A trumpet call from our most iconoclastic poet that tears down the walls of prescribed creative processes.

Poetry. If you—your charismatic, beautifully erotic self—had died young, your ghost would count itself fortunate to have lived, loved, and flamed-out in the company of the wildly imaginative author of VOW. But it's not just ghosts who find themselves envisioned, en-fabled, sometimes horrifically, in these poems: An ex-husband, ex-lovers, and dear friends also populate these questioning, often darkly humorous lyrics. Like them, the future unsettles you because you have taken vows, too, and broken them. Take heart, you hold in your hands the poetic manual for how to proceed.

Brooke McNamara writes poems from the body of a dancer, mind of a zen monk, and heart of a mother. In this groundbreaking first book, she opens a timeless beauty for readers by encountering our everyday world with fiercely loving eyes and a powerful, compassionate voice.

Wendy Cope's first collection of new poetry since 2011's acclaimed Family Values, chosen as one of the Telegraph's 15 Best Poetry Books of All Time.

Brown Butter is a collection of poems, journaled thoughts and vows to self. Jotted experiences through the journeys of being Black, woman, human, daughter, sister, lover, friend. These pages explore the ever evolving phases of love, joys, grief, healing and self-worth and acceptance.

Following the story of a marriage come undone, this moving book-length sequence is broken down into four seasons, distilling the details of the failed relationship through physical processes of nature, such as the buzzing life of wildflowers and birds that the speaker--a wife and mother--studies daily for clues on happiness. Intricately constructed and brimming with resourceful linguistic play, these poems are elemental odes on the end of love and its eventual renewal.

"PROMISE" is a dramatic and sensitive collection of poems, which is focused on the theme of promising, both, as it is given and denied. This work can be considered as the book of tender and fresh promises, obligations, and promises - the book that holds people together as well as themselves together. Modernist in style and design, "PROMISE" walks readers blindly through the twists and turns of love, trust, hope, death and survival. This is a collection of poems full of tender language and powerful themes which inspires human to think about the promises which he/she make, the promises of love, friendship, family and the self. All of them are attempts to show people that commitment can change the world, in general, and the lives of individuals, in particular, and how vulnerable the human existence is

"Offering readers a rare glimpse into collaborations between poets and painters from the 1950s to the present, this book highlights how the artist's book became a critical form for experimental American artists in the 20th and 21st centuries. In addition to providing a broad overview of the artist's book form since 1945 and the many ongoing debates surrounding it, this book thinks through the challenges, from the disciplinary to the institutional, that these forms continue to pose. It then turns to look at five case studies, detailing not only how each individual collaboration came to be but how all five together engage and challenge conventional ideals about art, subjectivity, poetry, and interpersonal relations, as well as complex social questions related to gender and race. Making several of these books, typically consigned to special collections libraries and museum archives, more available to a broad readership, the book aims to brings to light a whole genre of works that has been largely forgotten or neglected in critical scholarship and institutional exhibitions. As this study illustrates, the artist's book has been an especially rich site for both poets and painters to engage with the world around them and with each other since the mid-twentieth century and consequently deserves more scholarly and institutional attention than it has been previously granted"--

The New American Poetry: Fifty Years Later is a collection of critical essays on Donald Allen’s 1960 seminal anthology, The New American Poetry, an anthology that Marjorie Perloff once called “the fountainhead of radical American poetics.” The New American Poetry is referred to in every literary history of post-World War II American poetry. Allen’s anthology has reached its fiftieth anniversary, providing a unique time for reflection and reevaluation of this preeminent collection. As we know, Allen’s anthology was groundbreaking—it was the first to distribute widely the poetry and theoretical positions of poets such as Charles Olson, Allen Ginsberg and the Beats, and it was the first to categorize these poets by the schools (Black Mountain, New York School, San Francisco Renaissance, and the Beats) by which they are known today. Over the course of fifty years, this categorization of poets into schools has become one of the major, if not only way, that The New American Poetry is remembered or valued; one certain goal of this volume, as one reviewer invites, is to “pry The New American Poetry out from the hoary platitudes that have encrusted it.” To this point critics mostly have examined The New American Poetry as an anthology; former treatments of The New American Poetry look at it intently as a whole. Though the almost singularly-focused study of its construction and, less often, reception has lent a great deal of documented, highly visible and debated material in which to consider, we have been left with certain notions about its relevance that have become imbued ultimately in the collective critical consciousness of postmodernity. This volume, however, goes beyond the analysis of construction and reception and achieves something distinctive, extendingthose former treatments by treading on the paths they create. This volume aims to discover another sense of “radical” that Perloff articulated—rather than a radical that departs markedly from the usual, we invite consideration of The New American Poetry that isradical in the sense of root, of harboring something fundamental, something inherent, as we uncover and trace further elements correlated with its widespread influence over the last fifty years.

Revels in the complexities of female identity and American culture. The collection's sixteen original essays move beyond conventional discussions of hippie chicks and Weatherwomen to examine the diverse lives of women who helped to shape religion, sports, literature, and music, among other aspects of the cultural hodgepodge known as the sixties. From familiar names like Yoko Ono, Carole King, and Joan Baez to lesser-known figures like Anita Caspary and Barbara Deming, the women represent a variety of points on the celebrity and feminist spectrums. The book traces women who sought to break into "male" fields, women whose personae and work link the radical sixties to earlier cultural traditions, and those who consciously confronted power structures and demanded change. – from publisher information.