"Theodore Watts-Dunton" by James Douglas. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

LEARN HOW TO WRITE A BOOK WHICH STANDS OUT FROM THE CROWD. There is no precise formula for writing a bestseller, but there are secrets, skills and techniques that will dramatically improve your odds of publishing a bestselling novel. Whatever your motivation - whether sick of rejections, getting ready to approach a publisher, or with an idea you think is unbeatable - you need to read this book before you do anything else. It gives you the key insights into what makes a bestseller and explains the trends and conventions of different genres, before helping you get a real handle on the writing (and revising) process. A third of the book is devoted to pitching and selling your novel both to traditional agents and as a self-published author, with incisive and cutting-edge insights into writing for Amazon and becoming an 'authorpreneur'. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.

Willow is shy. VERY shy. Her home is in an abandoned mailbox, and she'd rather stay put. Outside kids scream and soccer balls collide, trees look like monsters, and rain is noisy in a scary kind of way. It's much nicer to stay inside, drawing. But then a young boy drops a letter in Willow's mailbox: it's a note to the moon asking for a special favor. Willow knows that if she doesn't brave the world outside, the letter will never be delivered, and the boy will be heartbroken. Should she try? Can she? Cat Min delivers a breathtakingly illustrated story about shyness, the power of empathy, and what it means to make a friend.

"Now begins the revival of an eccentric virtuoso poet/visual artist whose work was admired by many of the 20th century's most unlikely "bobbysoxers". Like fabrics stitched into a crazy quilt, Patchen's hard-to-find books are gathered in We Meet, introducing a wide range of his work to a whole new generation of readers. It is chock-full of far-out poetry, rhythmic numinous prose, facetious fables, and jazzy drawings. Musician and visual artist Devendra Banhart complements We Meet with a celebratory, quixotic preface. So what are you waiting for? Come meet Kenneth Patchen!"--BOOK JACKET.

It is never pleasant to have to make apologies; and yet there are some circumstances under which an apology is a duty, and therefore, whether pleasant or not, should be tendered cheerfully. The present is a case in point. The work should have been published earlier and would have been possible. The truth is that the "Guide to Streets, &c.," was a novel experiment, and the compiler—having nobody's experience to guide him—through the task an easier one than it turned out to be. It was at first imagined that the matter for this "Guide" could be obtained simultaneously with the information for the Directory itself. The attempt proved the mistake. It was found that to do both well they must be done distinctly and independently. Hence chiefly came the delay, to say nothing of the fact that for many "local habitations" it was very difficult to find the "name." In yards and courts, not a few, and some out-of-the-way streets even, not one of the inhabitants could give his whereabouts a designation! The task, however, has been achieved at last; and it is trusted that on the whole, the public will think that it has been achieved well.

Alan Watts introduced millions of Western readers to Zen and other Eastern philosophies. But he is also recognized as a brilliant commentator on Judeo-Christian traditions, as well as a celebrity philosopher who exemplified the ideas — and lifestyle — of the 1960s counterculture. In this compilation of controversial lectures that Watts delivered at American universities throughout the sixties, he challenges readers to reevaluate Western culture's most hallowed constructs. Watts treads the familiar ground of interpreting Eastern traditions, but he also covers new territory, exploring the counterculture's basis in the ancient tribal and shamanic cultures of Asia, Siberia, and the Americas. In the process, he addresses some of the era's most important questions: What is the nature of reality? How does an individual's relationship to society affect this reality? Filled with Watts's playful, provocative style, the talks show the remarkable scope of a philosopher at his prime, exploring and defining the sixties counterculture as only Alan Watts could.

In this natural history classic, the author takes the reader on field trips to landscapes across America, both domesticated and wild. She shows how to read the stories written in the land, interpreting the clues laid down by history, culture, and natural forces. A renowned teacher, writer and conservationist in her native Midwest, Watts studied with Henry Cowles, the pioneering American ecologist. She was the first to explain his theories of plant succesion to the general public. Her graceful, witty essays, with charming illustrations by the author, are still relevant and engaging today, as she invites us to see the world around us with fresh eyes.