Whether victorious or not, Central European states faced fundamental challenges after the First World War as they struggled to contain ongoing violence and forge peaceful societies. This collection explores the various forms of violence these nations confronted during this period, which effectively transformed the region into a laboratory for state-building. Employing a bottom-up approach to understanding everyday life, these studies trace the contours of individual and mass violence in the interwar era while illuminating their effects upon politics, intellectual developments, and the arts.

This monograph provides an analysis of the economic performance and living standard in Czechoslovakia and its successor states, Hungary, and Poland since 1945. The novelty of the book lies in its broad comparative perspective: it places East Central Europe in a wider European framework that underlines the themes of regional disparities and European commonalities. Going beyond the traditional growth paradigm, the author systematically studies the historical patterns of consumption, leisure, and quality of life—aspects that Tomka argues can best be considered in relation to one other. By adopting this “triple approach,” he undertakes a truly interdisciplinary research drawing from history, economics, sociology, and demography. As a result of Tomka’s three-pillar comparative analysis, the book makes a major contribution to the debates on the dynamics of economic growth in communist and postcommunist East Central Europe, on the socialist consumer culture along with its transformation after 1990, and on how the accounts on East Central Europe can be integrated into the emerging field of historical quality of life research.

The story of Hungary's participation in World War II is part of a much larger narrative—one that has never before been fully recounted for a non-Hungarian readership. As told by Deborah Cornelius, it is a fascinating tale of rise and fall, of hopes dashed and dreams in tatters. Using previously untapped sources and interviews she conducted for this book, Cornelius provides a clear account of Hungary’s attempt to regain the glory of the Hungarian Kingdom by joining forces with Nazi Germany—a decision that today seems doomed to fail from the start. For scholars and history buff s alike, Hungary in World War II is a riveting read. Cornelius begins her study with the Treaty of Trianon, which in 1920 spelled out the terms of defeat for the former kingdom. The new country of Hungary lost more than 70 percent of the kingdom’s territory, saw its population reduced by nearly the same percentage, and was stripped of five of its ten most populous cities. As Cornelius makes vividly clear, nearly all of the actions of Hungarian leaders during the succeeding decades can be traced back to this incalculable defeat. In the early years of World War II, Hungary enjoyed boom times—and the dream of restoring the Hungarian Kingdom began to rise again. Caught in the middle as the war engulfed Europe, Hungary was drawn into an alliance with Nazi Germany. When the Germans appeared to give Hungary much of its pre–World War I territory, Hungarians began to delude themselves into believing they had won their long-sought objective. Instead, the final year of the world war brought widespread destruction and a genocidal war against Hungarian Jews. Caught between two warring behemoths, the country became a battleground for German and Soviet forces. In the wake of the war, Hungary suffered further devastation under Soviet occupation and forty-five years of communist rule. The author first became interested in Hungary in 1957 and has visited the country numerous times, beginning in the 1970s. Over the years she has talked with many Hungarians, both scholars and everyday people. Hungary in World War II draws skillfully on these personal tales to narrate events before, during, and after World War II. It provides a comprehensive and highly readable history of Hungarian participation in the war, along with an explanation of Hungarian motivation: the attempt of a defeated nation to relive its former triumphs.

Having won a two-third majority in Parliament at the 2010 elections, the Hungarian political party Fidesz removed many of the institutional obstacles of exerting power. Just like the party, the state itself was placed under the control of a single individual, who since then has applied the techniques used within his party to enforce submission and obedience onto society as a whole. In a new approach the author characterizes the system as the ?organized over-world?, the ?state employing mafia methods? and the ?adopted political family', applying these categories not as metaphors but elements of a coherent conceptual framework. The actions of the post-communist mafia state model are closely aligned with the interests of power and wealth concentrated in the hands of a small group of insiders. While the traditional mafia channeled wealth and economic players into its spheres of influence by means of direct coercion, the mafia state does the same by means of parliamentary legislation, legal prosecution, tax authority, police forces and secret service. The innovative conceptual framework of the book is important and timely not only for Hungary, but also for other post-communist countries subjected to autocratic rules. ÿ

Historian Iván Berend turns his attention to Central and Eastern Europe in the 19th century, a turbulent period. Extending up to World War I, the period contained the seeds of developments and crises that continue to haunt the region today.

"The hundred years between the revolutions of 1848 and the population transfers of the mid-twentieth century saw the nationalization of culturally complex societies in East Central Europe. This fact has variously been explained in terms of modernization, state building, and nation-building theories, each of which treats the process of nationalization as something inexorable, a necessary component of modernity. Although more recently social scientists gesture to the contingencies that may shape these larger developments, this structural approach makes scholars far less attentive to the "hard work" (ideological, political, social) undertaken by individuals and groups at every level of society who tried themselves to build "national" societies." "The essays in this volume make us aware of how complex, multi-dimensional and often contradictory this nationalization process in East Central Europe actually was. The authors document attempts and failures by nationalist politicians, organizations, activists, and regimes from 1848 through 1948 to give East-Central Europeans a strong sense of national self-identification. They remind us that only the use of dictatorial powers in the 20th century could actually transform the fantasy of nationalization into a reality, albeit a brutal one."--BOOK JACKET.

This collection of essays examines the institutionalization of the war economy in Hungary during World War II and the subsequent changes in economy, social structure and polity.

Gaudiopolis (The City of Joy) was a pedagogical experiment that operated in a post–World War II orphanage in Budapest. This book tells the story of this children’s republic that sought to heal the wounds of wartime trauma, address prejudice and expose the children to a firsthand experience of democracy. The children were educated in freely voicing their opinions, questioning authority, and debating ideas. The account begins with the saving of hundreds of Jewish children during the Siege of Budapest by the Lutheran minister Gábor Sztehlo together with the International Red Cross. After describing the everyday life and practices of self-rule in the orphanage that emerged from this rescue operation, the book tells how the operation of the independent children’s home was stifled after the communist takeover and how Gaudiopolis was disbanded in 1950. The book then discusses how this attempt of democratization was erased from collective memory. The erasure began with the banning of a film inspired by Gaudiopolis. The Communist Party financed Somewhere in Europe in 1947 as propaganda about the construction of a new society, but the film’s director conveyed a message of democracy and tolerance instead of adhering to the tenets of socialist realism. The book breaks the subsequent silence on “The City of Joy,” which lasted until the fall of the Iron Curtain and beyond.

The volume considers the period starting with the Bolshevik revolution and the final stages of the First World War up to the year 1923. This critical period saw the end of hyperinflation and the creation of a "New Europe," ensuring a degree of c

The authors of this book approach the emergence and endurance of the populist nationalism in post-socialist Eastern Europe, with special emphasis on Hungary. They attempt to understand the reasons behind public discourses that increasingly reframe politics in terms of nationhood and nationalism. Overall, the volume attempts to explain how the new nationalism is rooted in recent political, economic and social processes. The contributors focus on two motifs in public discourse: shift and legacy. Some focus on shifts in public law and shifts in political ethno-nationalism through the lens of constitutional law, while others explain the social and political roots of these shifts. Others discuss the effects of legacy in memory and culture and suggest that both shift and legacy combine to produce the new era of identity politics. Legal experts emphasize that the new Fundamental Law of Hungary is radically different from all previous Hungarian constitutions, and clearly reflects a redefinition of the Hungarian state itself. The authors further examine the role of developments in the fields of sociology and political science that contribute to the kind of politics in which identity is at the fore.