“Imagine George Costanza from Seinfeld being sent off to cover the Iraq War . . . Hilarious.” —Michiko Kakutani, The New York Times Chris Ayres is a small-town boy, a hypochondriac, and a neat freak with an anxiety disorder. Not exactly the picture of a war correspondent. But when his boss asks him if he would like to go to Iraq, he doesn’t have the guts to say no. After signing a one million dollar life-insurance policy, studying a tutorial on repairing severed limbs, and spending twenty thousand dollars on camping gear (only to find out that his bright yellow tent makes him a sitting duck), Ayres is embedded with a battalion of gung ho Marines who either shun him or threaten him when he files an unfavorable story. As time goes on, though, he begins to understand them (and his inexplicably enthusiastic fellow war reporters) more and more: Each night of terrifying combat brings, in the morning, something more visceral than he has ever experienced—the thrill of having won a fight for survival. War Reporting for Cowards tells, with “self-deprecating wit”, the story of Iraq in a way that is extraordinarily honest and bitterly hilarious (The New Yorker). “Heartbreakingly funny.” —Anthony Swofford, author of Jarhead “Chris Ayres has invented a new genre: a rip-roaring tale of adventure and derring-don’t.” —Toby Young, author of How to Lose Friends and Alienate People “Darkly entertaining.” —Los Angeles Times “Ayres’s stories of life with Marines are gripping—in part because he’s the perfect neurotic foil.” —People

To many they were nothing more than cowards, but the 'conchies' of the First World War had the courage to stand by their principles when the nation was against them... An innovative new history of conscientious objectors during the First World War. Drawing on previously unpublished archive material, Karyn Burnham reconstructs the personal stories of several men who refused to fight, bringing the reader face-to-face with their varied, often brutal, experiences.Charles Dingle: Defying his father's wishes by objecting to military service, Charles joins the Friends Ambulance Unit and finds himself in the midst of some of the fiercest fighting of the war.Jack Foister: Jack, a young student, cannot support the war in any way. Imprisoned and shipped secretly out to France, Jack has no idea what lengths the military will go to in order to break him.James Landers: A Christian and pacifist, James faces a dilemma: if he sticks to his principles, he faces imprisonment but if he joins the Non Combatant Corps he can financially support his family. Gripping accounts reveal the traumatic and sometimes terrifying events these men went through and help readers to discover what it was really like to be a conscientious objector.As seen in the Northern Echo, Ilkley Gazette, Ripon Gazette, Wetherby News, Kent & Sussex Courier and Bradford Telegraph & Argus. Also seen in Essence and Discover Your History magazines.

With an important introduction by C. Everett Koop and passionate endorsements from Senator Edward M. Kennedy and public officials from every major city in the U.S., this authoritative and timely guide calls for the diagnosis and treatment of urban violence as a public health crisis.

Author's selection from her reporting on wars in progress and wars about to be, during eight years in twelve countries, when she worked as a correspondent for "Colliers."

“On All Fronts: The Education of a Journalist beautifully outlines . . . what it means to seek the truth. It gave me a new faith in the power of reporting.” —Oprah Winfrey The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Gaza, Ukraine, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward’s singular career and of journalism in this age of extremism. Following a privileged but lonely childhood, Ward found her calling as an international war correspondent in the aftermath of 9/11. From her early days in the field, she was embedding with marines at the height of the Iraq War and reporting from the center of Israel’s war with Hezbollah. Soon she was soon on assignment all over the globe. From her multiple stints entrenched with Syrian rebels to her deep investigations into the Western extremists who are drawn to ISIS, Ward covered Bashar al-Assad’s reign of terror without fear and with courage and compassion. In 2018, Ward rose to new heights at CNN and became a mother. Suddenly, she was doing this hardest of jobs with a whole new perspective. On All Fronts is the unforgettable story of one extraordinary journalist—and of a changing world.

A provocative look at how cowardice has been understood from ancient times to the present Coward. It's a grave insult, likely to provoke anger, shame, even violence. But what exactly is cowardice? When terrorists are called cowards, does it mean the same as when the term is applied to soldiers? And what, if anything, does cowardice have to do with the rest of us? Bringing together sources from court-martial cases to literary and film classics such as Dante's Inferno, The Red Badge of Courage, and The Thin Red Line, Cowardice recounts the great harm that both cowards and the fear of seeming cowardly have done, and traces the idea of cowardice’s power to its evolutionary roots. But Chris Walsh also shows that this power has faded, most dramatically on the battlefield. Misconduct that earlier might have been punished as cowardice has more recently often been treated medically, as an adverse reaction to trauma, and Walsh explores a parallel therapeutic shift that reaches beyond war, into the realms of politics, crime, philosophy, religion, and love. Yet, as Walsh indicates, the therapeutic has not altogether triumphed—contempt for cowardice endures, and he argues that such contempt can be a good thing. Courage attracts much more of our attention, but rigorously understanding cowardice may be more morally useful, for it requires us to think critically about our duties and our fears, and it helps us to act ethically when fear and duty conflict. Richly illustrated and filled with fascinating stories and insights, Cowardice is the first sustained analysis of a neglected but profound and pervasive feature of human experience.

In September 2004, Canadian journalist Scott Taylor was taken hostage in northern Iraq. While awaiting execution by beheading, he reflected on the events that had brought him to a torture chamber in a remote Iraqi village, from his early years as a Canadian Forces infantryman to his later career as a frontline reporter in Africa, the former Yugoslavia, and in 21 trips to Saddam Hussein’s Iraq before, during, and after the U.S.-led invasion. After his kidnapping ordeal, Taylor resumed his unembedded war reporting in Afghanistan. He recounts his adventures in this action-packed and brutally honest memoir. With searing criticism, Taylor exposes the deceit of the politicians and media cheerleaders who, at little cost to themselves, are ultimately responsible for waging the senseless wars that cause so much needless suffering for so many innocent people.

A former soldier awarded the Bronze Star and Purple Heart tells the story of overcoming the mental and physical wounds of war on a fifteen year odyssey that led him back to the very place where his nightmares began—and the only place redemption was possible. While serving a portion of his time under the Special Operations Command, Benjamin Sledge fought to keep his humanity amid the killing fields of Iraq and Afghanistan. But war never leaves its participants uscathed. In Where Cowards Go to Die, Sledge reveals an unflinchingly honest portrait of war that few dare to tell. Stationed on a small base on the border of Pakistan in the aftermath of the terrorist attacks of September 11, the young warrior returned home shattered after embracing the barbarity he witnessed around him. Haunted by his experiences overseas, he began a 15 year odyssey wrestling with mental health, purpose, and faith, that eventually drove him to volunteer for another combat tour in the deadliest city of the Iraq War—Ramadi. In his memoir, Sledge vividly captures the reality of the men and women who learn to fight without remorse, love each other without restraint, and suffer the high cost of returning to a country that no longer feels like home. “In life or war, you’ll die a coward by refusing to live and act selflessly. Or you can kill your inner cowardice for something greater to emerge. But either way, a coward dies.” -Benjamin Sledge

More than ten people are murdered every day in Ciudad Juárez, a city about the size of Philadelphia. As Mexico has descended into a feudal narco-state-one where cartels, death squads, the army, and local police all fight over billions of dollars in profits from drug and human trafficking-the border city of Juárez has been hit hardest of all. And yet, more than a million people still live there. They even love their impoverished city, proudly repeating its mantra: "Amor por Juárez." Nothing exemplifies the spirit and hope of Juarenses more than the Indios, the city's beloved but hard-luck soccer team. Sport may seem a meager distraction, but to many it's a lifeline. It drew charismatic American midfielder Marco Vidal back from Dallas to achieve the athletic dreams of his Mexican father. Team owner Francisco Ibarra and Mayor José Reyes Ferriz both thrive on soccer. So does the dubiously named crew of Indios fans, El Kartel. In this honest, unflinching, and powerful book, Robert Andrew Powell chronicles a season of soccer in this treacherous city just across the Rio Grande, and the moments of pain, longing, and redemption along the way. As he travels across Mexico with the team, Powell reflects on this struggling nation and its watchful neighbor to the north. This story is not just about sports, or even community, but the strength of humanity in a place where chaos reigns.

A true-life Catch-22 set in the deeply dysfunctional countries of Afghanistan and Pakistan, by one of the region’s longest-serving correspondents. Kim Barker is not your typical, impassive foreign correspondent—she is candid, self-deprecating, laugh-out-loud funny. At first an awkward newbie in Afghanistan, she grows into a wisecracking, seasoned reporter with grave concerns about our ability to win hearts and minds in the region. In The Taliban Shuffle, Barker offers an insider’s account of the “forgotten war” in Afghanistan and Pakistan, chronicling the years after America’s initial routing of the Taliban, when we failed to finish the job. When Barker arrives in Kabul, foreign aid is at a record low, electricity is a pipe dream, and of the few remaining foreign troops, some aren’t allowed out after dark. Meanwhile, in the vacuum left by the U.S. and NATO, the Taliban is regrouping as the Afghan and Pakistani governments floun­der. Barker watches Afghan police recruits make a travesty of practice drills and observes the disorienting turnover of diplomatic staff. She is pursued romantically by the former prime minister of Pakistan and sees adrenaline-fueled col­leagues disappear into the clutches of the Taliban. And as her love for these hapless countries grows, her hopes for their stability and security fade. Swift, funny, and wholly original, The Taliban Shuffle unforgettably captures the absurdities and tragedies of life in a war zone.