This book offers the first sustained examination of the cultural relations of the American and Soviet avant-gardes in a period of major transformation.

During the 1980s, popular fear of World War III spurred moviemakers to produce dozens of nuclear threat films. Categories ranged from monster movies to post-apocalyptic adventures to realistic depictions of nuclear war and its immediate aftermath. Coverage of atomic angst films isn't new, but this is the first book to solely analyze 1980s nuclear threat movies as a group. Entries range from classics such as The Day After and WarGames to obscurities such as Desert Warrior and Massive Retaliation. Chronological coverage of the 121 films released between 1980 and 1990 includes production details, chapter notes, and critical commentaries.

This text describes the situation in Hong Kong before and after the handover to China, focusing on the soldiers of the Black Watch and the People's Liberation Army. It includes the reactions of ordinary citizens, politicians, soldiers and financiers and presents an all round view of the events that took place.

When pregnant vampire Deirdre Griffin goes missing, her lover Mitch desperately searches for her.

When an aging Soviet submarine becomes caught under the polar ice cap while being escorted by one of the best submarines in the Soviet Navy, a high-tech game of cat and mouse involving the US ensues to see who can get to the submarine—and the dangerous propulsion system it’s carrying—first.

In 1777, Anne Secord and her children are rescued from the destruction of the Loyalist settlements in the Mohawk Valley, and brought to British-held Fort Niagara. The Loyalist refugees subsequently cross the river, and establish a new colony. The Secord family settles at Lundy's Lane. With the War of 1812, men from of Anne's extended family serve in the militia, in support of the British Regular regiments. A bloody conflict ensues to defend the fledgling Upper Canada. Farms and homesteads in the Niagara frontier are devastated repeatedly. At Harvard College, Samuel Clifford is exposed to revolutionary foment, against his Loyalist parents' convictions. The day before he leaves home for his second year, he is terrified by a hideous vision. He joins Washington's army. What he discovers convinces him to desert. He makes his way to British-held New York. After the revolution, he rejoins his family at Lundy's Lane. He becomes that settlement's school teacher. Samuel finds himself drawn into the horror of an American civil war. He deplores the wanton slaughter, with cousin killing cousin. He sees himself still American, born and raised, yet he cannot return. Christmas in 1814: he experiences another vision, that of a red dawn, with what it portends.

The first study of his little-known screen writing, John Dos Passos and Motion Pictures: Writing Film, Film Writing uses unpublished manuscripts and correspondence to explore how he adapted film aesthetics to structure his modernist novels of the 1920s and 1930s, then, beginning in the 1940s, attempted to revise those novels directly into screenplays reflecting the controversial conservative political shift that redefined his later literary career.

From Cicero to Snooki, the cultural influences on our American presidents are powerful and plentiful. Thomas Jefferson famously said "I cannot live without books," and his library backed up the claim, later becoming the backbone of the new Library of Congress. Jimmy Carter watched hundreds of movies in his White House, while Ronald Reagan starred in a few in his own time. Lincoln was a theater-goer, while Obama kicked back at home to a few episodes of HBO's "The Wire." America is a country built by thinkers on a foundation of ideas. Alongside classic works of philosophy and ethics, however, our presidents have been influenced by the books, movies, TV shows, viral videos, and social media sensations of their day. In What Jefferson Read, Ike Watched, and Obama Tweeted: 200 Years of Popular Culturen in the White House presidential scholar and former White House aide Tevi Troy combines research with witty observation to tell the story of how our presidents have been shaped by popular culture.

Twenty-seven-year-old Cass Rodino is a hardworking, dedicated set designer on Broadway. But, like the actors who take the stage every night, she is masking a different reality. Evgeny Kozlov has secrets of his own. As Cass and Evgeny separately set out to save Liesl from an impending doom, both are hurled into a fierce CIA/FBI dragnet, not knowing that their formidable opponent—a most unlikely predator—is already closing in on them. Book 2 of the Red Returning Trilogy, Red Dawn Rising mixes suspense, action, and romance in a tale of personal tragedy and triumph that will keep readers pivoting between the evil desires of world powers and the redeeming powers of personal faith, life, and love.

The heroic and inspiring story of the fortunes of the Black Watch, whose soldiers have distinguished themselves in theatres of war across the world. Formed into a regiment in 1739 and named for the dark tartan of its soldiers' kilts, The Black Watch has fought in almost every major conflict of nation and empire between 1745 and the present, and has a reputation second to none. Following on from The Highland Furies, in which she traced the regiment's history to 1899, Victoria Schofield tells the story of The Black Watch in the 20th and 21st centuries. She tracks its fortunes through the 2nd South African War, two World Wars, the 'troubles' in N Ireland and the war in Iraq – up to The Black Watch's merger with five other regiments to form the Royal Regiment of Scotland in 2006. Drawing on diaries, letters and interviews, Victoria Schofield weaves the many strands of the story into an epic narrative of a heroic body of officers and men. In her sure hands, the story of The Black Watch is no arid recitation of campaigns and battle honours, but a rewarding account of the fortunes of war of a regiment that has played a distinguished role in British, and world, history.