Squirrel, Hedgehog, and Bear have never seen it snow, so when Deer predicts an early snowfall, they attempt to stay awake to see the snow.

A Penguin Classic In Monterey, on the California coast, Sweet Thursday is what they call the day after Lousy Wednesday, which is one of those days that are just naturally bad. Returning to the scene of Cannery Row—the weedy lots and junk heaps and flophouses of Monterey, John Steinbeck once more brings to life the denizens of a netherworld of laughter and tears—from Doc, based on Steinbeck’s lifelong friend Ed Ricketts, to Fauna, new headmistress of the local brothel, to Hazel, a bum whose mother must have wanted a daughter. This Penguin Classics edition features an introduction and notes by Robert DeMott. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

We’re all waiting for something. It might be a spouse or a baby. It might be healing or a home. Regardless of what we're waiting for, it’s easy to feel discontent when things aren’t going as planned and our dreams are delayed—especially when questions of “Why?” and “How long?” remain unanswered. God uses seasons of waiting to teach us patience and make us more like himself. But sanctification is not the only purpose God has in mind. When we wait faithfully with unmet longings, we become a powerful picture of the bride of Christ waiting for the day when he returns and God’s kingdom reigns.

Bruno and Bert try to find out what happens to a special day after it is over.

It Was A Thursday continues on with Waiting's stream of consciousness stylings, following familiar themes, as J.P. digs deeper in to the hidden workings of society and it's short comings. The third installment in an ever growing body of poetic ramblings, Waiting continues to reach out while looking both backwards, and ahead.

Only the Light Moves tells the story of a twenty-four-year-old US Army pilot who volunteered to fly covert S.O.G., or Studies and Observations Group, reconnaissance missions over the Ho Chi Minh Trail, a region that came to represent not only the United States’ war with Vietnam, but also the “secret war” with Laos and Cambodia. But this is not simply a war story; it is a love story about flying. Captain Francis A. Doherty spent every day for ten months above the jungle battlefield in a Cessna O-1 Bird Dog. The first all-metal fixed-wing aircraft ordered for and by the United States Army following the Army Air Forces' separation from it in 1947, the single-engine Bird Dog was a liaison and observation aircraft. And for this role, it was completely unarmed. It was from the cockpit of a Bird Dog that Captain Doherty observed this illusive war, perhaps searching out enemy troop movements or calling down waiting F-4 Phantoms to strike a new target. It was a war in which he followed his father’s footsteps in his dream to become a pilot, and where he learned a compassion that extended both to his comrades and the civilians caught in the middle of that terrible war. In Only the Light Moves Captain Doherty only reveals the highs and lows of his year at war in Vietnam but expands beyond his time in the conflict. He explores the emotional struggle he and his comrades faced after they returned home, reconciliations with lost faith, and the incredible impact of war on families. We are also given an insight into Francis’ subsequent journey to becoming a commercial airline pilot. His story makes no effort to glorify the violence that took the lives of so many. There are no broad stroke proclamations about the war, only a very personal, sensitive account of a terrible conflict seen through the eyes of a then young pilot in the air, illuminating the reality and the cost of when one's country decides to go to war.