Arguing for a reconsideration of William Butler Yeats’s work in light of contemporary studies of world literature, Barry Sheils makes a strong case for reading Yeats’s work in the context of a broad comprehension of its global modernity. He shows how Yeats enables a fuller understanding of the relationship between the extensive map of world literary production and the intensities of poetic practice.

Arguing for a reconsideration of William Butler Yeats’s work in the light of contemporary studies of world literature, Barry Sheils shows how reading Yeats enables a fuller understanding of the relationship between the extensive map of world literary production and the intensities of poetic practice. Yeats’s appropriation of Japanese Noh theatre, his promotion of translations of Rabindranath Tagore and Shri Purohit Swãmi, and his repeated ventures into American culture signalled his commitment to moving beyond Europe for his literary reference points. Sheils suggests that a reexamination of the transnational character of Yeats's work provides an opportunity to reflect critically on the cosmopolitan assumptions of world literature, as well as on the politics of modernist translation. Through a series of close and contextual readings, the book demonstrates how continuing global debates around the crises of economic liberalism and democracy, fanaticism, asymmetric violence, and bioethics were reflected in the poet's formal and linguistic concerns. Challenging orthodox readings of Yeats as a late-romantic nationalist, W.B. Yeats and World Literature: The Subject of Poetry makes a compelling case for reading Yeats’s work in the context of its global modernity.

This authoritative edition was first published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Yeats's poetry and prose - all the major poems, complemented by plays, critical writings, and letters - to give theessence of his work and thinking.W. B. Yeats was born in 1865, only 38 years after the death of William Blake, and died in 1939, the contemporary of Ezra Pound and James Joyce. His career crossed two centuries, and this volume represents the full range of his achievement, from the Romantic early poems of Crossways and thesymbolist masterpiece The Wind Among the Reeds to his last poems. Myth and folk-tale influence both his poems and his plays, represented here by Cathleen ni Houlihan and Deirdre among others. The importance of the spirit world to his life and work is evident in his critical essays and occultwritings, and the anthology also contains political speeches, autobiographical writings, and a selection of his letters.This one-volume collection of poems and prose offers a unique perspective on the connectedness of Yeats's literary output, showing how his aesthetic, spiritual, and political development was reflected in everything he wrote.

This book addresses W.B. Yeats's and Rabindranath Tagore's engagements with identity, nationalism, and the literary and cultural traditions of Ireland and India. It offers a fresh critical perspective on their work from the beginning of the twentieth century, the point at which their international collaborations most significantly influence the cross-border lives of their literature. This book foregrounds the Yeats-Tagore relationship, significant among their international collaborations, provides a new analysis of the fraught beginning to Tagore's international fame, and the value of reading his English translations as original texts, as is done by many English-language readers. Of Tagore's many international acquaintances, Yeats looms largest over his first English-language publications. This brief relationship, in part due to its tensions, is significant when considering literary modernism's global nature and appeal. Exploring the thematic parallels and generic innovations in the works of Yeats and Tagore allows readers to recognize the significant moments of tension and divergence in their oeuvres. Reading Yeats and Tagore comparatively offers a timely historical perspective on how the nationalised valences of identity and selfhood might become transnational in contemporary readings.

The forty-two chapters in this book consider Yeats's early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats's multiple selves as poet, playwright, public figure, and mystic. It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats's more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participate in the fascination of all the contributors here in the satisfying difficulty of this great writer.

The idea of place runs like a river through the life and works of the poet and playwright W.B. Yeats. This book focuses on his time in Dublin, London, Sligo and elsewhere in the west of Ireland, embracing the homes, landscapes and people that impacted his life and stimulated his vast body of work. Meet the poet's father, the struggling artist John Butler Yeats; his mother Susan, the well-to-do Sligo girl who had no choice but to follow her husband's path; his five siblings: Lily and Lolly, guiding lights in the Irish Arts and Crafts movement; Jack, the renowned painter; and Bobbie and Jane Grace, who died in infancy. Meet William Morris, John O'Leary, Katharine Tynan, George Moore, Oscar Wilde, Lady Gregory, Douglas Hyde, George Hyde-Lees, and, of course, Maud Gonne, as well as countless others who helped weave the cloth of Yeats's poetic gift.

W.B. Yeats and the Muses explores how nine fascinating women inspired much of W.B. Yeats's poetry. These women are particularly important because Yeats perceived them in terms of beliefs about poetic inspiration akin to the Greek notion that a great poet is inspired and possessed by the feminine voices of the Muses. Influenced by the Pre-Raphaelite idea of woman as 'romantic and mysterious, still the priestess of her shrine', Yeats found his Muses in living women. His extraordinarily long and fruitful poetic career was fuelled by passionate relationships with women to and about whom he wrote some of his most compelling poetry. The book summarizes the different Muse traditions that were congenial to Yeats and shows how his perception of these women as Muses underlies his poetry. Newly available letters and manuscripts are used to explore the creative process and interpret the poems. Because Yeats believed that lyric poetry 'is no rootless flower, but the speech of a man,' exploring the relationship between poem and Muse brings new coherence to the poetry, illuminates the process of its creation, and unlocks the 'second beauty' to which Yeats referred when he claimed that 'works of lyric genius, when the circumstances of their origin is known, gain a second a beauty, passing as it were out of literature and becoming life.' As life emerges from the literature, the Muses are shown to be vibrant, multi-faceted personalities who shatter the idea of the Muse as a passive stereotype and take their proper place as begetters of timeless poetry.

Offers a bold new argument about how Irish, American and Caribbean modernisms helped remake the twentieth-century world literary system.

A comprehensive and accessible introduction to the major themes of this important poet's life and career.