The study discusses the history of the Jewish refugees within the Shanghai setting and its relationship to the two established Jewish communities, the Sephardi and Russian Jews. Attention is also focused on the cultural life of the refugees who used both German and Yiddish, and on their attempts to cope under Japanese occupation after the outbreak of the Pacific War. Differences of identity existed between Sephardi and Ashkenazi Jews, religious and secular, aside from linguistic and cultural differences. The study aims to understand the exile condition of the refugees and their amazing efforts to create a semblance of cultural life in a strange new world.

The author, part of the Jewish refugee community in Shanghai, tells of his experiences growing up in the ghetto under Japanese occupation.

When Hitler came to power and the German army began to sweep through Europe, almost 20,000 Jewish refugees fled to Shanghai. A remarkable collection of the letters, diary entries, poems, and short stories composed by these refugees in the years after they landed in China, Voices from Shanghai fills a gap in our historical understanding of what happened to so many Jews who were forced to board the first ship bound for anywhere. Once they arrived, the refugees learned to navigate the various languages, belief systems, and ethnic traditions they encountered in an already booming international city, and faced challenges within their own community based on disparities in socioeconomic status, levels of religious observance, urban or rural origin, and philosophical differences. Recovered from archives, private collections, and now-defunct newspapers, these fascinating accounts make their English-languge debut in this volume. A rich new take on Holocaust literature, Voices from Shanghai reveals how refugees attempted to pursue a life of creativity despite the hardships of exile.

Wartime Shanghai is a lively account of the political and social situation between 1937 and 1946. It explores the deep political rivalries between Nationalist groups, the intrigue of international espionage and how Shanghai society, from European administrators to Chinese film makers, collaborated with, or resisted, the Japanese occupation. Drawing on archival and published sources in English, French, Chinese and Japanese, the authors show the diversity of groups and communities that made up wartime Shanghai. This book is an engaging collection of essays written on an exciting, but often neglected episode of Chinese history.

This classic in the annals of village studies will be widely read and debated for what it reveals about China's rural dynamics as well as the nature of state power, markets, the military, social relations, and religion. Built on extraordinarily intimate and detailed research in a Sichuan village that Isabel Crook began in 1940, the book provides an unprecedented history of Chinese rural life during the war with Japan. It is an essential resource for all scholars of contemporary China.

This is a story of coming of age in chaotic times during the war in the Pacific, from the unique perspective of a young woman in the Jewish community of Shanghai. We learn how events were perceived by people entrapped by war who endeavored to seek the truth through smuggled info., jammed radio broadcasts, and reading between the lines of Japanese censorship. The heroic efforts of people in the Jewish community in Shanghai to help refugees from the Holocaust are perhaps the most inspiring part of the narrative. Many details of the history of that community are brought to light for the first time. Black and white photos.

By the late 1930s, Europe sat on the brink of a world war. As the holocaust approached, many Jewish families in Germany fled to one of the only open port available to them: Shanghai. Once called "the armpit of the world," Shanghai ultimately served as the last resort for tens of thousands of Jews desperate to escape Hitler's "Final Solution." Against this backdrop, 11-year-old Ursula Bacon and her family made the difficult 8,000-mile voyage to Shanghai, with its promise of safety. But instead of a storybook China, they found overcrowded streets teeming with peddlers, beggars, opium dens, and prostitutes. Amid these abysmal conditions, Ursula learned of her own resourcefulness and found within herself the fierce determination to survive.

Studies of collaboration have changed how the history of World War II in Europe is written, but for China and Japan this aspect of wartime conduct has remained largely unacknowledged. In a bold new work, Timothy Brook breaks the silence surrounding the sensitive topic of wartime collaboration between the Chinese and their Japanese occupiers. Japan's attack on Shanghai in August 1937 led to the occupation of the Yangtze Delta. In spite of the legendary violence of the assault, Chinese elites throughout the delta came forward to work with the conquerors. Using archives on both sides of the conflict, Brook reconstructs the process of collaboration from Shanghai to Nanking. Collaboration proved to be politically unstable and morally awkward for both sides, provoking tensions that undercut the authority of the occupation state and undermined Japan's long-term prospects for occupying China. This groundbreaking study mirrors the more familiar stories of European collaboration with the Nazis, showing how the Chinese were deeply troubled by their unavoidable cooperation with the occupiers. The comparison provides a point of entry into the difficult but necessary discussion about this long-ignored aspect of the war in the Pacific.

A memoir in paintings and words by internationally acclaimed illustrator, author, and teacher James McMullan. A Booklist Top 10 Biography for Youth “It is this dreamlike quality of my memories that I wanted to capture in some way in the paintings that accompany the text--to suggest in the images that the events occurred a long time ago in a simpler yet more exotic world, and that the players in that world, including me, are at a distance.” Artist James McMullan’s work has appeared in the pages of virtually every American magazine, on the posters for more than seventy Lincoln Center theater productions, and in bestselling picture books. Now, in a unique memoir comprising more than fifty short essays and illustrations, the artist explores how his early childhood in China and wartime journeys with his mother influenced his whole life, especially his painting and illustration. James McMullan was born in Tsingtao, North China, in 1934, the grandson of missionaries who settled there. As a little boy, Jim took for granted a privileged life of household servants, rickshaw rides, and picnics on the shore—until World War II erupted and life changed drastically. Jim’s father, a British citizen fluent in several Chinese dialects, joined the Allied forces. For the next several years, Jim and his mother moved from one place to another—Shanghai, San Francisco, Vancouver, Darjeeling—first escaping Japanese occupation then trying to find security, with no clear destination except the unpredictable end of the war. For Jim, those ever-changing years took on the quality of a dream, sometimes a nightmare, a feeling that persists in the stunning full-page, full-color paintings that along with their accompanying text tell the story of Leaving China.