In Waking Up In Dublin, Neil Hegarty takes readers on a personal tour of Dublin's multifaceted music scene, talking to performers and promoters in areas as diverse as modern rock, traditional folk, classical, avant-garde, jazz, cabaret and choral music. Candid and insightful interviews with leading industry figures like Glen Hansard of The Frames, folk musician Cormac Breatnach, cabaret singer Camille O'Sullivan and Horslips legend Barry Devlin are mixed with essential travel information for music fans. Includes: Full-colour maps of the city centre and larger Dublin area 'Top 5' lists, with maps, of live venues for rock, traditional folk, classical, jazz and more 'Essential Dublin Discs,' as provided by the musicians themselves Mini-bios on bands like The Frames, Planxty, and The Crash Ensemble Over fifty black and white photos Whether you're visiting Dublin or a native to the city, Waking Up In Dublin will help you discover countless Irish musical treats – and understand why this city continues to influence music around the world.

When Dublin Wasn't Doublin' is a humorous and endearing volume that combines heartfelt personal memoir, inherited family lore, and a resounding spirit of pure Americana. With a family tree that includes John Sells, the founder of Dublin, as well as Revolutionary War heroes, John Davis and Ann Simpson Davis, Tim Sells is uniquely qualified to offer insight on this exceptionally American story of the lives lived by his progenitors and the life he experienced growing up on the banks of the Scioto River. In addition to his family's history, Sells recounts fascinating episodes ranging from the execution of the great Wyandot chief, Leatherlips, to the elephant races in the Sell's Brother's Circus, to the day that John Dillinger's gang passed through town, to the time when a grocery store fire and the proprietor's mistrust of banks led to it actually raining money in the streets of Dublin. Tim Sells was born and raised in Dublin, Ohio. Sells graduated summa cum laude from Ohio State University, where he was named to the Phi Beta Kappa honor society. After serving in the US Army, Sells was a juvenile probation officer and a Welfare Department income maintenance worker in Franklin County. He subsequently was employed by the State of Ohio as a disabled veterans outreach worker for thirty years, retiring in 2009. He is fond of saying, "I love to wake up in the morning with nothing to do, and go to bed at night and only have half of it done".

An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.

Dramatic, emotional and romantic, if you love Lorna Cook, Tracy Rees and Jenny Ashcroft, you'll love this gripping and heartrending novel from Cathy Mansell, author of A Place to Belong. 'Glorious - a cross between Maeve Binchy and Catherine Cookson' 5* early reader review 'A superb saga' PETERBOROUGH TELEGRAPH 'A heart-warming story full of characters you'll come to love' ROSIE GOODWIN 'Page-turning and compelling... Most highly recommended' MARGARET KAINE 'Rarely have I read a book where every character springs from the pages so authentically' JEAN CHAPMAN 'A warm-hearted, engaging story' MARGARET JAMES, WRITING MAGAZINE In 1950s Dublin, life is hard and jobs are like gold dust. Nineteen-year-old Nell Flynn is training to be a nurse and planning to marry her boyfriend, Liam Connor, when her mother dies, leaving her younger sisters destitute. To save them from the workhouse, Nell returns to the family home - a mere two rooms at the top of a condemned tenement. Nell finds work at a biscuit factory and, at first, they scrape through each week. But then eight-year-old Róisín, delicate from birth, is admitted to hospital with rheumatic fever and fifteen-year-old Kate, rebellious, headstrong and resentful of Nell taking her mother's place, runs away. When Liam finds work in London, Nell stays to struggle on alone - her unwavering devotion to her sisters stronger even than her love for him. She's determined that one day the Dublin girls will be reunited and only then will she be free to follow her heart. Look for more gripping, heartwrenching page-turners from Cathy Mansell - don't miss A Place to Belong, out now.

Inspired by a dream, a retired publisher spontaneously embarks on a trip to the Dublin cemetery in which a character from Joyce's "Ulysses" was buried, where he meets a mysterious person who resembles Samuel Beckett.

Tory gangs, madmen, war criminals, frauds, anarchists, duelists, kidnappers, and more scandal-makers throughout four centuries of Irish history. Dublin is a wonderful, energetic cultural center—the pride of Irish achievements in architecture, arts, and literature. But it is also a city of paradoxes and conflicts—and a long, fascinating history of crime. Stephen Wade now reveals Dublin’s “strange eventful history” in this thrilling collection of murderers, thieves, daredevil highwaymen, libelers, seducers, and bloody avengers—from eighteenth-century turncoats to Victorian-era rogues to a twentieth-century parliamentary candidate with a killer past. Amid tales of sensational investigations and infamous courtroom trials, readers will discover the truth behind the disappearance of the Crown Jewels in 1907; the bizarre motives of nineteenth-century serial killer John Delahunt; and the startling charges leveled against Oscar Wilde’s father, a revolutionary doctor embroiled in a felonious and sexual cause célèbre of his own.

Garda and guardian. Protector and punisher. This is 'Lugs' Branigan: the man, the legend. The story of 'Lugs' Branigan is a tale that is long overdue. It is a story of extraordinary courage and compassion, a story of heroism and altruism, a story of crime, punishment and redemption. The legend of 'Lugs''s career as Ireland's most famous garda (police officer), founded on his physical strength and the manner in which he faced up to the criminal gangs of Dublin over the course of fifty years, is part of Dublin's folk history. In The Legendary 'Lugs' Branigan, bestselling historian Kevin C. Kearns presents a revealing and unvarnished portrait of the man and his life, authenticated by the oral testimony of family members, friends and Garda mates who stood with him through the most harrowing and poignant experiences. Born in the Liberties of Dublin in 1910, Jim Branigan was, by his own admission, a shy, scrawny 'sissy' as a lad. Cruelly beaten by bullies in the railway yard where he worked during his teens, he refused to fight back. Yet he went on to become a heavyweight boxing champion and to earn the 'undisputed reputation as the country's toughest and bravest garda'. Chief Superintendent Edmund Doherty proclaimed him 'one of those people who become a legend in his own time'. As a garda he refused to carry a baton, relying upon his fists. He took on the vicious 'animal gangs' of the 1930s and 40s and in the 'Battle of Baldoyle' broke their reign of terror. In the 1950s he quelled the wild 'rock-and-roll riots' and tamed the ruffian Teddy boys with their flick-knives. All the while, he was dealing with Dublin's full array of gurriers and criminals. As a devotee of American Western films and books, Branigan emulated the sheriffs by doling out his unique 'showdown' brand of summary justice to hooligans and thugs on the street. In the 1960s his riot squad with its Garda 'posse' patrolled Dublin's roughest districts in their 'black Maria'. They contended with the most dangerous rows and riots in the streets, dancehalls and pubs. The cry 'Lugs is here!' could instantly scatter a disorderly crowd. Ironically, for all his fame as a tough, fearless garda, he was most beloved for his humanity and compassion. His role as guardian of the battered women of the tenements and as protector and father figure of the city's piteous prostitutes—or 'pavement hostesses', as he called them—was unrecorded in the press and hushed up by the Garda brass. Yet, Garda John Collins vouches, 'Women ... oh, he was God to them!' Upon retirement he entered his 'old gunfighter' years; ageing and vulnerable, he became a target for old foes bent on revenge and for 'young guns' seeking a quick reputation. A man with a reputation powerful enough to echo through generations of Dubliners, the legendary 'Lugs' Branigan finally has a book worthy of his story.

A collection of eighteen critical essays and twenty-six translations spanning the career of one of the found­ing intellects of Irish Studies, the Selected Writings of John V. Kelleher on Ireland and Irish America consists of five accessible sections. The first gathers Kelleher's essays on the most widely known Irish cultural phe­nomenon--the literary renaissance of the early twentieth century. Part two contains his judicious assessments of Irish literature in its post-Revolutionary phase. The third section includes Kelleher's in­sightful essays on the experience of the Irish in America. The fourth section contains essays that ex­amine early Irish literature and culture, opening with a benchmark essay for Irish Studies, "Early Irish His­tory and Pseudo-History," which was read at the inau­gural meeting of the American Conference for Irish Studies in 1961. The collection concludes with Kelleher's translations and adaptations of poems in Old, Middle, and Modern Irish, illustrating his com­mand of the language at every stage.

In a magical mix of the personal and the political, the humorous and the tragic, the historic and the modern, we follow Terry Wogan on his return to his native land. Terry left Ireland in the late 1960s, after a childhood in Limerick and early career in Dublin. In Wogan's Irelandwe see through Terry's eyes how the country has changed. He rediscovers its rugged coastline and the spectacular views he remembers from childhood holidays. He revisits old haunts, hooks up with long-lost friends, colleagues and fellow expats, enjoying the nostalgia evoked by these experiences. But he doesn't shy away from the more complicated responses that led him to seek his fortunes elsewhere. During the course of Wogan's Irelandhe also explains why he had to leave it all behind. Imbued with Terry's inimitable style - witty and urbane, relaxed yet engaging - this book stands as a fitting tribute not only to a beautiful, complex and contradictory nation, but to one of the BBC's longest-standing and most popular personalities.