VOYAGES IN KALEIDOSCOPE is a little dadaist style book which undeniably reveals the Great Work. It is a must for all those involled in some form of Inner Work or practical Qabalah - the journeymen who seek the uncharted realms, the maze with its own order and images in kaleidoscope. The book was originally published in French, in the autumn of 1919. Shortly after publication in Paris, all copies of the book were confiscated and pulped. A few copies were overseen. Translated into English for the first time, it is now offered through Inner Garden Press. Enjoy this poetic little novel.

'Kaleidoscope' is a showcase of surprisingly different residences that range from the beautiful to the bizarre. While some of the featured examples are reminiscent of time capsules and others of film sets, all of them defy categorisation.

A powerful graphic novel that traces Turkey's descent into political violence in the 1970s through the experiences of four students on opposing sides of the conflict Turkish Kaleidoscope tells the stories of four unforgettable protagonists as they navigate a society torn apart by violent political factions. It is 1975 and Turkey is on the verge of civil war. Faruk and Orhan are from conservative shopkeeping families in eastern Anatolia that share a sense of new possibilities. Nuray is the daughter of villagers who have migrated to the provincial city where Yunus, the son of an imprisoned teacher, was raised in genteel poverty. While attending medical school in Ankara, Faruk draws a reluctant Orhan into a right-wing nationalist group while Nuray and Yunus join the left. Against a backdrop of escalating violence, the four students fall in love, have their hearts broken, get married, raise families, and struggle to get on with their lives. But the consequences of their decisions will follow them through their lives as their children begin the story anew, skewed through the kaleidoscope of historical events. Inspired by Jenny White's own experiences as a student in Turkey during this tumultuous period as well as original oral histories of Turks who lived through it, Turkish Kaleidoscope reveals how violent factionalism has its own emotional and cultural logic that defies ideological explanations.

The life of Jozef Teodor Konrad Korzeniowski reads like an adventure story, an adventure story written by somebody like Joseph Conrad. The young Conrad dreamed of a life at sea and eventually became a British merchant seaman, working his way up from apprentice to captain on classic three-masted square-rigged barques. He would also become one of the most important novelists in the English language, and almost half of his life's work is set in Southeast Asia. Conrad's favorite destination was the vibrant, bustling port of Singapore as well as the remote ports of the Dutch East Indies, and his early works - Almayer's Folly, An Outcast of the Islands, Lord Jim and The Rescue - are based on the people and places he encountered in his own voyages on the Vidar, a trading vessel that plied the waters of the Indonesian archipelago from its base in Singapore. In Joseph Conrad's Eastern Voyages, Ian Burnet places Conrad's Malay novels into their proper narrative sequence and explores the backstory of his characters helping the reader to visualize the cultural and historical context of Conrad's time in late 19th-century Southeast Asia.

How can we understand the infinite variety of cities? Darran Anderson seems to exhaust all possibilities in this work of creative nonfiction. Drawing inspiration from Marco Polo and Italo Calvino, Anderson shows that we have much to learn about ourselves by looking not only at the cities we have built, but also at the cities we have imagined. Anderson draws on literature (Gustav Meyrink, Franz Kafka, Jaroslav Hasek, and James Joyce), but he also looks at architectural writings and works by the likes of Bruno Taut and Walter Gropius, Medieval travel memoirs from the Middle East, mid-twentieth-century comic books, Star Trek, mythical lands such as Cockaigne, and the works of Claude Debussy. Anderson sees the visionary architecture dreamed up by architects, artists, philosophers, writers, and citizens as wedded to the egalitarian sense that cities are for everyone. He proves that we must not be locked into the structures that exclude ordinary citizens--that cities evolve and that we can have input. As he says: "If a city can be imagined into being, it can be re-imagined as well.”

Cinepoetry analyzes how French poets have remapped poetry through the lens of cinema for more than a century. In showing how poets have drawn on mass culture, technology, and material images to incorporate the idea, technique, and experience of cinema into writing, Wall-Romana documents the long history of cross-media concepts and practices often thought to emerge with the digital.In showing the cinematic consciousness of Mallarm? and Breton and calling for a reappraisal of the influential poetry theory of the early filmmaker Jean Epstein, Cinepoetry reevaluates the bases of literary modernism. The book also explores the crucial link between trauma and trans-medium experiments in the wake of two world wars and highlights the marginal identity of cinepoets who were often Jewish, gay, foreign-born, or on the margins.What results is a broad rethinking of the relationship between film and literature. The episteme of cinema, the book demonstates, reached the very core of its supposedly highbrow rival, while at the same time modern poetry cultivated the technocultural savvy that is found today in slams, e-poetry, and poetic-digital hybrids.

On Christmas Eve 1971, the packed LANSA flight 508 from Lima to Pucallpa was struck by lightning and went down in dense jungle hundreds of miles from civilization. Of its 93 passengers, only one survived. Juliane Koepcke, the seventeen-year-old child of famous German zoologists. She'd been thrown from the plane two miles above the forest canopy, but had sustained only a broken collarbone and a cut on her leg. With incredible courage, instinct and ingenuity, she survived three weeks in the "green hell" of the Amazon - using the skills she'd learned in assisting her parents on their research trips into the jungle - before coming across a loggers hut, and, with it, safety. Now she tells her fascinating story for the first time, and in doing so tells us about her 'Gerald Durrell' childhood - with a menagerie of wild, exotic and sometimes dangerous pets - about how she learned to survive at her parents ecological station deep in the rainforest and about her present-day commitment to this wildlife as a biologist and dedicated environmentalist.

Discovery was built for Captain Scott's first Antarctic expedition of 1901-04 and was launched more than 100 years ago in 1901, at Dundee. She had a long and intriguing career before her final voyage back there in 1986; this book tells the story of that chequered history. Despite a number of expeditions to the Southern Ocean during the nineteenth century, the continent of Antarctica remained mostly a mystery by the turn of the twentieth. To remedy this the Royal Geographical Society proposed a National Antarctic Expedition, and a purpose-built vessel, the Discovery, was designed. Based on a whale ship, she was massively built to withstand ice, and was equipped with a hoisting propeller and rudder. Sh set sail from Cowes of 6 August and six months later was in the Ross Sea. The southern sledging expedition, of Scott, Shackleton and Wilson, reached within 500 miles of the South Pole. In 1905, a year after her return to Britain, she was purchased by the Hudson's Bay Company and worked as a simple cargo carrier between London and their trading posts in the Canadian Arctic. Later she was sent to rescue Shackleton's men on Elephant Island. In 1925 she became a research ship, and in 1929-31 she was used to survey what became Australian Antarctic territory. Moored on the Thames Embankment, she survived the London blitz before returning to Dundee where she is now on permanent display.

Peter Orner zeroes in on the strange ways our memories define us: A woman's husband dies before their divorce is finalized; a man runs for governor of Illinois and loses much more than an election; two brothers play beneath the infamous bridge at Chappaquiddick. Employing the masterful compression for which he has been widely praised, Orner presents a kaleidoscope of individual lives viewed in startling, intimate close-up. Whether writing of Geraldo Rivera's attempt to reveal the contents of Al Capone's vault or of a father and daughter trying to outrun a hurricane, Orner illuminates universal themes. In stories that span considerable geographic ground -- from Chicago to Wyoming, from Massachusetts to the Czech Republic -- he writes of the past we can't seem to shake, the losses we can't make up for, and the power of our stories to help us reclaim what we thought was gone forever. "A ravishing collection, full of wisdom, grief, beauty, and especially surprise." -- Anthony Doerr, author of The Shell Collectors