Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.

This book asks the reader to reassess the Cold War not just as superpower conflict and high diplomacy, but as social and cultural history. It makes cross-cultural comparisons of the socio cultural aspects of the Cold War across the East/West block divide, dealing with issues including broadcasting, public opinion, and the production and consumption of popular culture.

The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.

This collection of "Stitesiana" includes 29 essays on Russian culture, representing the bulk of 20 years of scholarship, in addition to well-known monographs and diverse pieces in popular magazines.

German science fiction offers a most interesting contribution to the history and criticism of science fiction. William B. Fischer examines two writers, Kurd Lasswitz and Hans Dominik. He concludes that German science fiction is in distinct contrast to the "normative" tradition of modern Anglo-American science fiction and to many other literary traditions as well. His book demonstrates vividly the social relevance and enduring cultural vitality of science fiction.

"Vortex" tells the story of Turk Findley, the protagonist introduced in "Axis," who is transported 10,000 years into the future by the mysterious entities called "the Hypotheticals."

The Vortex That Unites Us is a study of totality in Russian literature, from the foundation of the modern Russian state to the present day. Considering a diversity of texts that have in common chiefly their prominence in the Russian literary canon, Jacob Emery examines the persistent ambition in Russian literature to gather the whole world into an artwork. Emery reveals how the diversity of totalizing figures in the Russian canon—often in alliance with ideologies like the totalitarian state or enlightenment reason—strive for the frontiers of space and time in order to guarantee the coherence of the globe and the continuity of history. He expores subjects like romantic metaphors of supernatural possession; Tolstoy's conception of art as a vector of emotional contagion; the panoramic ambitions of the avant-garde to grasp the globe in a new poetic medium; efforts of Soviet utopians to harmonize the whole of social life along aesthetic lines; Mandelstam's evocation of writing as a transcendental authority that guarantees a grandiose historical rhythm even when manifested as authoritarian repression; and the mass market of cultural commodities in which the exiled Vladimir Nabokov found success with his novel Lolita. The Vortex That Unites Us reveals a common thread in the disparate works it explores, bringing into a single horizon a variety of typically siloed texts and aesthetic approaches. In all these cases, the medium of totality is the body, inspired by artistic vision and compelled by aesthetic response.

In the near future, the debt-laden U.S. owns a technology that renders it "the world's best-defended Third World country." The only real outer-space planning is in Common Europe, so young American "space cadet" Jerry Reed goes to work in Paris. He falls in love with and marries Soviet career bureaucrat Sonya Gagarin and the story jumps ahead 20 years, blending world events with a focus on their family. Sonya's star has risen with the Euro-Russians' while Jerry has been stymied by pervasive anti-Americanism. Daughter Franja has her father's space fever and enrolls in a Russian space school; son Bob, fiercely curious about an earlier, admired America before it was run by xenophobic "Gringos," enters Berkeley. Ten years later the U.S. is a pariah, Euro-Russia the pet of the civilized world and the Reeds scattered - politics forced Jerry and Sonya's divorce, Franja speaks only to her mother and Bob is trapped in "Festung Amerika." A series of odd, occasionally tragic events brings the family (and the world) together. Despite some tech-talk this is not science fiction: the first two-thirds of this hefty book is chillingly logical, if sometimes very funny, and while the "happy" ending may seem forced, Spinrad ( Bug Jack Barron ) gives us a wild, exhilarating ride into the next century.