Larger dot journal is perfect for creative visual planning, bullet journaling, sketching, designing, writing, and much more! 192 pages provide plenty of space for journaling purposes. Dot matrix pattern throughout the interior. Premium smooth-finish archival/acid-free paper supports pens, pencils, and other media. Tuck notes, business cards, mementos, and more in the back cover pocket. Elastic band attached to the back cover keeps your place or keeps your journal closed. Satin ribbon bookmark included. Cover design features a palette of beautiful sorbet-colored hues reminiscent of a tropical sunset. ''Create the life you love'' is stamped in gold foil script. Complementary interior endpapers. Journal is A5 size (5-3/4'' x 8-1/4'').

Large Dot Matrix Notebooks, now with vibrant designer covers! ] 192 pages ] A5 size (5-3/4" x 8-1/4") (14.8 cm x 21 cm) ] Elastic band placeholder ] Ribbon bookmark ] Archival/acid-free paper ] Binding lies flat for ease of use ] Inside back cover pocket. Gold foil, embossed.

Large Dot Matrix Notebooks, now with vibrant designer covers! ] 192 pages ] A5 size (5-3/4" x 8-1/4") (14.8 cm x 21 cm) ] Elastic band placeholder ] Ribbon bookmark ] Archival/acid-free paper ] Binding lies flat for ease of use ] Inside back cover pocket. Silver foil, gloss highlights, embossed.

Large Dot Matrix Notebooks, now with vibrant designer covers! ] 192 pages ] A5 size (5-3/4" x 8-1/4") (14.8 cm x 21 cm) ] Elastic band placeholder ] Ribbon bookmark ] Archival/acid-free paper ] Binding lies flat for ease of use ] Inside back cover pocket. Gold foil.

In February 1999, only a few weeks before the U.S. Air Force spearheaded NATO's Allied Force air campaign against Serbia, Col. C.R. Anderegg, USAF (Ret.), visited the commander of the U.S. Air Forces in Europe. Colonel Anderegg had known Gen. John Jumper since they had served together as jet forward air controllers in Southeast Asia nearly thirty years earlier. From the vantage point of 1999, they looked back to the day in February 1970, when they first controlled a laser-guided bomb strike. In this book Anderegg takes us from "glimmers of hope" like that one through other major improvements in the Air Force that came between the Vietnam War and the Gulf War. Always central in Anderegg's account of those changes are the people who made them. This is a very personal book by an officer who participated in the transformation he describes so vividly. Much of his story revolves around the Fighter Weapons School at Nellis Air Force Base (AFB), Nevada, where he served two tours as an instructor pilot specializing in guided munitions.

162 lined pages ] 5" wide x 7" high (12.7 cm wide x 17.8 cm high) ] Bookbound hardcover ] Elastic band place holder ] Archival/acid-free paper ] Inside back cover pocket ]Gold foil.

A5 size (148mm x 210mm, or 5-1/2" x 8"). 192 pages. Elastic band place holder. Ribbon bookmark. Acid-free/archival paper. Binding lies flat for ease of use. Inside back cover pocket. Create your own original designs with this sleek Fashion Sketchbook! Packed with fashion-proportional figures in varied poses, this journal will help bring your inspirations to life. The figures (called croquis from the French meaning to sketch, rough out, to crunch) will not show up when photocopied or scanned. From understated effects to outrageous accents, let this Fashion Sketchbook help you render your vision. There are also templates for shoes and hats in the back of the journal, plus helpful industry terms and descriptions, size equivalent information, measuring tips, descriptions of basic garments, and more.

Essays on photography and the medium's history and evolving identity. In Each Wild Idea, Geoffrey Batchen explores a wide range of photographic subjects, from the timing of the medium's invention to the various implications of cyberculture. Along the way, he reflects on contemporary art photography, the role of the vernacular in photography's history, and the Australianness of Australian photography. The essays all focus on a consideration of specific photographs—from a humble combination of baby photos and bronzed booties to a masterwork by Alfred Stieglitz. Although Batchen views each photograph within the context of broader social and political forces, he also engages its own distinctive formal attributes. In short, he sees photography as something that is simultaneously material and cultural. In an effort to evoke the lived experience of history, he frequently relies on sheer description as the mode of analysis, insisting that we look right at—rather than beyond—the photograph being discussed. A constant theme throughout the book is the question of photography's past, present, and future identity.

Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.

Creative Art: Methods and Materials educates readers about a variety of art methods and the ways different civilizations have used them in artistic expression. Each of the fourteen chapters is designed around a specific art method and material, and includes examples of art works and the artists who created them. Students learn about bronze casting, stone carving, clay sculpture, woodcuts and posters, glass work, and installation art. Each method is matched to artists both ancient and modern. Rather than adhering to a standard approach that focuses on white, male, European artists, the book broadens the student's perspective by including often overlooked female artists. Global in approach and comprehensive in coverage of arts forms, representations, and styles throughout history, Creative Art has been developed for sixteen-week courses in art appreciation, or introductory survey courses in art history.