a number of everyday scenarios, and some more extraordinary - including waiting in train stations, engaging with drivers at a Salisbury roundabout and walking up Mount Snowdon. Many of the images show the public's interaction with the soldiers and their subsequent reactions to the event which left many people overwhelmed. The book includes sketches and notes from Jeremy Deller's notebook and a map of locations. The book also features an interview between Jeremy Deller and Jon Snow of Channel 4 News and more details about how the event was created and implemented on such a huge scale. 'We're here because we're here' was one of the largest arts participation projects ever staged in the UK, with hundreds of additional volunteers working behind the scenes. Jeremy Deller's new book acts as a superb record of this remarkable event.

When a young lady from a land boom syndicate tries to enlist Andy Green's help in scheme to lure settlers to Montana, he isn't interested-until he learns that the land selected was part of the Flying U Ranch. Andy quickly sets was off to tell Chip Bennett and the rest of the Happy Family at the Flying U about the insidious plot that could sound the death knell for the Flying U.

Are you bored of the endless scroll of your social media feed? Do you swipe left before considering the human being whose face you just summarily rejected? Do you skim articles on your screen in search of intellectual stimulation that never arrives? If so, this book is the philosophical lifeline you have been waiting for. Offering a timely meditation on the profound effects of constant immersion in technology, also known as the Interface, Wish I Were Here draws on philosophical analysis of boredom and happiness to examine the pressing issues of screen addiction and the lure of online outrage. Without moralizing, Mark Kingwell takes seriously the possibility that current conditions of life and connection are creating hollowed-out human selves, divorced from their own external world. While scrolling, swiping, and clicking suggest purposeful action, such as choosing and connecting with others, Kingwell argues that repeated flicks of the finger provide merely the shadow of meaning, by reducing us to scattered data fragments, Twitter feeds, Instagram posts, shopping preferences, and text trends captured by algorithms. Written in accessible language that references both classical philosophers and contemporary critics, Wish I Were Here turns to philosophy for a cure to the widespread unease that something is amiss in modern waking life.