Photographer and writer Shawn M. Tomlinson, author of the Photo Curmudgeon column and books, makes creating black and white and toned photos simple with this how-to guide. "In a world dominated by colorful images, black and white and toned photographs can stand out as something different, something somehow more beautiful," Tomlinson writes. "To really work in the 21st century, a black and white or toned image must be special. It must express something not there in color. There must be a reason to change the reality of the image by turning it grayscale, not just that you can. All that said, there is absolutely nothing like a truly great black and white image." The author covers the basics of B&W and toned photos including processing techniques, printing, presentation in eBooks, and much more. This is an expanded and revised edition of the original eBook and trade paperback editions.

Michael Freemanour top digital photography author and a worldwide namepresents the most comprehensive book yet on black-and-white digital photography. Oversized, beautifully illustrated, and far-reaching in scope, this guide is destined to be a standard reference for years to come. Freeman covers all aspects of black-and-white digital photography: its fine art tradition as well as its techniques. Learn how to see and expose in black and white, digitally convert color to monochrome, and develop a black-and-white digital workflow. Explore creative choices and how to interpret various subjects most skillfully in monochrome. Finally, get an expert s advice on printing and displaying black-and-white photographs to best effect. "

Black and white has an enduring appeal that just keeps on growing. Above all, it's a medium for the fine print--one that benefits immeasurably from digital technology and inkjet printers. Written by a photographer well-known for his ability to explain complex digital concepts to a variety of audiences, this essential guide on the art of black and white is packed with information, hints, and tips, along with a plethora of stunning images. Discover how our colorful world translates into black and white and how to create a stunning monotone image. See how to render colors as gray tones and how to manipulate the tonality for dramatic effect. Experiment with high contrast, infrared, and pseudo non-silver looks. You won't believe the wonderful results you'll achieve.

Everybody gives out tips for better photography. Well, maybe not your boss or the guy who fixes your furnace (although mine does), but most photography websites, forums and magazines fill their pages with tips for becoming a better photographer. There's a reason there are so many tips out there: photographers want them. On the other hand, we who have some little knowledge like to give them, too. Most people like to pass on what they've learned. I've been a photographer for nearly four decades. I've published thousands of photographs. I write a photography column (Photo Curmudgeon). I love photography. I read tips from other photographers often. Sometimes, I read something new, or at least put in a new way so that it sparks an idea. No one can tell you how to develop your photographer's eye. Only you can figure that out. What I can do is give you some pointers about how to develop your own photographer's eye, and how to get better as a photographer.

A lot has changed since I wrote and published this first volume of what became this guide series. One thing hasnÕt. I still have the same enthusiasm and joy in photography I had way back at the beginning of the series. I have a lot more knowledge and experience now and, occasionally even get close to taking good photographs. ThatÕs the thing, see. I didnÕt know a lot when I originally wrote this guide. I had been working in photography since 1982 professionally. Everything I knew, pretty much, was self-taught. In general, thatÕs still true. ThereÕs no need for you to do it all by yourself, too, though. This book and this series are meant to help you get going with the basics fast. Yes, OK, I tend to relate my own experiences, but that, too, is meant to help you avoid some basic mistakes I made. And, perhaps, I write in a tad too friendly manner, but think of it as sitting down with me to have a friendly talk about a passion we share: Photography!

Outside was crazy. The thick, coming storm weighed me down. It could come any minute: thunderous, hurricane rain, followed by all kinds of hell. I dashed across the lawn, into The Lab and up the stairs. The bookcase was locked. Most of our books anyone can look at. Some, we donÕt think would be wise to let out. I fumbled the key chain, looking for the tiny key that could open the door. I managed to get it near the keyhole when the electricity died. Cara may curse my pipe, but right then, I think sheÕd have been glad I had a lighter. The lighter helped me again. The deep, old books were a window to the past. We had read few. That would entail things like dying horrible deaths. Instead, we had a collection of Òabout books, Ó essays written anywhere from last year to a thousand years ago. The one I was looking for was deep red, 'AichlanÕs Deimos.' In it I hoped to sort out how to send Xith back to wherever the hell it came from before it ate Lily Dale, or whatever it does.

Phenomenal Stories #08 features the origin story, ?Secrets, ? and continuing the theme, we present Henry Kuttner's classic ?The Secret of Kralitz.? H.P. Lovecraft contributes his classic tale, ?The Temple, ? and PS presents the next installment of Richard H. Nilsen's fantasy serial, ?The Book of Power.? Dunces & Dragons continues its exhausted and exhaustive adventures of put-upon reporter/columnist J.D. Hayes-Canell, known endearingly as Intrepid, as he navigates Minas Tirith and gets his own stalker! Richard H. Nilsen's column, The Write Stuff, is designed to help novice writers out there to get writing. This installment focuses upon discipline for writers. Future parts will go into other specifics to help the budding writer write. The editor quotes Dorothy Parker in his views about ?Having Written.? Phenomenal Stories is a modern-day tribute to the science fiction/horror/fantasy/speculative pulp magazines of the 1920s, 1930s and 1940s.

The Hitchhiker in Time columns were the single most popular things ever written by Shawn M. Tomlinson, which honestly doesn't say all that much. All together, they appeared in fewer than 10 newspapers between 1988 and 2001. Well, multiple copies of those newspapers, of course. The highest circulation was approximately 40,000, so not exactly Bob Greene levels. Still, Tomlinson had a following with these columns and to a great extent, they hold up well today. Either that or Tomlinson would like to think so. Many of these columns appeared in chapbooks over the years, but this is the first full collection of them to be in print.

In some ways, the Nikon F5 is easier to use than the Canon EOS 1N, but it is not nearly as elegant.There's just something about the way the Canon EOS 1N feels in my hands when I'm shooting with it that makes me never want to put it down.In that way, it reminds me much more of the Nikon F4S than the Nikon F5Practically since I placed the order for the camera, it was inevitable that I would need to write about it.If you are seeking the perfect late-model film SLR camera, you need look no further than the second-to-last pro level Canon EOS 1N.Just load a roll of film, take the camera in your hands and start shooting.You, too, will never want to let it go.

The folks at Nikon produced the first practical digital single-lens reflex camera with the Nikon D1 in 1999, but Canon was hot on their heels, reaching out to the Enthusiast photography market first with the Canon EOS 30D. Always in direct competiion with Canon, Nikon pushed to get its first Enthusiast DSLR on the market by 2002, the Nikon D100. It may be old now, but it still is a viable choice for the frugal photographer starting out. In this volume of Shawn M. TomlinsonÍs Guide to Photography, Nikon D100 takes center stage, showing exactly how good this camera is and why it makes a great first DSLR.