In 1979 Dubrovnik was declared a UNESCO World Heritage site, which had consequences for the city's broader cultural heritage. Walls and Gateways explores how this status intersects with the reconstruction and consolidation of identities and locality in the city’s post-war context. It analyses how representations, perceptions and uses of Dubrovnik’s heritage are embedded in particular cultural practices, materiality and place. In Dubrovnik’s post-war context, different uses of cultural memory and heritage provoke both dissonance and unity, shape practices and mobilize cultural and political activism.

Metaphors are ubiquitously used in the humanities to bring the tangibility of the concrete world to the elaboration of abstract thought. Drawing on this cognitive function of metaphors, this collection of essays focuses on the evocative figures of the ‘gateway’ and the ‘wall’ to reflect on the state of postcolonial studies. Some chapters – on such topics as maze-making in Canada and the Berlin Wall in the writings of New Zealand authors – foreground the modes of articulation between literal borders and emotional (dis)connections, while others examine how artefacts ranging from personal letters to clothes may be conceptualized as metaphorical ‘gateways’ and ‘walls’ that lead or, conversely, regulate access, to specific forms of cultural expression and knowledge. Following this line of metaphorical thought, postcolonial studies itself may be said to function as either barrier or pathway to further modes of enquiry. This much is suggested by two complementary sets of contributions: on the one hand, those that contend that the canonical centre-periphery paradigm and the related ‘writing back’ model have prevented scholars from recognizing the depth and magnitude of cross-cultural influences between civilizations; on the other, those that argue that the scope of traditional postcolonial models may be fruitfully widened to include territories such as post-imperial Turkey, a geographical and cultural gateway between East and West that features in several of the essays included in this collection. Ultimately, all of the contributions testify to the fact that postcolonial studies is a field whose borders must be constantly redrawn, and whose paradigms need to be continually reshaped and rebuilt to remain relevant in the contemporary world – in other words, the collection’s varied approaches suggest that the discipline itself is permanently ‘under construction’. Readers are, therefore, invited to perform a critical inspection of the postcolonial construction site. CONTRIBUTORS Vera Alexander - Elisabeth Bekers - Devon Campbell–Hall - Simran Chadha - Carmen Concilio - Margaret Daymond - Marta Dvořák - Claudia Duppé - Elena Furlanetto - Gareth Griffiths - John C. Hawley - Sissy Helff - Marie Herbillon - Deepika Marya - Bronwyn Mills - Padmini Mongia - Golnar Nabizadeh - Gerhard Stilz

"There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy."— Hamlet After William Shakespeare's Horatio sees the ghost of Hamlet's father, and scarcely believes his own eyes, Hamlet tells him that there is more to reality than he can know or imagine, including ghosts. Hamlet's statement suggests that the walls of the material world, which we perceive with our senses and analyze with our intellects, have doors that open into the More beyond them. Philosopher Peter Kreeft explains in this book that the More includes "The Absolute Good, Platonic Forms, God, gods, angels, spirits, ghosts, souls, Brahman, Rta (the Hindu ontological basis for cosmological karma), Nirvana, Tao, 'the will of Heaven', The Meaning of It All, Something that deserves a capital letter." With razor-sharp reasoning and irrepressible joy, Kreeft helps us to find the doors in the walls of the world. Drawing on history, physical science, psychology, religion, philosophy, literature, and art, he invites us to welcome what lies on the other side so that we can begin living the life of Heaven in the here and now.

Proponents of the gateway concept - which ties together these fifteen essays by scholars, librarians, and academic administrators - envision the library as a point of access to other research resources via technological tools; as a place for teaching; and as a site for services and support where students and faculty can obtain the information they need in the form in which they need it.

Winner of the 2018 Christian Book Award for Bible of the Year. The Swindoll Study Bible offers the best of Chuck Swindoll's wit, charm, pastoral insight, and wise biblical study directly to you as you study God's Word. Chuck's warm, personal style comes across on every page, and his informed, practical insights get straight to the heart of the Bible's message for the world today. Reading each part of this study Bible is like hearing Chuck speak God's Word directly to your heart. It will both encourage readers' faith and draw them deeper into the study of God's Word. In Chuck's own words: "This study Bible was designed with you in mind. As you read the Scriptures, imagine my sitting beside you and sharing personal stories, important insights, and hard-earned lessons that will encourage you to walk more closely with Jesus Christ. You'll discover the who, what, where, when, why, and how of the Bible: Who wrote it and when? What does it mean, and where did its events occur? Why should I trust it? And most importantly, how can I apply it today? "It's that last question more than any other that has fed my passion to publish this Bible. My primary focus in ministry has been teaching biblical insight for living . . . for genuine life change. After all, that's why God has communicated His Word to us--so that we may become like His Son, Jesus Christ, the central figure of this Book." Free app with purchase! App includes all content from The Swindoll Study Bible and can be used across multiple devices with your Tecarta app account. Available for iOS and Android. (Free app applies to print editions only.)

Byzantium. Was it Greek or Roman, familiar or hybrid, barbaric or civilized, Oriental or Western? In the late eleventh century Constantinople was the largest and wealthiest city in Christendom, the seat of the Byzantine emperor, Christs vice-regent on earth, and the center of a predominately Christian empire, steeped in Greek cultural and artistic influences, yet founded and maintained by a Roman legal and administrative system. Despite the amalgam of Greek and Roman influences, however, its language and culture was definitely Greek. Constantinople truly was the capital of the Roman empire in the East, and from its founding under the first Constantinus to its fall under the eleventh and last Constantinus the inhabitants always called themselves Romaioi, Romans, not Hellniks, Greeks. Over its millennium long history the empire and its capital experienced many vicissitudes that included several periods of waxing and waning and more than one golden age.Its political will to survive is still eloquently proclaimed in the monumental double land walls of Constantinople, the greatest city fortifications ever built, on which the forces of barbarism dashed themselves for a thousand years. Indeed, Byzantium was one of the longest lasting social organizations in history. Very much part of this success story was the legendary Varangian Guard, the lite body of axe-bearing Northmen sworn to remain loyal to the true Christian emperor of the Romans. There was no hope for an empire that had lost the will to prosecute the grand and awful business of adventure. The Byzantine empire was certainly not of that stamp.