DC Douglas graduated from Colorado State University with a journalism degree, and was formerly the editor of the Fronti ersman newspaper in Palmer, Alaska. He att ended graduate school at the University of Alaska in Fairbanks, has worked as an Alaska State Park Ranger, owned a commercial salmon fi shing business in Bristol 8ay, and built over 250 homes as a contractor in his hometown of Steamboat Springs, Colorado. He and his wife have bred Chesapeake Bay Retrievers for over 30 years. They currently share their ti me between Alaska and their Colorado ranch, where they raise Gypsy Vanner horses.

A young alien genius, Bantan S’kan, has no experience with females and is bitter over his kidnapping by pirates. He’s out to do as much damage to the pirates as he can. Then he meets her. Leisha, a human female, is a non-commissioned officer on a S.U.N. scout ship. The young, rescued alien ticks all her boxes. Older than Bantan, she’s happy to further his education. When her family’s summons comes, she leaves the ship and Bantan. The Arkalian doesn’t take rejection well. S.U.N. needs him, he needs Leisha. Can he hurt the pirates without losing his life? How can he have a life with Leisha and keep the pirates from finding them?

Iconic and never-before-seen images of punk and post-punk’s quintessential bands In the late 70s, punk rock music began to evolve into the post-punk and new wave movements that dominated until the early 90s. During this time, prolific photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York, and getting shots on- and backstage with bands such as The Cramps, Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others. Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. Punk, Post Punk, New Wave: Onstage, Backstage, In Your Face, 1978–1991 features stunning, never-before-seen photography from this iconic period in music. In addition to concert photography, he also shot album covers and promotional pieces that round out this impressively extensive photo collection. Featuring a foreword from Fred Schneider of the B-52’s, Punk, Post Punk, New Wave is a quintessential piece of music history for anyone looking for backstage access into the careers of punk and post punk’s most beloved bands.

The Routledge Companion to Dance Studies maps out the key features of dance studies as the field stands today, while pointing to potential future developments. It locates these features both historically—within dance in particular social and cultural contexts—and in relation to other academic influences that have impinged on dance studies as a discipline. The editors use a thematically based approach that emphasizes that dance scholarship does not stand alone as a single entity, but is inevitably linked to other related fields, debates, and concerns. Authors from across continents have contributed chapters based on theoretical, methodological, ethnographic, and practice-based case studies, bringing together a wealth of expertise and insight to offer a study that is in-depth and wide-ranging. Ideal for scholars and upper-level students of dance and performance studies, The Routledge Companion to Dance Studies challenges the reader to expand their knowledge of this vibrant, exciting interdisciplinary field.

There is no greater or more powerful or more pure human rapport with the elements than that experienced by a surfer dancing with the ocean. In Dancing the Wave, Jean-Etienne Poirier brings alive the world of surfing by offering historical, anthropological, and cultural perspectives on this increasingly popular sport. By recounting tales of his own surfing adventures, he opens the door to this world beyond the summer sun and simple pleasures of the ride, inviting readers to reflect upon the true place of human beings in the universe. This book is for all board riders, for all those who are touched by the forces of the ocean, and for all those who wish to understand the boldness of surfers, who join power and elegance in that harmonious dance with the sinuous movement of the wave.

This volume reprints material from the Elfquest anthology comic book series, and collects the starting stories of a new adventure featuring a brand new cast of characters. When the High Ones crashed upon the World of Two Moons, thousands of years in the past, most of the surviving elves scattered to forest and field. But one group found their way to the sea, and over the millennia, learned to adapt to life in the water as mer-elves. For all this time, they've been unknown to other elves and humans alike. But now, as humans explore and exploit not only the land but the sea as well, the WaveDancers face discovery and the suspicion and fear that come with it.

**Winner of the 2016 Pulitzer Prize for Autobiography** Included in President Obama’s 2016 Summer Reading List “Without a doubt, the finest surf book I’ve ever read . . . ” —The New York Times Magazine Barbarian Days is William Finnegan’s memoir of an obsession, a complex enchantment. Surfing only looks like a sport. To initiates, it is something else: a beautiful addiction, a demanding course of study, a morally dangerous pastime, a way of life. Raised in California and Hawaii, Finnegan started surfing as a child. He has chased waves all over the world, wandering for years through the South Pacific, Australia, Asia, Africa. A bookish boy, and then an excessively adventurous young man, he went on to become a distinguished writer and war reporter. Barbarian Days takes us deep into unfamiliar worlds, some of them right under our noses—off the coasts of New York and San Francisco. It immerses the reader in the edgy camaraderie of close male friendships forged in challenging waves. Finnegan shares stories of life in a whites-only gang in a tough school in Honolulu. He shows us a world turned upside down for kids and adults alike by the social upheavals of the 1960s. He details the intricacies of famous waves and his own apprenticeships to them. Youthful folly—he drops LSD while riding huge Honolua Bay, on Maui—is served up with rueful humor. As Finnegan’s travels take him ever farther afield, he discovers the picturesque simplicity of a Samoan fishing village, dissects the sexual politics of Tongan interactions with Americans and Japanese, and navigates the Indonesian black market while nearly succumbing to malaria. Throughout, he surfs, carrying readers with him on rides of harrowing, unprecedented lucidity. Barbarian Days is an old-school adventure story, an intellectual autobiography, a social history, a literary road movie, and an extraordinary exploration of the gradual mastering of an exacting, little-understood art.

What was the light that mazed every mind's eye? What has brought a flying mountain top home from the stars, and sent investigators into the orbital habitats floating above Earth? How is this connected to a "living fossil" fungus--or to a dead madman--or to the fate of the planet? Whoever discovers the answers to these questions--FIRST!--will decide the ultimate fate of the Earth--and all humanity! An imaginative tour de force.

The setting is 1946 post World War II New Orleans. Tennessee Williams Street Car Named Desire moves up St. Charles Avenue. The Ole' Green River goes lap lap. Bunk Johnson's Dixieland Jazz band pulsates at the Famous Door on Bourbon Street. One might get a glimpse of Marie singin', struttin', and shakin' to Wish I Could Shimmy Like My Sister Kate. That is all it took for Texas bred Green Wave basketballer and trumpeter to fall madly in love. Zach loved Marie, basketball, and New Orleans Jazz - a music that drifts like leaves on the surface of the mind, and then sinks deep into the soul. This love adventure is as sweet as Marie's sugar coated lips. Join Zach and Marie in the ambience of cool mist and mellow fruitfulness of a fog shrouded New Orleans night. In the distance we hear the Bourbon Street Blues.