After she was taken from the castle to the forest, Snow White finds the Seven Dwarfs and tells of her life with them.

After she was taken from the castle to the forest, Snow White finds the Seven Dwarfs and tells of her life with them.

In 2012 Disney celebrated the 75th anniversary of the Snow White movie, a beloved classic and an important milestone in film history. This book, created with the Walt Disney Family Foundation, run by Walt’s daughter, is an exploration of the making of the film that includes never-before-published facts and art. The Fairest One of All won the award for Best Animation Book at the 2012 A113Animation Awards. Walt Disney’s Snow White and the Seven Dwarfs was first shown to a theatrical audience in December 1937 and brought overwhelming, joyous applause from a house full of hardened film-industry professionals. In subsequent months it would open around the world, happily acclaimed by audiences and critics everywhere as one of the best films of the year, if not the decade. From today’s perspective, its stature is even greater—named as one of the best movies of all time by the American Film Institute, and still beloved by children and adults around the world, Snow White can be seen as the flowering of an all-too-brief Golden Age of animation as well as a fascinating document of its time. Such a level of artistic achievement doesn’t happen by accident. Walt Disney and a staff of exceptionally talented artists labored over Snow White for four years, endlessly working and reworking their scenes to achieve an ever higher standard. The result, as we know, was magnificent and game-changing for the Disney Studios and, indeed, for the art of animation itself. This book is the first to reconstruct that process in exacting detail, with the loving attention it deserves from an internationally noted film scholar. Author J.B. Kaufman spent years researching the film’s history, interviewing participants, and studying the marvelous archival art that appears in these pages. The result is a work that can be appreciated equally as a piece of film history and as a collectable art book, a joy for anyone who loves film, animation, and the magical world that Walt Disney created.

From the earliest origins of animated imagery, the colorful link between paper and screen was created by legions of female artists working on the slick surface of celluloid sheets. With calligraphic precision and Rembrandtesque mastery, these women painstakingly brought pencil drawings to vibrant, dimensional life. Yet perhaps as a reflection of the transparent canvas they created on, the contributions and history of these animation artists have remained virtually invisible and largely undocumented, until now. Walt Disney's pioneering efforts in animation transformed novelty cartoons into visual masterpieces, establishing many "firsts" for women within the entertainment industry along the way. Focusing on talent, Disney sought female story specialists and concept artists to expand the scope and sensibility of his storytelling. Upon establishing the first animation-training program for women, ink pens were traded for pencils as ladies made their way into the male-laden halls of animation. World War II further opened roles traditionally held by men, and women quickly progressed into virtually every discipline within animation production. Disney's later development of the Xerox process and eventual digital evolution once again placed women at the forefront of technological advancements applied to animated storytelling. In her latest landmark book, Ink & Paint: The Women of Walt Disney's Animation, author Mindy Johnson pulls back the celluloid curtain on the nearly vanished world of ink pens, paintbrushes, pigments, and tea. From the earliest black-and-white Alice Comedies to the advent of CAPS and digital animation, meet the pioneering women who brought handrendered animated stories to vibrant, multicolored life at Walt Disney Studios and beyond. Extensively researched with the full support of the entire Walt Disney Studios archival resources, plus a multitude of private collections, firsthand accounts, newly discovered materials, and production documentation, as well as never-before-seen photography and artwork, this essential volume redefines the collective history of animation.

Disneyland in Anaheim, California, is the only theme park in the world that literally has Walt Disney's fingerprints on it. He lived in his apartment over the Disneyland Fire House for weeks at a time. He was planning Disneyland years before he released his first feature film, Snow White. He was focused on improving the Park in the final days of his life. Disneyland was truly his passion. Before Walt died in December 1966, he promised that Disneyland would keep changing and continue growing - and it has. Walt also promised that the optimistic, adventurous spirit of Disneyland would never change - another promise kept. WALT'S DISNEYLAND uncovers those parts of Disneyland that have remained essentially unchanged since he left us. If you know where to look, Walt's pristine, unchanged Disneyland is still there, waiting to be discovered and enjoyed. By uncovering the hidden history of Disneyland, this book will make your next Disneyland adventure a richer, more enjoyable, more meaningful experience. Author Jim Denney (the co-author of the classic Disney biography HOW TO BE LIKE WALT) takes you on a tour of Disneyland as it is today - from Main Street USA to Tomorrowland - and shows you where to find Walt's original Disneyland of 1955 to 1966. It's a journey into the heart and soul of one of the greatest innovators of all time, Walt Disney.

Retells the tale of the beautiful princess and her adventures with the seven dwarfs she finds living in the forest.

In Music in Disney’s Animated Features James Bohn investigates how music functions in Disney animated films and identifies several vanguard techniques used in them. In addition, he also presents a history of music in Disney animated films, as well as biographical information on several of the Walt Disney Studios’ seminal composers. The popularity and critical acclaim of Disney animated features truly is built as much on music as it is on animation. Beginning with Steamboat Willie and continuing through all of the animated features created under Disney’s personal supervision, music was the organizing element of Disney’s animation. Songs establish character, aid in narrative, and fashion the backbone of the Studios’ movies from Snow White and the Seven Dwarfs through The Jungle Book and beyond. Bohn underscores these points while presenting a detailed history of music in Disney’s animated films. The book includes research done at the Walt Disney Archives as well as materials gathered from numerous other facilities. In his research of the Studios’ notable composers, Bohn includes perspectives from family members, thus lending a personal dimension to his presentation of the magical Studios’ musical history. The volume’s numerous musical examples demonstrate techniques used throughout the Studios’ animated classics.

How to Be Like is a “character biography” series: biographies that also draw out important lessons from the life of their subjects. In this new book—by far the most exhaustive in the series—Pat Williams tackles one of the most influential people in recent history. While many recent biographies of Walt Disney have reveled in the negative, this book takes an honest but positive look at the man behind the myth. For the first time, the book pulls together all the various strands of Disney’s life into one straightforward, easy-to-read tale of imagination, perseverance, and optimism. Far from a preachy or oppressive tome, this book scrapes away the minutiae to capture the true magic of a brilliant maverick. Key Features This is for the millions of Disney fans—those who admire his artistry or his business savvy or the products of his namesake company. The tone and style of the book will capture the imagination of younger readers, especially teens, in the same way as How to Be Like Mike. Support within the Disney world includes the daughter and grandson of Walt Disney; nephew and former vice chairman Roy Disney; and numerous Disney insiders who are already spreading the word.

The definitive portrait of one of the most important cultural figures in American history: Walt Disney. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler shows us how, over the course of two decades, Disney revolutionized the entertainment industry. In a way that was unprecedented and later widely imitated, he built a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise. Walt Disney is a revelation of both the work and the man–of both the remarkable accomplishment and the hidden life. Winner of the Los Angeles Times Book Prize for Biography USA Today Biography of the Year

The Walt’s People series, edited by Didier Ghez, is a collection of some of the best interviews ever conducted with Disney artists. Contributors to the series include noted Disney experts Robin Allan, Paul F. Anderson, Michael Barrier, Albert Becattini, John Canemaker, John Culhane, Pete Docter, Christopher Finch, J.B. Kaufman, Jim Korkis, Christian Renaut, Linda Rosenkrantz, Dave Smith, and Charles Solomon. Walt’s People - Volume 12 features in-depth interviews with Milt Albright, Lloyd Beebe, Bill Bosché, Olive Bosché, Les Clark, Larry Clemmons, Evelyn Coats, Del Connell, Jack Couffer, Alice Disney Allen, Charlie Downs, Al Eugster, Sammy Fain, Warren Garst, Theo Halladay about Sylvia Holland, Marge Hudson, Kim Irvine, Milt Kahl, Ralph Kent, Jack Kloepper, Burny Mattinson, Paul Murry, Mel Shaw, ans Leota Toombs. It contains hundreds of new stories about the Studio and its artists and should delight even the most serious historians and enthusiasts.