Discover the rich tapestry of folk music with "Voices of Tradition: The 100 Greatest Folk Musicians of All Time." This engaging and comprehensive book celebrates the legendary figures who have shaped the folk genre, from the trailblazing works of Woody Guthrie and the poetic brilliance of Bob Dylan to the profound artistry of Joan Baez and the groundbreaking folk revivalists The Weavers. Each chapter delves into the lives and contributions of these iconic musicians, highlighting their unique styles, influential works, and the profound impact they’ve had on folk music and culture. Perfect for folk music enthusiasts, history buffs, and anyone interested in the roots of American music, "Voices of Tradition" is a tribute to the artists who have preserved and enriched the folk tradition. Explore the enduring power and passion of the 100 greatest folk musicians and their timeless contributions to the soundtrack of our lives.

Sampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers, and examples of their narratives, sermons, tales, and reminiscences.

Dive into the captivating stories behind the most iconic voices in music history. "The Voices that Shaped Music: The 100 Greatest Singers of All Time" is an anthology that celebrates the artistry, influence, and unique journeys of 100 legendary singers who have left an indelible mark on the world. From the soulful resonance of Aretha Franklin to the electrifying performances of Freddie Mercury, and the timeless classics of Frank Sinatra to the groundbreaking innovation of Michael Jackson, this book offers a comprehensive look at the singers who defined eras, transcended genres, and moved millions. Each chapter is dedicated to a different artist, detailing their rise to stardom, their signature styles, and their lasting impact on music and culture.

In a lively celebration of the contemporary folk music scene, Nanci Griffith tells the story of her music evolution and introduces the songwriters and performers who contributed to her Grammy Award-winning album, "Other Voices, Other Rooms" and her new album, "Other Voices, Too: A Trip Back to Bountiful". 100 photos.

In the 1960s and 1970s, a number of British musicians rediscovered traditional folk ballads, fusing the old melodies with rock, jazz, and blues styles to create a new genre dubbed "electric folk" or "British folk rock." This revival featured groups such as Steeleye Span, Fairport Convention, and Pentangle and individual performers like Shirley & Dolly Collins, and Richard Thompson. While making music in multiple styles, they had one thing in common: they were all based on traditional English song and dance material. These new arrangements of an old repertoire created a unique musical voice within the popular mainstream. After reasonable commercial success, peaking with Steeleye Span's Top 10 album All Around My Hat, Electric Folk disappeared from mainstream notice in the late 1970s, yet performers continue to create today. In Electric Folk: The Changing Face of English Traditional Music, Britta Sweers provides an illuminating history and fascinating analysis of the unique features of the electric folk scene, exploring its musical styles and cultural implications. Drawing on rare historical sources, contemporary music journalism, and first-hand interviews with several of electric folk's most prominent artists, Sweers argues that electric folk is both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Young British "folk-rockers," such as Richard Thompson and Maddy Prior, turned to traditional musical material as a means of asserting their British cultural identity. Yet, unlike many American and British folk revivalists, they were not as interested in the "purity" of folk ballads as in the music's potential for lively interaction with modern styles, instruments, and media. The book also delves into the impact of the British folk rock movement on mainstream pop, American rock music, and neighboring European countries. Ultimately, Sweers creates a richly detailed portrait of the electric folk scene--as cultural phenomenon, commercial entity, and performance style.

This one-of-a-kind reference investigates the music and the musicians that set the popular trends of the last half century in America. Many rock fans have, at one time or another, ranked their favorite artists in order of talent, charisma, and musical influence on the world as they see it. In this same spirit, author and music historian David V. Moskowitz expands on the concept of "top ten" lists to provide a lineup of the best 100 musical groups from the past 60 years. Since the chosen bands are based on the author's personal taste, this two-volume set provokes discussion of which performers are included and why, offering insights into the surprising influences behind them. From the Everly Brothers, to the Ramones, to Public Enemy, the work covers a wide variety of styles and genres, clearly illustrating the connections between them. Entries focus on the group's history, touring, membership, major releases, selected discography, bibliography, and influence. Contributions from leading scholars in popular music shed light on derivative artists and underscore the overall impact of the performers on the music industry.

In the social and cultural histories of women and feminism, Black women have long been overlooked or ignored. The Routledge Companion to Black Women’s Cultural Histories is an impressive and comprehensive reference work for contemporary scholarship on the cultural histories of Black women across the diaspora spanning different eras from ancient times into the twenty-first century. Comprising over 30 chapters by a team of international contributors, the Companion is divided into five parts: A fragmented past, an inclusive future Contested histories, subversive memories Gendered lives, racial frameworks Cultural shifts, social change Black identities, feminist formations Within these sections, a diverse range of women, places, and issues are explored, including ancient African queens, Black women in early modern European art and culture, enslaved Muslim women in the antebellum United States, Sally Hemings, Phillis Wheatley, Black women writers in early twentieth-century Paris, Black women, civil rights, South African apartheid, and sexual violence and resistance in the United States in recent history. The Routledge Companion to Black Women’s Cultural Histories is essential reading for students and researchers in Gender Studies, History, Africana Studies, and Cultural Studies.

Award-winning composer, arranger, pianist, and recording artist Mark Hayes has crafted a delightful addition to his popular vocal solo series. 10 Folk Songs for Solo Voice offers traditional tunes from Scotland, Wales, and the United States, ranging from the plaintive (I Know Where I'm Going) to the passionate (Aura Lee); from the Civil War (Goober Peas) to the nineteenth century American frontier (Railroad Medley); and from comic courting songs (Billy Boy) to early popular song (Stephen Foster's Beautiful Dreamer). Available in both medium high and medium low voicings. Titles: * Railroad Medley (The Wabash Cannon Ball / She'll Be Comin' 'Round the Mountain / I've Been Working on the Railroad) * I Know Where I'm Going * Simple Gifts * Beautiful Dreamer * The Erie Canal * The Ash Grove * The Arkansas Traveler * Aura Lee * Billy Boy * Goober Peas

From Washington Square Park and Café Society to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the famous folk music revival of the 1950s and '60s. Folk City, by Stephen Petrus and Ronald Cohen, explores New York's central role in fueling the nationwide craze for folk music in postwar America.