Hilary Brown has filed television reports from every continent except Antarctica. She was once profiled on TVO’s ‘The Agenda’ as ‘Canada’s best-ever female foreign correspondent.’ This embarrasses her. She was one of the last journalists to be lifted by helicopter from the roof of the American Embassy in Saigon in 1975, during the Communist takeover of South Vietnam. One of her ABC reports later appeared in the motion picture ‘The Deer Hunter’ in what Brown calls her ‘fifteen seconds of fame.’ During the 1980’s she was an Anchor for the Canadian Broadcasting Corporation in Toronto, an experience she describes as ‘death by hairspray.’ She later returned to ABC News for another 18 years to do the work she loved best: foreign news reporting. She was married to the British biographer and BBC correspondent John Bierman, who she met in Pakistan during the Indo-Pak war of 1971. He became her mentor, best friend, and father of her only child. Their life together, in half a dozen countries over three decades, is a great love story that only ended with his death in 2006. As a widow, Brown continued to work at what she calls ‘the best job in the world’ before she finally hung up her trench coat. Two years later she fell in love with a Canadian businessman who, until the global pandemic, flew her around the world in the relentless pursuit of pseudo-extreme sports for which she was totally unqualified. She says he keeps her in a constant state of excitement and fear, which is just like being a foreign correspondent, all over again. Foreign correspondents are like war tourists in flak jackets,’ she writes. ‘They document human misery, and then move on.’ But many are left with the emotional baggage of guilt, and a search for atonement. This is one of the many themes in Brown’s lively memoir, and it’s quite a ride. To readers of all ages, but especially her own, her message is that life is never over... until it’s over.

This volume explores the complex relationship between war and tourism by considering its full range of dynamics; including political, psychological, economic and ideological factors at different levels, in different political and geographical locations.

Martha Langford and John Langford examine their father's apparently innocuous photographic experience, revealing the complexity of both the images and their creator. An intelligent and personal look at the ways that the historical and the private are represented and remembered, A Cold War Tourist and His Camera stages the family slide show as you've never seen it before.

Focusing on Western tourism behind the Iron Curtain, this chapter introduces the main research questions addressed in the volume: firstly, how and why Eastern Europe became a tourist destination for citizens of the West; secondly what impact this had on the development of a tourism industry in the Eastern bloc; and thirdly to what extent the experiences of Western tourists in Eastern Europe influenced mutual perceptions and Cold War stereotypes of “the other”. The chapter situates these questions in three debates in recent historiography: the history of transnational tourism, of the cultural Cold War, and of mobilities in the supposedly backward and static societies in Eastern Europe.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

This original and fresh book explores Okinawa's makeover as a tourist mecca in the long historical shadow and among the physical ruins of the Pacific War's most devastating land battle. Gerald Figal considers how a place burdened by a history of semicolonialism, memories of war and occupation, economic hardship, and contentious current political affairs has reshaped itself into a resort destination. Drawing on an innovative mix of detailed archival research and extensive fieldwork, Gerald Figal considers the ways Okinawa has accommodated war experience and its legacies within the manufacture and promotion of both a "tropical paradise" image and a heritage tourism site identified with the premodern Ryukyu Kingdom. Tracing the postwar formation of "Tourist Okinawa," Figal addresses interrelated issues of economic sustainability, local political autonomy, interregional and international relations, environmental preservation, historical and cultural self-representation, and especially Okinawa's role as a global peace site laboring under the legacies of war. From the end of World War Two to the present, the author follows Okinawa's evolution through three main themes: war memorialization, tourism-influenced environmental and historical restoration, and invasion and occupation represented by U.S. military bases and beach resorts. Creatively, accessibly, and eloquently written, this compelling work highlights a set of islands that represent key issues facing contemporary Japan.

Since 1982, the renowned Civil War historian James I. "Bud" Robertson’s Civil War Sites in Virginia: A Tour Guide has enlightened and informed Civil War enthusiasts and scholars alike. The book expertly explores the commonwealth’s Civil War sites for those hoping to gain greater insight and understanding of the conflict. But in the years since the book’s original publication, accessibility to many sites and the interpretive material available have improved dramatically. In addition, new historical markers have been erected, and new historically significant sites have been developed, while other sites have been lost to modern development or other encroachments. The historian Brian Steel Wills offers here a revised and updated edition that retains the core of the original guide, with its rich and insightful prose, but that takes these major changes into account, introducing especially the benefits of expanded interpretation and of improved accessibility. The guide incorporates new information on the lives of a broad spectrum of soldiers and citizens while revisiting scenes associated with the era’s most famous personalities. New maps and a list of specialized tour suggestions assist in planning visits to sites, while three dozen illustrations, from nineteenth-century drawings to modern photographs, bring the war and its impact on the Old Dominion vividly to life. With the sesquicentennial remembrances of the American Civil War heightening interest and spurring improvements, there may be no better time to learn about and visit these important and moving sites than now.

Introducing real-world case studies from across the globe, Battlefield Tourism contributes to the growing fields of dark tourism, destination and risk management, and tourism security.

“A riveting tale told through personal accounts and sketches along the way—ultimately, a story of success against great odds. I enjoyed it enormously.” —Tom Brokaw The first book to tell the full story of how a traveling road show of artists wielding imagination, paint, and bravado saved thousands of American lives—now updated with new material. In the summer of 1944, a handpicked group of young GIs—artists, designers, architects, and sound engineers, including such future luminaries as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey—landed in France to conduct a secret mission. From Normandy to the Rhine, the 1,100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret, and their story was hushed up for decades after the war's end. Hundreds of color and black-and-white photographs, along with maps, official memos, and letters, accompany Rick Beyer and Elizabeth Sayles’s meticulous research and interviews with many of the soldiers, weaving a compelling narrative of how an unlikely team carried out amazing battlefield deceptions that saved thousands of American lives and helped open the way for the final drive to Germany. The stunning art created between missions also offers a glimpse of life behind the lines during World War II. This updated edition includes: A new afterword by co-author Rick Beyer Never-before-seen additional images The successful campaign to have the unit awarded a Congressional Gold Medal History and WWII enthusiasts will find The Ghost Army of World War II an essential addition to their library.