A study of literary Naturalism in Spain (1860-1890). This book explores the polemic surrounding the introduction of literary Naturalism in Spain (1860-1890), during which traditional Spanish institutions and traditional forms of authority were displaced by a variety of forces that competed for authoritative status. Of the philosophical, theological, aesthetic, political and social factors which thus came together in a unique confluence of discourses and voices, the author stresses particularly the politicalfactors and the intrusion of the female speaker in late nineteenth-century society. MARY LEE BRETZ is a Professor of Spanish at Rutgers State University, New Jersey.

A blend of case history, anecdote, history, and spiritual quest, this intimate and fascinating look at the world's oldest and most reclusive monastic order provides a rare understanding of day-to-day Trappist existence.

Helene Cixous (1937-), distinguished not least as a playwright herself, told Le Monde in 1977 that she no longer went to the theatre: it presented women only as reflections of men, used for their visual effect. The theatre she wanted would stress the auditory, giving voice to ways of being that had previously been silenced. She was by no means alone in this. Cixous's plays, along with those of Nathalie Sarraute (1900-99), Marguerite Duras (1914-96), and Noelle Renaude (1949-), among others, have proved potent in drawing participants into a dynamic 'space of the voice'. If, as psychoanalysis suggests, voice represents a transitional condition between body and language, such plays may draw their audiences in to understandings previously never spoken. In this ground-breaking study, Noonan explores the rich possibilities of this new audio-vocal form of theatre, and what it can reveal of the auditory self.

Early evening, a young boy alone on his pony on the rim of the Nebraska Sandhills. Three darkening thunderclouds rising higher and higher on the horizon. An electric atmosphere, a quickening, light cooling breeze. A slight shiver and the boy wonders, "Am I being pursued by the Father, the Son, and the Holy Ghost?" These sudden, unbidden, unexpected, strange experiences. We all have them. What are they? Mere plucking on the emotional strings of our material selves? Or do they have a deeper meaning? Do they signal the Presence of something other, maybe some Other, maybe some one Other, some thing or some one, above, below, beyond our normal waking consciousness? James W. Sire has studied a massive number of these accounts. He pairs them with his own experiences and turns to scientists, philosophers, and theologians for explanation. These experiences, he concludes, are signals of transcendence or what N. T. Wright calls echoes of a voice--"the voice of Jesus, calling us to follow him into God's new world." This book is an account of the author's journey to this conclusion.

Haunted by silence, a mute teenage girl is mysteriously given back her voice...and it is divine. "Lyrical and enchanting, SILENT ECHO will resonate in your heart long after you turn the last page. I can’t wait for the sequel!” —Lorie Langdon, author of the DOON series. Rendered mute at birth, Portia Griffin has been silent for 16 years. Music is her constant companion, along with Felix, her deaf best friend who couldn’t care less whether or not she can speak. If only he were as nonchalant about her newfound interest in the musically gifted Max Hunter. But Portia’s silence is about to be broken with the abrupt discovery of her voice, unparalleled in its purity and the power it affords to control those around her. Able to persuade, seduce and destroy using only her voice, Portia embarks on a search for answers about who she really is, and what she is destined to do. Inspired by Homer’s ODYSSEY, SILENT ECHO is an epic story filled with fantasy, romance and original music. "SILENT ECHO is a gripping, original read, with a heroine you won't forget. Katniss Everdeen -- watch out for Portia Griffin." —Erica Wagner, author of SEIZURE

This volume brings together cutting-edge research on modern Spanish women as writers, activists, and embodiments of cultural change, and honors Maryellen Bieder's invaluable scholarly contributions. The critical analyses are situated within their specific socio-historical context, and shed new light on nineteenth- and early twentieth-century Spanish literature, history, and culture.

In 1977, Marcia Muller invaded the all-male domain of detective literature and within a decade was established as the mother of the female hardboiled private eye. She is now the author of four detective series, including the critically acclaimed Sharon McCone series of more than two dozen novels. This collection critically assesses Marcia Muller's writing and reevaluates current critical views on women's detective fiction in general. In the first two of the book's three sections, essays explore Muller's engagement with modern and postmodern feminism, ethnicity, and the socially underprivileged. The third section focuses on one of Muller's major themes, the trauma of history. Drawing from the feminist, historicist, mythic, psychoanalytic, and cultural approaches found in all three sections, the conclusion offers a panoramic perspective on Muller's accomplishments.

Are you tired of being treated as second-class citizens in a society that claims to be equal? Have you been falsely accused of abuse, only to find yourself abandoned by the very support systems that should have protected you? Are you fed up with the extreme misogyny that permeates our culture, leaving you feeling unjustly vilified? This book is your ally, your voice, and your weapon against the injustices you encounter daily. Inside, you'll find: - A dissection of false allegations and their life-altering consequences, with a focus on the lack of support available for those wrongly accused. - An exploration of extreme misogynistic views, laying bare their impact on the unjust treatment of men in society and various institutions. - A thorough analysis of the "guilty until proven innocent" principle and its disproportionate application towards men, leading to a lack of fair representation in legal matters. - A deep dive into the societal expectations placed on men, often setting them up for failure. - An examination of how captured institutions are shaping cultural hegemony, reinforcing a one-sided narrative, and neglecting men's needs. - The stories of those who have suffered due to these issues, providing a glimpse into the human cost of this systematic injustice. If you're ready to stand up and fight for your rights, this book is your rallying cry.

Sor Juana Inés de la Cruz, a seventeenth-century Mexican nun, is one of the most compelling figures of her age. A prolific writer, a learned scholar, and the first woman theologian of the Americas, she was also a defender of the dignity and rights of women in the midst of a fiercely patriarchal culture. In this study, Michelle Gonzalez examines Sor Juana’s contributions as a foremother of many currents of contemporary theology. In particular, in joining aesthetics with the quest for truth and justice, her work and witness suggest new avenues for Hispanic, feminist, and other liberation theologies.

La publicación de este volumen representa un caso relativamente insólito. Un pequeño grupo de jóvenes investigadores de menos de treinta años convence a un grupo mucho más numeroso de la misma edad para celebrar en Salamanca la First Conference of Young Researchers on Anglophone Studies. El resultado es deslumbrante. No solo demuestran una gran capacidad organizativa, sino que los resultados individuales de las aportaciones científicas son sobresalientes. Este volumen, Current Trends in Anglophone Studies, recoge una selección revisada de las propuestas presentadas en el Encuentro y gira en torno a una estructuración tripartita clásica: estudios culturales, lingüísticos y literarios. En ella caben todos aquellos que se mueven en el campo de los estudios anglófonos. Cada uno de estos campos podría haber sido suficiente para celebrar un congreso, pero parece razonable que en este tipo de encuentros tengan cabida todos. De ese modo, este volumen se convierte en un ejemplo de aproximación interdisciplinar a los estudios anglófonos. Desde un punto de vista cuantitativo, los estudios culturales ocupan sin duda un espacio menor. Sin embargo, sobresale la variedad de temas tratados, así como la internacionalización de los autores, dentro de este apartado. Estudiantes españoles e italianos acometen estudios relacionados con la música, la pintura, el cine, la traducción, la marginalidad social o el impacto de las nuevas tecnologías en la producción artística. Si no pareciera demasiado atrevido, podría decirse que estos jóvenes estudiosos irían más allá de lo que un día ya lejano pudieron imaginar Richard Hoggard o Raymond Williams. Los estudios aquí presentados reflejan, sin duda, la evolución que la propia sociedad ha experimentado en estos últimos cincuenta años y exploran la relación entre las prácticas culturales, la vida diaria, y los contextos económicos, políticos e históricos. No es de extrañar que una gran parte de las contribuciones presentadas en este volumen se centren en el estudio de la lengua, ya que la demanda del inglés se ha incrementado de forma considerable en los últimos años. Sobresalen los análisis puramente filológicos y sobre todo los relacionados con el aprendizaje del inglés como segunda lengua. Por eso, destacan estudios que contemplan rasgos morfológicos, léxicos o sintácticos. Sin embargo, el mayor número de participaciones hace referencia al ya citado aprendizaje del inglés como L2, tanto desde el análisis de materiales, como desde la práctica oral o escrita. Las contribuciones literarias ofrecen una evaluación teórica, formal e interpretativa de distintas tendencias desde perspectivas tanto interdisciplinares como interculturales. Cronológicamente los estudios abarcan textos desde el siglo XVIII hasta nuestros días, con un acento especial en los autores más contemporáneos y en el género narrativo. En general estos estudios se fijan en textos concretos y los analizan desde perspectivas culturales, sociológicas o psicológicas. Pero abundan menos las aproximaciones desde la teoría literaria, desde la técnica narrativa o, como tal vez cabría esperar al tratarse de estudiantes tan jóvenes, desde la aplicación de las nuevas tecnologías. Por el contrario, se repiten temas como los traumas heredados de la Guerra de Vietnam, las cicatrices del 11 de septiembre o los problemas de género. En definitiva, se trata de una selección de artículos claramente prometedora, que transmite la seguridad de que el futuro de la Filología Inglesa está en buenas manos y podrá experimentar una positiva evolución en los próximos años. Por todo ello, hay que felicitar a todos los participantes individuales y, sobre todo, a los organizadores del evento, y editores de este volumen, que han demostrado una enorme capacidad de trabajo y de saber hacer.