We Are Afghan Women chronicles the lives of young and old, daughters and mothers, educated and those who are still learning. Their stories are a stark reminder that women's progress in society, business, and politics cannot be taken for granted. Many of these women face serious risks for speaking so openly, but they want the world to listen. Their words will change not only how we as Americans see Afghanistan but also how we understand the complex challenges still facing women and girls around the globe.

"Chronicles the lives of young and old, daughters and mothers, educated, and those who are still learning. These determined women are defying the odds to lead Afghanistan to a better future. Their stories are a stark reminder that in some corners of the world the struggle continues and that women's progress in society, business, and politics cannot be taken for granted"--Dust jacket flap.

“Inspiring stories that not only capture the suffering of Afghan women, but also show their tremendous courage and resilience and the contribution they are making to build a better future for Afghanistan” (Hillary Rodham Clinton). Told in their own voices, the moving, courageous, and personal stories in We Are Afghan Women vividly describe a country that is one of the most dangerous places to be a young girl or pregnant woman; a country undone by decades of war and now struggling to build a lasting peace; a country where women have defied the odds. Women like Dr. Sakena Yacobi, who ran underground schools for girls until the Taliban fell, after which she established schools across Afghanistan to teach women to read and to educate and prepare girls to become teachers, doctors, lawyers, business owners, and politicians, and Masooma Jafari, who started a national midwives association, after her own mother was forced into marriage when she was twelve years old and gave birth to her first child at thirteen. “An incredible portrait of the Afghan women working to create a better future for their communities and future generations. Their stories of strength and resilience can inspire us all to reach for a more equal and peaceful world” (Sheryl Sandberg, COO of Facebook and founder of LeanIn.Org) and remind us of the dangers of tactics that target women in order to limit their roles in society and in government. Fifteen thousand women are now enrolled in Afghanistan’s universities, but girls continue to face violence for pursuing an education. The realities of life in this part of the world, one of the most dangerous places to be a child or pregnant woman, are tough, but this unique book celebrates the lives of women who have defied the odds. Their eloquent words challenge all of us to answer: What does it truly mean to be a woman in the twenty-first century?

This groundbreaking collection traces the history of women's rights and roles in Afghanistan over the past 30 years; it examines the current human rights crisis, and suggests realistic solutions for post-war Afghanistan.

Through years of Taliban oppression, during the US-led invasion and the current insurgency, women in Afghanistan have played a hugely symbolic role. This book looks at how women have fought repression and challenged stereotypes, both within Afghanistan and in diasporas in Iran, Pakistan, the US and the UK. Looking at issues from violence under the Taliban and the impact of 9/11 to the role of NGOs and the growth in the opium economy, Rostami-Povey gets behind the media hype and presents a vibrant and diverse picture of these women's lives. The future of women's rights in Afghanistan, she argues, depends not only on overcoming local male domination, but also on challenging imperial domination and blurring the growing divide between the West and the Muslim world. Ultimately, these global dynamics may pose a greater threat to the freedom and autonomy of women in Afghanistan and throughout the world.

With All Our Strength is the inside story of this women-led underground organization and their fight for the rights of Afghan women. Anne Brodsky, the first writer given in-depth access to visit and interview their members and operations in Afghanistan and Pakistan, shines light on the gruesome, often tragic, lives of Afghan women under some of the most brutal sexist oppression in the world.

Winner, Silver Medal in the Multicultural Category, 2018 IBPA Benjamin Franklin Awards Fifteen years ago, Rangina Hamidi decided to dedicate her life to helping rebuild her native Kandahar, Afghanistan. The Taliban had been driven out by American forces following 9/11, but Kandahar was a shambles. Tens of thousands of women, widowed by years of conflict, struggled to support themselves and their families. Rangina started an entrepreneurial enterprise, using the exquisite traditional embroidery of Kandahar, to help women work within the cultural boundaries of Pashtunwali to earn their living and to find a degree of self-determination. Thus Kandahar Treasure was born. This book traces the converging paths of traditional khamak embroidery and the 300 brave women who have found in it a way to build their lives. The late, award-winning photojournalist Paula Lerner was dedicated to telling the stories of women in Afghanistan. Her remarkable images throughout the book show Afghan women's profound struggle, strength, and beauty.

"Soon after the bombing of Kabul ceased, award-winning journalist and women's rights activist Ann Jones set out for the shattered city, determined to bring help where her country had brought destruction. Here is her trenchant report from inside a city struggling to rise from the ruins. Working among the multitude of impoverished war widows, retraining Kabul's long-silenced English teachers, and investigating the city's prison for women, Jones enters a large community of female outcasts: runaway child brides, pariah prostitutes, cast-off wives, victims of rape. In the streets and markets, she hears the Afghan view of the supposed benefits brought by the fall of the Taliban, and learns that regarding women as less than human is the norm, not the aberration of one conspicuously repressive regime. Jones confronts the ways in which Afghan education, culture, and politics have repeatedly been hijacked?by Communists, Islamic fundamentalists, and the Western free marketeers?always with disastrous results. And she reveals, through small events, the big disjunctions: between U.S promises and performance, between the new "democracy' and the still-entrenched warlords, between what's boasted of and what is. At once angry, profound, and starkly beautiful, Kabul in Winter brings alive the people and day-to-day life of a place whose future depends so much upon our own"--

"A powerful collection of testimonies that depict the struggles and hopes of Afghan women. An often emotional and at times painful read, this book is ultimately a poignant celebration of human resilience under unimaginable duress. " —KHALED HOSSEINI, New York Times bestselling author of The Kite Runner "I am deeply touched by these stories...Dear Zari should be read by anyone who cares and wants to know about Asia and Asian women." —XINRAN "All the stories in Dear Zari illustrate the suffering caused by deeply ingrained Afghan traditions. But [the women's} bravery and resilience shines through and Kargar touchingly reveals how hearing others' life stories finally gave her the courage to share her own. " —The Independent Moving, enlightening, and heartbreaking, Dear Zari gives voice to the secret lives of Afghan women. For the first time, Dear Zari allows these women to tell their stories in their own words: from the child bride given as payment to end of a family feud, to a life spent in a dark, dusty room weaving carpets, from a young girl being brought up as a boy, to a woman living as a widow shunned by society. Intimate, emotional, painful and uplifting, these stories uncover the suffering and strength of women in this deeply religious and intensely traditional society, and show how their courage is an inspiration to women everywhere.

The authors of oral literature in the Pashtun language create their work at a far remove from any books. Generally deprived of the support of schools and universities, their compositions are inseparable from song. Their poetry is never declaimed; rather, their rhyme and rhythm have melodic value. These popular improvisations do not exalt mystic love. In them there is no aspiration whatsoever to an unfathomable and incommunicable heaven, nor devotion to the lord, nor praise for an absolute master, nor any Adonis. To the contrary, they are songs of the earth. They celebrate nature, mountains, rivers, dawn and night’s magnetic space. They are songs of war and honor, shame and love, beauty and death. The repression of Afghan women has caused untold suffering, particularly through moral subjugation. Infant daughters and their mothers are received with scorn and shame, and lead lives of subordination and humiliation. Their rebellion against these tribal codes comes only through suicide and song. Translated from the Pashtun into French by the eminent Sayd Bahodine Majrouh, the greatest Afghan poet of the twentieth century, his text has been rendered into English in the expert hands of Marjolijn de Jager of the Translation Department at NYU.