Weill Blitzstein And Bernstein
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Author |
: Rebecca Schmid |
Publisher |
: Boydell & Brewer |
Total Pages |
: 227 |
Release |
: 2023 |
ISBN-10 |
: 9781648250606 |
ISBN-13 |
: 1648250602 |
Rating |
: 4/5 (06 Downloads) |
Synopsis Weill, Blitzstein, and Bernstein by : Rebecca Schmid
The first study to explore the crucial influence of Kurt Weill on operas and musicals by Marc Blitzstein and Leonard Bernstein. Theodor Adorno famously proclaimed that the model of Kurt Weill could not be repeated. Yet Weill's stage works set an inescapable precedent for composers on both sides of the Atlantic. Rebecca Schmid explores how Weill's formal innovations in particular laid the groundwork for operas and musicals by Marc Blitzstein and Leonard Bernstein, although both composers resisted or downplayed his aesthetic contribution to American tradition. Comparative analysis based on Harold Bloom's Anxiety of Influence and other modes of intertextuality reveals that the principles of Weill's opera reform would catalyze an indigenous movement in sophisticated, socially engaged music theatre. Weill, Blitzstein, and Bernstein: A Study of Influence focuses on works that represent different phases of Weill's mission to renew the genre of opera, evolving from Die Dreigroschenoper to the musical play Lady in the Dark and the Broadway Opera Street Scene. Blitzstein and Bernstein in turn defied formal boundaries with The Cradle Will Rock, Regina, Trouble in Tahiti, Candide, and West Side Story - part of a short-lived movement in mid-twentieth century America that coincided with a renaissance for Weill's German-period works following the premiere of Blitzstein's translation, The Threepenny Opera, under Bernstein's baton. The unpublished A Pray by Blecht, for which Bernstein rejoined Stephen Sondheim and Jerome Robbins, his collaborators on West Side Story, deepens the connection of Bernstein's aesthetic to Weill.
Author |
: Rebecca Schmid |
Publisher |
: |
Total Pages |
: 0 |
Release |
: 2020* |
ISBN-10 |
: OCLC:1346094649 |
ISBN-13 |
: |
Rating |
: 4/5 (49 Downloads) |
Synopsis Toward a New Kurt Weill Reception by : Rebecca Schmid
Author |
: Marc Blitzstein |
Publisher |
: Hassell Street Press |
Total Pages |
: 158 |
Release |
: 2021-09-09 |
ISBN-10 |
: 101378393X |
ISBN-13 |
: 9781013783937 |
Rating |
: 4/5 (3X Downloads) |
Synopsis The Cradle Will Rock by : Marc Blitzstein
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author |
: Elizabeth A. Wells |
Publisher |
: Cambridge University Press |
Total Pages |
: 381 |
Release |
: 2024-03-28 |
ISBN-10 |
: 9781108875912 |
ISBN-13 |
: 1108875912 |
Rating |
: 4/5 (12 Downloads) |
Synopsis Leonard Bernstein in Context by : Elizabeth A. Wells
Designed for students, aficionados of classical music, and historians, this volume offers a wide-ranging, multi-disciplinary and comprehensive view of one of the most important musicians of the twentieth century at his 100th anniversary. Scholars from diverse backgrounds and fields have contributed rich insights into Bernstein's life and work in an approachable style, shedding light on Bernstein's social, professional and ideological contexts including his contemporaries and rivals on Broadway, his artistic collaborations, his celebrity status as a conductor on the international concert circuit, and his involvement in music education via broadcasting. From his early education, through his conducting and composing careers, to his fame as musical and cultural ambassador to the world, this book views Bernstein the man and the artist and provides a fascinating overview of American classical music culture during Bernstein's long career in the public spotlight.
Author |
: Howard Pollack |
Publisher |
: Oxford University Press |
Total Pages |
: 649 |
Release |
: 2012-10-01 |
ISBN-10 |
: 9780199977086 |
ISBN-13 |
: 0199977089 |
Rating |
: 4/5 (86 Downloads) |
Synopsis Marc Blitzstein by : Howard Pollack
A composer and lyricist of enormous innovation and influence, Marc Blitzstein remains one of the most versatile and fascinating figures in the history of American music, his creative output running the gamut from films scores and Broadway operas to art songs and chamber pieces. A prominent leftist and social maverick, Blitzstein constantly pushed the boundaries of convention in mid-century America in both his work and his life. Award-winning music historian Howard Pollack's new biography covers Blitzstein's life in full, from his childhood in Philadelphia to his violent death in Martinique at age 58. The author describes how this student of contemporary luminaries Nadia Boulanger and Arnold Schoenberg became swept up in the stormy political atmosphere of the 1920s and 1930s and throughout his career walked the fine line between his formal training and his populist principles. Indeed, Blitzstein developed a unique sound that drew on everything contemporary, from the high modernism of Stravinsky and Hindemith to jazz and Broadway show tunes. Pollack captures the astonishing breadth of Blitzstein's work--from provocative operas like The Cradle Will Rock, No for an Answer, and Regina, to the wartime Airborne Symphony composed during his years in service, to lesser known ballets, film scores, and stage works. A courageous artist, Blitzstein translated Bertolt Brecht and Kurt Weill's The Threepenny Opera during the heyday of McCarthyism and the red scare, and turned it into an off-Broadway sensation, its "Mack the Knife" becoming one of the era's biggest hits. Beautifully written, drawing on new interviews with friends and family of the composer, and making extensive use of new archival and secondary sources, Marc Blitzstein presents the most complete biography of this important American artist.
Author |
: Eric A. Gordon |
Publisher |
: iUniverse |
Total Pages |
: 0 |
Release |
: 2000 |
ISBN-10 |
: 0595092489 |
ISBN-13 |
: 9780595092482 |
Rating |
: 4/5 (89 Downloads) |
Synopsis Mark the Music by : Eric A. Gordon
Author |
: Stephen Hinton |
Publisher |
: CUP Archive |
Total Pages |
: 260 |
Release |
: 1990-07-26 |
ISBN-10 |
: 0521338883 |
ISBN-13 |
: 9780521338882 |
Rating |
: 4/5 (83 Downloads) |
Synopsis Kurt Weill: The Threepenny Opera by : Stephen Hinton
This is a book on the best known of the Weill-Brecht collaborations which explores the extent and significance of the composer's contribution. After a detailed reconstruction of the work's genesis and continued revision over three decades, Stephen Hinton examines the spin-offs on which Weill and Brecht participated: the instrumental suite, the film, the lawsuit, the novel, and the musical and textual revisions of songs. In a survey of the stage history, Hinton pays particular attention to pioneering productions in Germany and Great Britain. Kim Kowalke provides an exhaustive account of the history of The Threepenny Opera in America, Geoffrey Abbott addresses questions concerning authentic performance practice, and David Drew analyses large-scale motivic relationships in the music. Among the earliest writings on the work reprinted here, those by Theodor W. Adorno, Ernst Bloch and Walter Benjamin appear for the first time in English translation. The book contains numerous illustrations, a discography, and music examples.
Author |
: Paul Laird |
Publisher |
: Routledge |
Total Pages |
: 317 |
Release |
: 2013-10-11 |
ISBN-10 |
: 9781135696788 |
ISBN-13 |
: 1135696780 |
Rating |
: 4/5 (88 Downloads) |
Synopsis Leonard Bernstein by : Paul Laird
Beginning with an introductory essay on his achievements, it continues with annotations on Bernstein's voluminous writings, performances, educational work, and major secondary sources.
Author |
: Jonathan Cott |
Publisher |
: Oxford University Press |
Total Pages |
: 192 |
Release |
: 2013-03-28 |
ISBN-10 |
: 9780199858446 |
ISBN-13 |
: 0199858446 |
Rating |
: 4/5 (46 Downloads) |
Synopsis Dinner with Lenny by : Jonathan Cott
Features a complete account of the author's twelve-hour interview with Bernstein one year before the classical music personality's death in 1990.
Author |
: Joseph Horowitz |
Publisher |
: W. W. Norton & Company |
Total Pages |
: 256 |
Release |
: 2021-11-23 |
ISBN-10 |
: 9780393881257 |
ISBN-13 |
: 0393881253 |
Rating |
: 4/5 (57 Downloads) |
Synopsis Dvorak's Prophecy: And the Vexed Fate of Black Classical Music by : Joseph Horowitz
A Kirkus Reviews Best Nonfiction Book of 2021 A provocative interpretation of why classical music in America "stayed white"—how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvorák prophesied a “great and noble school” of American classical music based on the “negro melodies” he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in the concert hall. Black composers found few opportunities to have their works performed, and white composers mainly rejected Dvorák’s lead. Joseph Horowitz ranges throughout American cultural history, from Frederick Douglass and Huckleberry Finn to George Gershwin’s Porgy and Bess and the work of Ralph Ellison, searching for explanations. Challenging the standard narrative for American classical music fashioned by Aaron Copland and Leonard Bernstein, he looks back to literary figures—Emerson, Melville, and Twain—to ponder how American music can connect with a “usable past.” The result is a new paradigm that makes room for Black composers, including Harry Burleigh, Nathaniel Dett, William Levi Dawson, and Florence Price, while giving increased prominence to Charles Ives and George Gershwin. Dvorák’s Prophecy arrives in the midst of an important conversation about race in America—a conversation that is taking place in music schools and concert halls as well as capitols and boardrooms. As George Shirley writes in his foreword to the book, “We have been left unprepared for the current cultural moment. [Joseph Horowitz] explains how we got there [and] proposes a bigger world of American classical music than what we have known before. It is more diverse and more equitable. And it is more truthful.”