Reprint of the original, first published in 1875.

The New York Times bestselling, “meticulously researched and absorbingly written” (The Washington Post) story of the trailblazers and the ordinary Americans on the front lines of the epic Apollo 11 moon mission. President John F. Kennedy astonished the world on May 25, 1961, when he announced to Congress that the United States should land a man on the Moon by 1970. No group was more surprised than the scientists and engineers at NASA, who suddenly had less than a decade to invent space travel. When Kennedy announced that goal, no one knew how to navigate to the Moon. No one knew how to build a rocket big enough to reach the Moon, or how to build a computer small enough (and powerful enough) to fly a spaceship there. No one knew what the surface of the Moon was like, or what astronauts could eat as they flew there. On the day of Kennedy’s historic speech, America had a total of fifteen minutes of spaceflight experience—with just five of those minutes outside the atmosphere. Russian dogs had more time in space than US astronauts. Over the next decade, more than 400,000 scientists, engineers, and factory workers would send twenty-four astronauts to the Moon. Each hour of space flight would require one million hours of work back on Earth to get America to the Moon on July 20, 1969. “A veteran space reporter with a vibrant touch—nearly every sentence has a fact, an insight, a colorful quote or part of a piquant anecdote” (The Wall Street Journal) and in One Giant Leap, Fishman has written the sweeping, definitive behind-the-scenes account of the furious race to complete one of mankind’s greatest achievements. It’s a story filled with surprises—from the item the astronauts almost forgot to take with them (the American flag), to the extraordinary impact Apollo would have back on Earth, and on the way we live today. From the research labs of MIT, where the eccentric and legendary pioneer Charles Draper created the tools to fly the Apollo spaceships, to the factories where dozens of women sewed spacesuits, parachutes, and even computer hardware by hand, Fishman captures the exceptional feats of these ordinary Americans. “It’s been 50 years since Neil Armstrong took that one small step. Fishman explains in dazzling form just how unbelievable it actually was” (Newsweek).

The renowned novelist and author of This Year You Write a Novel shares a “compact but insight-rich” guide to fiction writing (Publishers Weekly). In his essential writing guide, This Year You Write Your Novel, Walter Mosley supplied aspiring writers with the basic tools to write a novel in one year. In this complementary follow up, Mosley guides the writer through the elements of not just any fiction writing, but the kind of writing that transcends convention and truly stands out. For writers who want to approach the genius of Melville, Dickens, or Twain, The Elements of Fiction is a must-read. Mosley demonstrates how to master fiction’s most essential elements: character and char-acter development, plot and story, voice and narrative, context and description, and more. The result is a vivid depiction of the writing process, from the blank page to the first draft to rewriting, and rewriting again. Throughout, The Elements of Fiction is enriched by brilliant demonstrative examples that Mosley himself has written here for the first time.

'Monumental . . . A wonderful book.' Peter Frankopan'Magisterial . . . remarkable.' Guardian'Erudite and highly readable . . . An authoritative guide to the countless ways in which Greek words and ideas have shaped the modern world.' Financial TimesThe Greeks is a story which takes us from the archaeological treasures of the Bronze Age Aegean and myths of gods and heroes, to the politics of the European Union today. It is a story of inventions, such as the alphabet, philosophy and science, but also of reinvention: of cultures which merged and multiplied, and adapted to catastrophic change. It is the epic, revelatory history of the Greek-speaking people and their global impact told as never before.

A heartbreaking and deeply compelling debut, Mrs. Sinclair’s Suitcase is a compulsive page-turner about thwarted love, dashed hopes, and family secrets—book-club fiction at its best. Roberta, a lonely thirty-four-year-old bibliophile, works at The Old and New Bookshop in England. When she finds a letter inside her centenarian grandmother’s battered old suitcase that hints at a dark secret, her understanding of her family’s history is completely upturned. Running alongside Roberta’s narrative is that of her grandmother, Dorothy, as a forty-year-old childless woman desperate for motherhood during the early years of World War II. After a chance encounter with a Polish war pilot, Dorothy believes she’s finally found happiness, but must instead make an unthinkable decision whose consequences forever change the framework of her family. The parallel stories of Roberta and Dorothy unravel over the course of eighty years as they both make their own ways through secrets, lies, sacrifices, and love. Utterly absorbing, Mrs. Sinclair’s Suitcase is a spellbinding tale of two worlds, one shattered by secrets and the other by the truth.

In this YA novel, Betty starts to investigate her mother’s murder and uncovers a sinister connection to the wealthy family she works for.

In Walterboro, twenty-one-year old Burden, filled with guilt over the death of his cousin, decides to have affairs with married women until a jealous husband kills him.

A gorgeously written account of a freeborn black boy sold into slavery during the Civil War; think 12 Years a Slave for young adults. Well-mannered Samuel and his mischievous younger brother Joshua are free black boys living in an orphanage during the end of the Civil War. Samuel takes the blame for Joshua's latest prank, and the consequence is worse than he could ever imagine. He's taken from the orphanage to the South, given a new name -- Friday -- and sold into slavery. What follows is a heartbreaking but hopeful account of Samuel's journey from freedom, to captivity, and back again.

In spite of remarkable differences, Eric and Tommy are as close as brothers. Eric, a Nordic Adonis, is graced by a seemingly endless supply of good fortune. Tommy is a lame black boy, cursed with health problems, yet he remains optimistic and strong.After tragedy rips their makeshift family apart, the lives of these boys diverge astonishingly: Eric, the golden youth, is given everything but trusts nothing; Tommy, motherless and impoverished, has nothing, but feels lucky every day of his life. In a riveting story of modern-day resilience and redemption, the two confront separate challenges, and when circumstances reunite them years later, they draw on their extraordinary natures to confront a common enemy and, ultimately, save their lives.

Walter Mosley is one of America’s bestselling novelists, known for his critically acclaimed series of mysteries featuring private investigator Easy Rawlins. His writing is hard-hitting, often limned with a political subtext, and aimed at a broad audience. Years ago, when Mosley was working on a doctorate in political theory, he envisioned writing very different kinds of books from those for which he has become celebrated. But once you’ve been tagged as a novelist, and in Mosley’s case, a genre writer, even a bestselling one, it is hard to get an airing for ideas that cross those boundaries. Folding the Red into the Black has grown out of Mosley’s public talks, which have gotten both enthusiastic and agitated responses, making him feel the ideas in those talks should be explored in greater depth. Mosley’s is an elastic mind, and in this short polemic he frees himself to explore some novel ideas. He draws on personal experiences and insights as an African-American, a Jew, and one of our great writers to present an alternative manifesto of sorts: “We need to throw off the unbearable weight of bureaucratic capitalist and socialist demands; demands that exist to perpetuate these systems, not to praise and raise humanity to its full promise. And so I propose the word, the term Untopia.”